Frank Gehry’s Strategies “How do I get some Sky in there?”
From eliinbar’s sketchbook 2012 – Frank Gehry’s Strategies
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Frank Gehry was asked. “How do you get some sky to your buildings?” And his answer was “I don’t know what I do, I just “punch” a few holes here and there and….. somehow they end up being in the right place”.
From arc space.com:
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In this post I will try to learn from Frank Gehry what are his varied -strategies to get “some sky” into his buildings….
Notice that Gehry puts “sky” into his buildings rather than “open holes in walls” to let light and air penetrate his buildings”.
I will cover only a small part of Gehry’s variety of strategies.
To be continued in my next posts….
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1.The strategy of the “Invasive prisms“
Model of Gehry’s
unbuilt design for theFamilian Residence
inSanta Monica,California, 1978
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Frank Gehry’s house
Santa Monica,
California 1978
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2. The strategy of the “pile of boxes“
Frank Gehry Architect
working model of Guggenheim Abu Dhabi 2007
courtesy of hoss gifford
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Frank Gehry Architect
Public Library Hollywood Branch
USA 1983–1986
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3.The strategy of the “perforated veil”
Frank Gehry Architect
Cleveland Clinic ,Lou Ruvo Center for Brain Health
completed 2010
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You are invited to visit my previous posts dealing with “walls with holes”
Le Corbusier & SANAA “walls with holes”
https://archidialog.com/2011/02/11
The “Conscious Inspiration Chain” strikes again
https://archidialog.com/2011/04/08
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Check the NEW CONSCIOUS INSPARATION PAGE
in my Facebook
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This entry was posted on February 28, 2012 at 2:17 pm and is filed under buildings, public buildings with tags Cleveland Clinic, CONSCIOUS INSPARATION PAGE, eliinbar’s sketchbook 2012, Familian Residence, Frank Gehry, Frank Gehry's house, Guggenheim Abu Dhabi, holes in walls, Invasive prisms, Lou Ruvo Center for Brain Health, pile of boxes, Public Library Hollywood Branch. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
April 27, 2012 at 8:43 pm
hello Eli
Frank Gehry – the sample of reading “deconstruction” on the one level with Jacque Derrida in the work “L’ecriture et la difference”.