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Bjarke Ingels Group – BIG…. the most Conscious Inspiration firm working today – Chapter one.

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , on May 20, 2012 by eliinbar

From  Eliinbar’s sketchbook 2012 BIG, the most Conscious Inspiration Firm working today

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It took me a while to clearly determine ….

The most significant Architecture Firm working today…. that implements the “conscious Inspiration Method”….in Perfection …. Is  Bjarke Ingels Group – BIG

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In This Post and the Following I’ll check my assumption …For you to Judge….

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I will start  with the first guiding principle in the “conscious inspiration method” – “Knowledge”

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Here are two of Bjarke-Ingelss’ quotes from an interview he made in 2009 for archi-ninja.com. I can assume these quotes reflect Bjarke-Ingels approach to knowledge

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“We don’t concern ourselves with being trendy”,“in general we tend to study the works of our dead ancestors rather than our contemporaries “

“dead don’t complain when you ‘steal’ their ideas ;- )” 

“The best way to learn architecture is to fall in love with architects that do it well (and their work.)”

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What did I learn from Bjarke-Ingels quotes about his approach to knowledge? 

1. Bjarke-Ingels is not intimidated to get inspired from relevant buildings and architects.

2. He develops techniques how to choose the right building to be his “Inspiration Source”.

3. The “Inspiration Source building” will play the role of the “Planning Process Generator” to be used later in his design process….

 

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 Here is a building designed by BIG + JDS = PLOT  that demonstrates how Bjarke-Ingels’s applies the “Conscious Inspiration Method”

 

BIG + JDS = PLOT Architects

apartments building Copenhagen, Denmark

Construction period: 2004 – 2005 more information you can fined in Arch daily

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And Here is Steven Holl’s Building Designed In the 80s’ ..

Steven Holl Architect

HYBRID BUILDING hotel suites, shops and offices

Seaside, FL, United States, 1984-1988  (Isometric view)

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Notice the dominant configuration of the balconies in a form of triangles

BIG most likely are focusing on the morphological aspect

of Steven Holl’s building as their “Planning Process Generator”.

From  eliinbar’s sketchbook 2012 BIG, the most Conscious Inspiration Firm working today

 

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Check the NEW CONSCIOUS INSPARATION PAGE

in my Facebook

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“Conscious Inspiration” the ultimate inspiration methodology

I invite you all to contribute in developing the attitude and tools towards the viability of the “Conscious Inspiration” Method.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I believe that designing is a process formed from three main phases:knowledge, tools and invention.

“Knowledge”: as many said, and wrote before – Knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”: develop tools to analyze buildings and “Understand” them,tools that will cope with the abundance of architectural information…tools that encourage your planning process….tools matching your skills
and generating your creative process….

(You are invited to visit earlier posts of mine showing leading architects tools…. )

“Invention”: with the methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings. Once we develop our tools, it will lead us to high quality and creative architecture.

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Le Corbusier is here…. and his alive ….

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , on May 15, 2012 by eliinbar

From  eliinbar’s sketchbook 2012 - Wang Shu’s inspiration Sources

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The Chinese architect Wang Shu, has been awarded the 2012 Pritzker Architecture Prize.

I must confess….
I was unfamiliar with the work of  Shu Wang,

In this post I present a building designed by Shu Wang….The new Art Academy in Hangzhou  China.

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It is really hard to ignore the  inspiration sources of this building….there is a strong sense that Le Corbusier is still among us…. working in China….

The design strategy adopted by Shu Wang In China Is a combination of modernist architectural citations along with awareness to local materials and local construction methods …

It reminds me Le Corbusier’s approach. while planning Chandigarh  in India, in the 1950s.

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Here are Selected photos of the New Art Academy Hangzhou designed by Wang Shu,  and his possible sources of inspiration….   For you to judge….

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Amateur Architecture Studio / Wang Shu architect

  New Art Academy Hangzhou China

published in Arch daily  IN  2009

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Le Corbusier Architect

Unité d ‘ Habitation Rezé

Nantes,France built from 1952 to 1954

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Amateur Architecture Studio / Wang Shu architect 

New Art Academy Hangzhou China

published in Arch daily  in  2009

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Le Corbusier and Iannis Xenakis Architects

Sainte Marie de La Tourette monastery

in a valley near Lyon, France 1953-1960

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Amateur Architecture Studio / Wang Shu architect 

New Art Academy Hangzhou China

published in Arch daily  in  2009

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Hans Sharoun Architect

Philharmonic building in Berlin-Tiergarten

Germany 1960-1963

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Amateur Architecture Studio / Wang Shu architect 

 New Art Academy Hangzhou China

 published in Arch daily  in  2009

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SANAA rchitects

Zollverein School of  Management & Design

Essen,Germany 2003-2006

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What did I learn from this post?

1. Wang Shu actually designs his buildings according to the principles of the conscious inspiration method.

2. He chooses wisely Le Corbusier to be his main inspiration source….(And others).
3. He developed a planning strategy refers to his projects surrounding environment..

4. He consciously cites his sources of inspiration.

and finally he is awarded the 2012 Pritzker Architecture Prize .

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Check the NEW CONSCIOUS INSPARATION PAGE

in my Facebook

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Zaha Hadid & Frank Lloyd Wright ….Do aspirations for reality begins in our drawings?

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , on May 11, 2012 by eliinbar

In my previous posts I mentioned the need to develop individual design tools as an important part of the design process I call “Conscious Inspiration”.

Zaha Hadid’s sketches and drawings are a major and familiar tool Identified with her exclusive architecture.

In this post I will share with you Zaha Hadid’s Inspiration Sources for her unique sketches and drawings.

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I want to thank Livius

His blog “Livius’ Notes” was my inspiration for this post

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Here is an interesting and relevant quote from Livius blog :

“I’m not sure that the use of softwares is equally favorable to the brain.
My teaching experience is that students of Today have less imagination. We live in an age where you no longer need to imagine, because any image is immediately available by Internet. The images are no longer thought: they’re consumed”

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Zaha Hadid’s Sketch for the spiral tower in Barcelona

more information about the spiral tower

you can find in archdaily.com

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A typical Arabic-calligraphy

Note the similarity between the dominant curling line in the Arabic-calligraphy and Zaha Hadid’s sketch

It may not be coincidentally…. the spiral tower is designed in Barcelona Spain.

Considering Spain was ruled for – in some parts – up to 800 years by the Islamic Moors.

You are invited to visit a previous post of mine, dealing with Zaha Hadid‘s inspiration sources from the environment in which she plans.

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Another Master whose drawings have inspired generations of architects, Is Frank Lloyd Wright.

The following Image is Frank Lloyd Wright‘s perspective for one of his inspiring buildings, the Kaufmann House, Known as the “Falling water“.

Frank Lloyd Wright‘s

perspective for the Kaufmann House

“Falling water” 1936

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A typical Japanese Print

Do you feel the impact of the Japanese Print on Frank Lloyd Wright?

It seems like it enhances the Kaufmann House design.

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What did I learn from this post?

I want to be helped with quotations by Lebbeus Woods, published in an article written by Jack Self appearing in the June 2010 issue of the Architectural Review:

“Drawings are not preparations for construction—in most cases they are the project. The act of rendering is the making of a version of reality”

“If architects wish to avoid obsolescence, they must reverse the de-politicization of architecture by the dominance of the beautiful, but meaningless, render. As architects, our aspirations for reality must begin in our drawings.

In other words our drawings, have an important role (a powerful tool) in our design process….

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you are invited to visit my previous post examining Frank Gehry’s sketches….

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Check the NEW CONSCIOUS INSPARATION PAGE

in my Facebook

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“Conscious Inspiration” the ultimate inspiration methodology

I invite you all to contribute in developing the attitude and tools towards the viability of the “Conscious Inspiration” Method.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I believe that designing is a process formed from three main phases: knowledge, tools and invention.

“Knowledge”: as many said, and wrote before – Knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”: develop tools to analyze buildings and “Understand” them, tools that will cope with the abundance of architectural information… tools that encourage your planning process….tools matching your skills
and generating your creative process….

(You are invited to visit earlier posts of mine showing leading architects tools…. )

“Invention”: with the methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings. Once we develop our tools, it will lead us to high quality and creative architecture.

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Bjarke Ingels Group – BIG….how they do it?

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , on May 6, 2012 by eliinbar

From  eliinbar’s sketchbook 2012 - the “conscious inspiration method”

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In my last post I tried to find out if  BIG’s architecture is based on the principles of “conscious inspiration”.

In this post I will elaborate this issue through the following example….

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In 2003 Snohetta Architects designed the Oslo Opera House shown in the next image.

A building with unique architectural characteristic.

A Kind of a new experience….a building that’s simply allows people to enjoy walking on it….

Snohetta Architects Oslo Opera House Norway 2003-2007

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From 2010 to 2011 BIG Architects designed three unique buildings.

Buildings that’s allow people to enjoy their  morphology…. For purposes Such as skiing on the roof slope of the Amagerforbraending – waste treatment plant, or Cycling on the Curved roofs of the Danish-Pavilion in Shanghai Expo-2010. (these buildings are shown in the next images)

Their guiding design principle, I guess, is inspired consciously from the Snohetta’s Oslo Opera House .

BIG are not intimidated to get inspired from Snohetta’s Oslo Opera House. Once they develop their dsign tools, it leads them to high quality and creative architecture.

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And this is “conscious Inspiration”…. see the following projects design by BIG ….for you to judge….

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BIG architects

 Amagerforbraending – waste treatment plant and ski run

Copenhagen published 2011

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BIG Architects

Musée National des Beaux-Arts

du Québec published 2010

You can read more about  BIG’s Design tools for this project  in Archdaily 

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BIG Architects

Danish-Pavilion

Shanghai Expo-2010

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I often mention the need for developing design tools as an important stage in our planning strategy….

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The next images describe BIG’s design tools strategy.

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This strategy is also common in other BIG’s projects.

See also BIG’s video in my previous post.

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I call  this strategy …. the “Augmented reality strategy”

In other words emphasizing the building’s morphology planning given the weather conditions, looks at the view, traffic systems, etc.

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BIG’s design tools strategy

Step One - Choose an existing structure as your inspiration source.

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Step Two - Develop your appropriate design tools strategy ( In this case BIG’s “Augmented reality strategy”)

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Third phase- plan “pragmatic utopian architecture” .

BIG  Architects

 Koutalaki Ski Village published 2011

You can read more about the Koutalaki Ski Village by BIG

 in DEZEEN

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Check the   NEW  CONSCIOUS  INSPARATION  PAGE

in my Facebook

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“Conscious Inspiration” the ultimate inspiration methodology

I invite you all to contribute in developing the attitude and tools towards the viability of the “Conscious Inspiration” Method.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I believe that designing is a process formed from three main phases:  knowledge, tools and invention.

“Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information… tools that encourage your planning process….tools matching your skills
and generating your creative process….

(You are invited to visit  earlier posts of  mine showing  leading architects  tools…. )

“Invention”:  with the methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

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Bjarke Ingels Group – BIG…. “Pragmatic utopian architecture or “Conscious Inspiration” Architecture

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 3, 2012 by eliinbar

Bjarke Ingels is a another successful graduate from Rem Koolhaas’s school ,the Office of Metropolitan Architecture ,OMA.

BIG ( Bjarke Ingels Groop) is a appreciated  firm that wins architecture competitions, on a regular base, all over the world.

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Bjarke Ingels Design philosophy is very pragmatic:

Architecture has been dominated by two opposing extremes “Eccentric curiosities” and “boring boxes”

Bjarke Ingels believes that there is a “third way” a “pragmatic utopian architecture”or as I understand it “Conscious Inspiration Architecture”

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In This post I will try to demonstrate why I think  BIG’s architecture is based on the principles of “conscious inspiration”

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1. Le Corbusier’s “raising Ramp”

BiG’s Cultural Center in Denmark

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From  eliinbar’s sketchbook 2012

You are invited to visit my recent and relevant posts dealing with Le Corbusier’s “raising Ramp-trend”

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2. “Extrovert inspiration”

BIG‘s Musée National des Beaux-Arts du Québec

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eliinbar sketches 2010  “Extrovert inspiration”

You are invited to visit my recent and relevant posts dealing with “Extrovert inspiration”

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3. “The slice effect”

BIG’s TEK Cube Building in Taiwan   2010

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Zaha Hadid Architect

Performing arts centre Hague

The Netherlands Published  2010

You are invited to visit my recent and relevant posts dealing with the “The slice effect”

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4.“The Crystal Buildings”

Big’s Tallinn’s new City Hall Estonia 2009

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From eliinbar’s sketchbook 2011, “TheCrystal Buildings”

You are invited to visit my recent and relevant posts dealing with Daniel Libeskind’s “Crystal Buildings”

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5.“The Green Lego Towers”

BIG’s Lego Towers 2007

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 MVRDV – Dwellings Liuzhou, China 2007

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What did I learned from this post?

1.“conscious inspiration” is a pragmatic method that can lead us architects to be a successful firm.

2. “Eccentric curiosities” and “boring boxes” is out “pragmatic utopian architecture” is In.

3. “pragmatic utopian architecture” is designing according to the principles of The “conscious Inspiration Method”….“with the  methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture”.

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A warm recommendation…. Locate  presentations showing  BIG’s Planning process (tools) in YouTube

Here is one I like ….

Enjoy

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in my Facebook

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Jean Nouvel and square number 9

Posted in public buildings with tags , , , , , on April 29, 2012 by eliinbar

Earlier this week I shared with you a typical page from my sketch book

From  Eliinbar’s Sketch book 2012 = a “Conscious Inspiration” Tool

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I was asked ….what was your inspiration source for this project?

And my answer was…. number 9

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The next image is the enlargement of  square number 9

From my Sketch book shown above

 It is a sketch of a floor-plan of a familiar building  in Paris

Can you guess which building It is?

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And these are typical Floor Plans of Jean Nouvel’s Institute du Monde Arabe in Paris….

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 Jean Nouvel’s Institute du Monde Arabe in Paris…. is

My Inspiration Source

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Why did I choose the Institute du monde Arabe to be my Inspiration Source?

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First I will share with you two main and unique characteristics of my project described in my  sketch - book above.

1. It is located at the edge of an urban block.

2. Its main façade, reference to a very large urban space.

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What are the unique architectural characteristics of the Institute du monde Arabe building?

 1. It is located at the Edge of a typical Parisian urban block like it is shown in the next sketch

Notice the Institute du Monde Arabe unique curving façade that emphasize the edge of the urban block 

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2. The Institute du monde Arabe main facade is very well observed from the Seine River (large urban space) as it is shown in the next Image

 Notice Jean Nouvel’s choice of  materials, the shiny and sealed glass for the foreground of the building  and the transparent glass for the rear of the building

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Zaha Hadid’s Complex Relations between “conscious inspiration” and the “arch motif”

Posted in buildings, public buildings with tags , , , , , , , , , , , , on April 22, 2012 by eliinbar

From Eliinbar’s Sketch book 2012 - Zaha Hadid And The “Arch Motif”

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Zaha Hadid is undoubtedly leading the architectural trend, I like to call “Plastelina Buildings“ .

you are invited to visit my Post Zaha Hadid & “Plastelina Buildings”.

“Plastelina Buildings“ is a type of building difficult to detect  its inspiration sources.

In this post I will try to identify a Zaha Hadid‘s typical  inspiration source when she designs  “Plastelina Buildings“ .

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There are a large number of well known public buildings that their main entrance is characterized by an arch….

The main entrance to the Petit Palais in Paris, shown in the image below, is a typical example

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Now let’s examine Zaha Hadid’s entrance to the chengdu-contemporary-art-centre in China

shown in the image Below

Notice to the main entrance (center of the building) is emphasized by a dominant arch …. it is a similar designing approach we identified in the “Petit Palais”  in Paris

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And now Observe the main entrance of the Nuragic and Contemporany Art Museum designed by Zaha Hadid , shown in the image Below.

It is also emphasized by an Impressive arch ….

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And what about the Guggenheim-Hermitage-Museum arch,     designed by Zaha hadid?

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And the Zaha Hadid’s Dubai-opera-house main entrance…

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And The typical arched entrance of the Nordpark Cable Railway  designed by Zaha hadid

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Another Arch entrance  designed by Zaha Hadid. In the Regium Waterfront project in Italy

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My Meditation Corner:

How many times I got up in the morning and an Inspiring new building was in my mind?

Maybe twice….

How many times I found myself at midnight, digging in my favorite architecture books….to be inspired?

Much more….

I want to share with you a typical page from my Sketch book.

This page demonstrates my own conscious design process…. (Described on this page the design process of the entry level floor plan, of a public building)

This is my “tool “I developed over the years,  that helps me get inspired in a conscious way…. what is yours?

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Check the   NEW  CONSCIOUS  INSPARATION  PAGE

in my Facebook

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Rem Koolhaas, MVRDV , Steven Holl and the “T Buildings trend”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , on April 18, 2012 by eliinbar

From Eliinbar’s Sketchbook 2012– the ” T buildings trend”

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It seems like a new trend is developing in recent years.

I call this trend…. The “ T Buildings trend”

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long ago …. when architects talk about “ T buildings”….  They were referring to buildings with a floor plan that has the shape of “T” like in the next image….

Typical “T” floor plan

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In recent years, three leading architectural firms, Rem Koolhaas(OMA), MVRDV and Steven Holl, explore the “T” configuration through the facades of their buildings .

Here are some examples:

Steven Holl Architects

Nanjing Sifang Art Museum

design-2003-Completion date: 2011

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 Steven Holl Architect

“T-Houses”

Copenhagen, Denmark  2006-2007

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  Steven Holl Architect

 horizontal skyscraper VANKE CENTER

Shenzhen China  2006-2009

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 Rem Koolhaas Architect (Office for Metropolitan Architecture – OMA)

Shenzhen Stock Exchange

China  2006

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  MVRDV architects

Shenzhen “4 Tower in 1″ competition CBD Trees

Shenzhen, China  2009

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Can a floor plan be your “Inspiration source”?

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You are invited to see also a relevant and very popular post of mine,that deals with a similar option in the  Zollverein School of Management & Design, designed by SANAA.

Another relevant post worth a visit….Rem Koolhaas and the “Conscious Inspiration” issue….

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in my Facebook

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Preston Scott Cohen and the “Origami Envelopes trend”

Posted in buildings, public buildings with tags , , , , , , , , , , , on April 12, 2012 by eliinbar

From Eliinbar’s Sketchbook 2012 – Preston Scott Cohen and the “Origami Envelopes trend”.

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The construction of the new wing of the Tel Aviv Museum is finished.

I’m pleased to announce….Tel Aviv leads one of the hottest trends in architecture today….The “Origami Envelopes trend”.

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Preston Scott Cohen Architect

Tel Aviv Museum

2003-2010

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I am aware of Preston Scott Cohen’s unique architectural geometry approach, that gave rise to the “Origami envelopes trend” ….

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Origami Swan

Notice the formal similarity between the Tel Aviv museum and the origami swan

1. Both were created from the practice of geometry.

2. Both “facades” are characterized by sharp lines.

3. Both are characterized by a shell composed of numerous straight surfaces.

4. It seems that the shell has also a constructive role (Actually in the museum a steel construction was covered by precast concrete slabs)

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This blog focuses on the “sources of inspiration” of architects,

We are aware of the enormous architectural information we are exposed to in the web.

And as we found out…. it has big influence on us ….

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Here is a partial selection of buildings  infected  from the “Origami Envelopes trend”. 

For you to judge ….

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Taiyuan museum Preston Scott Cohen

http://www.ilikearchitecture.net/2012/01/taiyuan-museum-preston-scott-cohen/

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http://www.dezeen.com/2008/11/16/origami-by-architects-collective/

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 http://www.dezeen.com/?s=origami

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http://www.dezeen.com/2012/01/11/klein-bottle-house-by-mcbride-charles-ryan/#more-185034

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http://www.dezeen.com/2011/09/11/hamborn-abbey-extension-by-astoc/#more-153615

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 http://www.imahnahome.com/unique-home/attractive-design-at-architecture-museum-origami-apply-formed-by-rojkind-architects.html

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http://www.designboom.com/weblog/cat/9/view/18591/matteo-cainer-architects-serlachius-museum-gosta-extension.html

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http://www.dezeen.com/2011/12/09/steven-holl-named-2012-aia-gold-medal-winner/

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http://www.e-architect.co.uk/portugal/vodafone_building_oporto.htm

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You are invited to visit my recent and relevant posts deling with the“Origami envelopes trend”:

 

“Origami Envelopes” – Conscious Inspiration

http://archidialog.com/2011/02/24/%E2%80%9Corigami-envelopes-conscious-inspiration/

 

Zaha Hadid – “Conscious Inspiration” 2

http://archidialog.com/2010/07/12/zaha-hadid-conscious-inspiration-2/

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Rem Koolhaas and the “Conscious Inspiration” issue….

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on April 6, 2012 by eliinbar

from Eliinbar’s Sketchbook 2012  Rem Koolhaas’s and the “Conscious Inspiration” issue

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Recently I found a Rem Koolhaas twitt  (16 Feb 09) related to the questions I raise in this blog….

Rem Koolhaas twitt: “Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to really ignore it.”

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Well….  Rem Koolhaas is no doubt one of the influential architects in our  time….

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We learned in this blog that the notions “inspiration” and “copy- past”, In other words “Influence”…. are very delicate issues, we are obliged to recognize them and develop techniques to deal with them….

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Probably you encountered in my blog ,  the “Conscious Inspiration Method“

A method that is aware of today availability of information…. and develop tools to help us architects and designers deal with it.

We don’t need to be intimidated to get inspired (influence) from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

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The next image, is the Shenzhen Stock Exchange building in Shenzhen,China .Rem Koolhaas ( OMA) won a competition to design it in 2006, today the Shenzhen Stock Exchange is under construction.

Rem Koolhaas Architect (Office for Metropolitan Architecture - OMA)

won, the competition to design the Shenzhen Stock Exchange in Shenzhen

China. 2006,   published in Dezeen, Under  construction.

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I can sagest some “Influencing’ buildings that
may be , are the inspiration sources for Rem Koolhaas.  

For you to Judge….

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El Lissitzky’s proposed horizontal skyscraper 1923–1925

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Tiblissi  Geórgia 1975

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And for  desert….

What do you think about this building designed by Coop Himmelb(l)au  in Shenzhen, China ,  bublished in Dezeen in 2009?

Note that the Rem Koolhaas’s Shenzhen Stock Exchange  is on its left….

Coop Himmelb(l)au Architects

China Insurance Group headquarters , Shenzhen, China

 published in Dezeen in 2009

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You are invited to visit my recent and relevant posts:

“Origami Envelopes” – Conscious Inspiration

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Zaha Hadid’s  “floating Inspiration”

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Steven Holl , El Lissitzky and the HORIZONTAL SKYSCRAPERS

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“Conscious Inspiration”   the ultimate inspiration methodology

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MVRDV’s “black cloud”, The image of the memory….

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Check the New  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

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