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……….Expo 2015 Milan = Controlling light

Posted in buildings, Inspiration Source, public buildings with tags , , , , , , , , , , , , , , , , , , , on October 24, 2015 by eliinbar

"Controlling Light" In Expo 2015

eliinbar’s  sketches 2015 – “Controlling Light” In Expo 2015

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I visited this year Expo in Milan….

Expo 2015 Motto is  Feeding the Planet, Energy for Life

From the point of view of an architect ,Milan Expo 2015 is a  dreamy playground containing 145 Structures designed by talented architects

appears that 145 architects

in Expo 2015

chose to deal with

a common challenge

“to Control  Light“

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you are already familiar

to this blog tradition

I will first deal with different strategies of

how to “Control Light” implemented in different structures in Expo 2015

And than

I shall propose

their

Inspiration sources

for you to judge

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Here is a sketch showing the most common design strategy in  Expo 2015

to Control Light by

envelopes made of Layers

Layers that are composed of vertical and horizontal slabs

"Controlling Light" In Expo 2015

“Controlling Light” In Expo 2015

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shown in the next image

is the Ireland’s pavilion in Expo 2015

notice the shading strategy implemented in the Ireland’s pavilion

layers of vertical slabs connected to the envelope structure

in  variable density

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and this is  le Corbusier’s  La Tourette Monastery in Lyon France designed and built from 1953 to 1957

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notice the shading strategy implemented in le Corbusier’s  La Tourette Monastery

layers of vertical slabs connected to the envelope structure

in  variable density

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eliinbar's sketches 2015 -inspiration sources- "Controlling Light" In Expo 2015

eliinbar’s  sketches 2015 -inspiration sources- “Controlling Light” In Expo 2015

Is le Corbusier’s  La Tourette Monastery, the Ireland’s Pavilion inspiration?

for you to judge

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more pavilions in Expo 2015 in Milan

implementing this strategy

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The Czech pavilion

 Czech pavilion in expo 2015 –vertical slabs

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–Azerbaijan pavilion in expo 2015

Azerbaijan pavilion in expo 2015- horizontal slabs

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German pavilion in expo 2015- horizontal slabs

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 Romania pavilion in expo 2015- vertical slabs

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French pavilion in Expo 2015

French pavilion in Expo 2015 – vertical slabs

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Pavilion Expo 2015

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more

Inspirational stories from Expo 2015, in future posts

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Le Corbusier to Peter Zumthor passes one straight line….”Conscious Inspiration”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on June 16, 2013 by eliinbar

From eliinbar's sketchbook 2013- Le Corbusier to Peter Zumthor passes one straight line…."Conscious Inspiration"

From Eliinbar’s sketchbook 2013– Le Corbusier to Peter Zumthor  passes one straight line….Conscious Inspiration

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Peter Zumthor recently published a model for the Los Angeles County Museum of Art  – LACMA ,new building

Museum of Art - LACMA

 Does Peter Zumthor also plans according to the principals of the Conscious Inspiration method

Apparently so
Let’s examine how Conscious Inspiration works for Peter Zumthor
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The first step in any process of conscious inspiration, is knowledge.

 The most dominant feature in Peter Zumthor’s building,  is the fact that it is raised from the ground by huge PILOTIS

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-Columns, pillars, or stilts that lift a building above ground or water ,are traditionally found in stilt and pole dwellings such as fishermen’s huts in Asia and Scandinavia

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Fishermen’s Stilt Houses, Pilar, Bicol

Southern Luzon, Philippines

Southeast Asia

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The architect that is most ןdentify  with the idea of ​​PILOTIS is Le Corbusier.  THE PILOTIS is the first principle of  le corbusier’s five
points of architecture
The main idea that led to lifting building PILOTIS ,is to allow a sequence of green areas and free movement of pedestrians.
The next sketch by Le Corbusier is showing a typical section of  Unite D’habitation = high-rise housing block 1946-1952
Le Corbusier's sketch
notice the  Unite D’habitation is raised up on pilotis  ,the green landscape spaces surrounding as  Le Corbusier’s Vision for  “La Ville
Radieus”  =  radiant city
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The second phase of the Conscious Inspiration process is the development of the conscious inspiration Tools.
Zumthor chose to present his project using a physical model
The model represents the initial phase of the project
51af776ab3fc4b225b000148_a-first-look-at-peter-zumthor-s-design-for-the-lacma_screen_shot_2013-06-05_at_10-34-29_am-528x249
The Los Angeles County Museum of Art  (LACMA) zumathor’s new
design would act as a “user-based village” of experiences with several access points and routes. Just as one would wander through a forest

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The third step in the Conscious Inspiration process,is to identify relevant sources of inspiration (existing buildings)
There are two types of buildings that can be a sources of inspiration
Buildings that are highly recognized representing a source of inspiration for many architects

one of them is  Le Corbusier’s Unite d’ Habitation built in Marseille  1946-1952 

shown in

the next image

                                                                                                                  

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The same year Le Corbusier’s Unite d’ Habitation in Marseille was finished 1952, Kenzo Tange’s Hiroshima Peace Memorial Museum in Japan ,was opened

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 notice Kenzo Tange’s Hiroshima Peace Memorial Museum is a  raised horizontal beam up on pilotis

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Newly constructed buildings are used as specific inspiration sources

 Recently were published two buildings (one of them a museum) that realize the design principles developed by Le Corbusier in the 20s of the last century, the first principle of le corbusier’s five points of architecture, lift the building on PILOTIS to allow continuity of the ground level of pedestrian movement and sequence of the forest

The first building is Jean Nouvel’s quai Branly Musée du Paris, 1995-2005 

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Note the prominent principles of this Museum
raised horizontal beam up on pilotis, allowing passage of pedestrians on the ground floor,in a clear green Characteristics.
One year after completion of the  Jean Nouvel’s Branly Musée 
Steven Hall plans an horizontal skyscraper, the  VANKE CENTER in Shenzhen,China  2006-2009
dzn_steven-holl-vanke-61
Once more ,note the prominent principles of this building,
raised horizontal beam, up on pilotis,llowing passage of pedestrians on the ground floor,in a clear green characteristics.

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Step Four  realise your invention

The next image is a general view of Peter Zumthor’s Los Angeles County Museum of Art model

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Unlike the very characteristics raised horizontal beam, up on pilotis
  Zumthor’s  Museum is a very large amorphous surface.

   

Is  Zumthor’s  Museum   a good example of Conscious Inspiration?

For you to judge….

 

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

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Le Corbusier and the double message of the Conscious Inspiration

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , on June 9, 2013 by eliinbar

Here is Le Corbusier’s thought-provoking quote, published in his book “Towards Architecture“, in the early 20’s of the last century

The iron and cement  during the last fifty years brought achievements , indicating the powerful of construction, but also architecture that its code is disrupted

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? What was Le corbusier‘s message when he wrote this phrase

It is possible to interpret Le corbusier’s  message literally

Architects failed to take advantage correctly ,of new construction technologies that were developed at the end of the 19th century and early 20th century

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I think Le Corbusier wanted to  send us a message bit different

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:That is how I understand, le Corbusier’s message 

 Since its birth, the architectural bases itself on the guiding principles

    These principles serves the needs of the primary users, we all

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?Where do we find the guiding principles

We finde the guiding principles in existing buildings

 Architects failed to take advantage correctly ,of new construction technologies because they did not base their new designs on Inspiring buildings

 Instead of learning the guiding principles that have evolved over the centuries, they choose to skip this legacy, and reinvent the wheel

 This architecture does not serve us

 I can suggest a name to Le corbusier’s message , I would call  it Conscious Inspiration

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Here Is an interesting example , Le Corbusier has published in his book Towards Architecture

This example shows us how “Conscious Inspiration” works for Le Corbusier

Here are the four Conscious Inspiration steps, who led Corbusier to high quality and creative architecture

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First step–  le Corbusier choose the right “Inspiration Sources” that empowers his vision,  guiding principles = Outlining guidelines

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Second step– this is one of Le Corbusier’s first buildings. le Corbusier implements consciously the principals of the “Outlining guidelines” in a building characterized by periodical architectural characteristics   

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Third step – le Corbusier develops his own personal design tools =five points of architecture / Maison Domino

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Le Corbusir’s five points of architecture – Eliinbar sketches 2011

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Fourth step- le Corbusier use his inspiration sources as the “Planning Process Generator”, he combines the tools developed and design high quality creative architecture, The building shown in the next image is a completely radical design compared to buildings which are being built at the time

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Inspiration from existing buildings = Conscious Inspiration….”If You’re Gonna Do It, Do It Right”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on May 31, 2013 by eliinbar

From Eliinbar's Sketchbook 2013 "If You're Gonna Do It, Do It Right"

From  Eliinbar Sketchbook 2013  “If You’re Gonna Do It, Do It Right”

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Todays  post presents for the eighth time, my “Conscious Inspiration” project…. 100 Conscious projects in 200 days

100projects in 200 days that we can easily identify their Inspiration sources

These projects are published in ARCHDAILY ,the world’s most visited architecture website

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The inspiration sources for the 100 projects ,are not nature in full bloom ,or wonderful music, not exciting prose

Their inspiration sources are ,existing buildings

Existing  buildings , that we are exposed to in countless websites, design brochures and  books ,everybody  is talking about this phenomenon these days , it is  called The availability of information

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This is Steven Holl’s Sliced Porosity Block project In  Chengdu, Sichuan ,China 2007-2012

Steven Holl Architect Sliced Porosity Block 2012 Chengdu, Sichuan China

Steven Holl Architect

Sliced Porosity Block 2012

Chengdu, Sichuan China

Notice  Steven Holl’s  scale strategy 

The irregular shape of the towers, the openings and the changes in scale, add a sense of human proportions and individuality to the huge mass of the buildings

The dominant regular grid of the façade,accentuated by dominant expression of the diagonal reinforcement beams , reinforce the sense of human scale 

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You are invited to visit my post

Zaha Hadid demonstrates us, how “Conscious Inspiration” leads us to

significant architecture

And discover the historical inspiration sources for Steven Holl’s  façade strategy

From Eliinbar Sketchbook 2013 - Zaha Hadid helps us understand how “Conscious Inspiration” leads us to significant architecture

From  Eliinbar Sketchbook 2013  – Zaha Hadid helps us understand how “Conscious Inspiration” leads us to significant architecture

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Now let’s examine QLAB architects design strategy, as reflected in the NTFSH Gymnasium Published in Archdaily 26 MAY 2013 ,and shown in the next image

NTFSH Gymnasium / QLAB architects project year 2013 Tainan, Taiwan

QLAB architects

NTFSH Gymnasium , project year 2013 Tainan, Taiwan

Published in Archdaily 26 MAY 2013

QLAB’s NTFSH Gymnasium is characterized by a basic morphological box with A dominant regular grid on the façade, accentuated by diagonal reinforcement beams

  Does the NTFSH Gymnasium  represents the principles of Conscious Inspiration  

My personal opinion…. not enough

From Eliinbar's Sketchbook 2013 "If You're Gonna Do It, Do It Right"

From  Eliinbar Sketchbook 2013  “If You’re Gonna Do It, Do It Right

While  Steven Hall’s “Sliced ​​Porosity Block” is characterized by openings and changes in scale, that add a sense of human proportions and individuality , QLAB’s NTFSH Gymnasium ,is characterized by a basic morphological box 

 The effort expended on the NTFSH Gymnasium’s façades, is relevant?

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Trends, there is an interest to recognize the existence of trends

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , on May 26, 2013 by eliinbar

Emile Aillaud eliinbar Sketches 20100001

Eliinbar’s  sketches  2010

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We passed the 2 million views 
Thank you all
Enjoy

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There is an interest to recognize the existence of trends, and understand their origins

From time to time I like to examine, the hottest trends in architecture

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 Visit my previous post  Origami Envelopes Trend

From Eliinbar’s Sketchbook 2012 - the inspiration sources of the “Origami Envelopes Trend”

From  Eliinbar’s Sketchbook 2012 – the inspiration sources of the Origami Envelopes Trend

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Today’s post is about “Leaning Buildings“, here are few examples for you to judge

Zahah Hadid,Eli and Edithe broud art museum

Zahah Hadid ,

Eli and Edithe broud art museum

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70ºN ArkitekturTromsø Norway 2003-2009

70ºN Arkitektur 

Tromsø Norway 2003-2009

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KSP Jürgen Engel Architekten.Tianjin Sports Arena

KSP Jürgen Engel Architekten

Tianjin Sports Arena

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 Is the leaning tower of Pisa shown in the next image,their inspiration source

the Pisa tower

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the Pisa tower reminds me a small discovery from a forgotten post

The French architect  Emile Aillaud describes in his writings that his source of inspiration for 3 office buildings in LA Defense (near Paris)  was the Piazza Dei Miracoli  with the Tower of Pisa

This is  Emile Aillaud’s  sketch for the 3 office buildings in LA Defense that were never built

Three Towers for La defense – France- Emile Aillaud Architect-1978

Three Towers  for La defense – France- Emile Aillaud Architect-1978

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….I thought that eventually they were never built

Asrieli center – tel aviv – israel- Asrieli David ,Atia eli and Yasky architects-1999-2007

Asrieli center – tel aviv – israel

Asrieli David ,Atia eli and Yasky architects

1999-2007

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….Something to think about

It started with Conscious Inspiration
and ends with a little less ….

Emile Aillaud eliinbar Sketches 20100001

Eliinbar’s sketches 2010

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Inspiration from existing buildings…. Apparently we can get inspired from a number of buildings simultaneously

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 18, 2013 by eliinbar

spiral-architecture-eliinbar-sketches-2011-001

–   Eliinbar’s sketches 2011 – Spiral Architecture

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Today post presents for the seventh time, my New “Conscious Inspiration” project…. 100 Conscious projects in 200 days

100projects in 200 days that we can easily Identify their Inspiration sources

These projects are published in ARCHDAILY the world’s most visited architecture website

The inspiration sources for the 100 projects ,are not nature in full bloom ,or wonderful music,not exciting prose

Their inspiration sources are existing buildings

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 ? What does it indicates about us

It indicates that there is an expanding phenomenon and we can not  ignore it

Architects are inspired by existing buildings as a method

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? So what’s the problem 

The problem is that some of us are experiencing difficulty getting inspired from existing buildings

Sometimes the result of this process, looks more like “Copy-paste” rather than conscious inspiration

 

? So how to get inspired consciously from existing buildings

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You are invited to join me to a very short journey uncovering the inspiration sources of a Snailtower designed by Künnapu & Padrik Architects

 published lately in ARCHDAILY

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In my privious post we saw how Steven Holl Is inspiered consciously from Le Corbusier‘s  La Tourette  monastery

Le Corbusier’s La Tourette  monastery, is Steven Holl’s  Inspiration building

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The Snailtower building , published lately in ARCHDAILY, is characterized by a variety of sources of inspirations

for you to judge

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  What was the “floor plans strategy” of the “SnailTower” designers

This is Zvi Hecker’s floorplan for the  spiral apartment house in Ramat gan Israel, designed and built in the 70s

Published in  arcspace.com

Zvi Hecker's floorplan for the spiral apartment house in Ramat gan Israel, designed and built in the 70s.

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And this is the Snailtower typical floor plan

Published in ARCHDAILY in may 2013

Snailtower typical floor plan

Notice the spiral floorplan with the apartments grouped around a central, load bearing column within which all the service functions were located. In the Spiral House, the retaining column has been removed and replaced by an open courtyard

The Spiral House deploys the principle of terracing typical of Arab villages where the roof is used as part of the living space for the apartments. The organization of the living spaces around an interior courtyard and the use of inexpensive, readily available materials are local components that compliment the geometric order based on a spiral.

From arcspace.com

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For more information about “Spiral Architecture” you are invited to browse to my relevant post  : Spiral architecture & Conscious Inspiration

spiral-architecture-eliinbar-sketches-2011-001

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?What was the Snailtower’s designers facades strategy

This is the well Known Zollverein School of Management & Design, designed by SANAA in the early 2000. Essen,Germany 2003-2006

zollverein-building-by-sanaa1

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And this is the Snailtower typical façade

building year : 2008

Published in ARCHDAILY in may 2013

Snailtower typical façade

Notice the dominant principle of the “Ideal Disorder” in the Snailtower  and SANAA’s building facades

Square openings , with different sizes and proportions, scattered on the building façade

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For more information about  the Ideal Disorder Design Strategy

 you are invited to browse to my relevant post  : MVRDV, Rafael Moneo and SANAA are leading the age of the Ideal Disorder Design Strategy

From Eliinbar's sketchbook 2012 Ideal Disorder Design Strategy

From Eliinbar’s sketchbook 2012 – Ideal Disorder Design Strategy

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Inspiration from an existing building…. Le Corbusier and Steven Holl shows us, that it is worth trying….

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , on May 14, 2013 by eliinbar

Eliinbar Sketchbook 2012 –Is Le Corbusier's La Tourette Monastery,Steven Holl's "Inspiration building"?

from  Eliinbar Sketchbook 2012 –Is Le Corbusier’s  La Tourette Monastery,Steven Holl’s “Inspiration building”?

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

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 Today post presents for the sixth time, my New “Conscious Inspiration” project…. 100 Conscious projects in 200 days,100 projects in 200 days that we can easily Identify their Inspiration sources

These projects are published in ARCHDAILY ,the world’s most visited architecture website

The inspiration sources for the 100 projects ,are not nature in full bloom ,or wonderful music,nor exciting prose

Their inspiration sources are existing buildings

You are invited to join me to a very short journey uncovering the inspiration sources of Steven Holl

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Steven holl‘s Campbell Sports Center was published in Archdaily  May 2013

Notice the dominant horizontal building wing,raised through a series of pillars

Steven Holl Architects Campbell Sports Center Columbia University, New York, NY, USA 2013

Let’s see what are Steven Holl‘s inspiration Sources….

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This is Steven Holl’s competition entry for the American Library expansion in Berlin1984

Notice the dominant horizontal building wing,raised through a series of pillars

Steven Holl's competition entry for the American Library expansion in Berlin .1984.

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Interesting enough,  Steven Holl was not the only one that showed interest in

The “Floating Buildings Trend“

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Here is Zaha Hadid’s Expo Centre exhibition halls and residential tower

In Moscow, published in 2007…

Zaha Hadid Architects Expo Centre exhibition halls and residential tower project Moscow Russia Published in 2007

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and this is my sketch describing the evolution of the

Floating buildings trend

Eliinbar Sketch book 2012 – the“Floating buildings trend

From Eliinbar Sketchbook 2012 – the“Floating buildings trend

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And finally, as I keep repeating it in many of my blog entries

“knowledge is the foundation for all designing process“

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This is Le Corbusier‘s  La Tourette Monastery from 1953-1960

notice Le Corbusier’s  La Tourette dominant building wing,raised through a series of pillars

Le Corbusier's La Tourette Monastery from 1953-1960

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Steven Holl is a well-known fan of Le Corbusier

   Le Corbusier‘s  La Tourette , is probably the “Inspiration building” for  Steven Holl‘s  American Library expansion from 1984

 More than 25 years later, Le Corbusier‘s  La Tourette,is probably once more, the “Inspiration building” for the campbell-sports-center

For you to Judge

Eliinbar Sketchbook 2012 –Is Le Corbusier's La Tourette Monastery,Steven Holl's "Inspiration building"?

From Eliinbar Sketchbook 2012 – Is Le Corbusier’s  La Tourette Monastery,Steven Holl’s Inspiration building

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Inspiration from existing building, Is it worth trying?

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 9, 2013 by eliinbar

from Eliinbar’s Sketchbook 2012 –

Eliinbar’s Sketches 2012 –Zaha Hadid’s “aggressive snake motif”

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Today post presents for the fifth time, my New “Conscious Inspiration” project…. 100 Conscious projects in 200 days

100projects in 200 days, that we can easily identify their inspiration sources

These projects are published in ARCHDAILY ,the world’s most visited architecture website

The inspiration sources for the 100 projects ,are not nature in full bloom ,or wonderful music,nor exciting prose

Their inspiration sources are existing buildings

You might remember the post-modernism trend in the 80s

Sources of inspiration for this style/trend were classical buildings, Nothing else

 ? What does it indicates about us

It indicates that there is an expanding phenomenon and we can not ignore it

Architects are inspired by existing buildings as a method

 ? So what’s the problem 

The problem is that some of us are experiencing difficulty getting inspired from existing buildings

Sometimes the result of this process, looks more like “Copy-paste” rather than conscious inspiration

 ? So how to get inspired consciously from existing buildings

 

 

 ? The Conscious Inspiration Method ,how it works

First step:  “knowledge”, as many said and wrote before; knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis

Second step: develop Conscious Inspiration personal tools = Codex Rules

Third step: the Inspiration Source. Don’t be intimidated to get inspired from relevant buildings

Step Four: realize your design idea ,your invention

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Now that we are familiar with the four steps of the Conscious Inspiration Method, let’s learn how to implement this  method in daily life

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But first we must define the challenges facing us

Here are the five “HOWS” of the Conscious Inspiration Method

A. How to filter out relevant knowledge from the Web?…. with abundance of information

 ? B. How to develop your own vision

  C.  How to choose the right “Inspiration Sources” ?  that empowers your vision

? D.  How to develop your own personal design tools

 E.  How to use your inspiration sources as the “Planning Process Generator”?  and to design high quality creative architecture

 

In conclusion

I believe that the natural development of architecture design is based on inspiration techniques ….I call them  Codex Rules

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings

Get inspired consciously from existing buildings, and you will experience a unique design process that will serve your creative desires

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Finally two examples of buildings published  in ARCHDAILY for you to judge

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Architects: 70ºN Arkitektur Tromsø, 2003-2009 Norway

 70ºN Arkitektur

Tromsø

2003-2009 Norway

Published in archdaily 2008

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Zaha Hadid Architect Spittelau Vienna Austria 2003-2005Zaha Hadid Architect

Spittelau  Vienna

Austria 2003-2005

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   Notice the dominant principle of the “aggressive snake motif” in 70n arkiektur project and Zaha Hadid’s project in Spittelau Vienna

For more relavent information about the origins of the  aggressive snake motif

you are invited to visit my privious post

Peter Eisenman & Zaha Hadid –Conscious Inspiration

peter-eisenman-zaha-hadid-eliinbar-sketches-20100001

Eliinbar sketches 2010 – Zaha Hadid’s Inspiration Sources

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another relevant post

Zaha Hadid And the morphology of the “aggressive snake motif”2

Eliinbar’s Sketches 2012 –Zaha Hadid’s “aggressive snake motif”

Eliinbar’s Sketches 2012 –Zaha Hadid’s aggressive snake motif

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in my Facebook

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another exampl published in archdaily for you to judge 

Ateliers O-S architectes Cultural Center in Nevers, France 2012

Ateliers O-S architectes

Cultural Center

Nevers, France 2012

Published in archdaily 2012

Notice the dominant principle of the “Ideal Disorder” in  Ateliers O-S architectes  Cultural Center, front facade

Is it familiar to you? You’ve seen it in Le Corbusier Unité d ‘Habitation Rezé Nantes and in SANAA’s Zollverein School of  Management & Design , as shown in the following sketch

le-corbusier-sanna-eliinbar-sketches-2011-001

eliinbar Sketches 2011

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Snohetta Architects Oslo Opera House Norway 2003-2007

Snohetta Architects

 Oslo Opera House

 Norway 2003-2007

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Notice the dominant principle of the “Extroverted buildings trend” in  Ateliers O-S architectes  Cultural Center and Snohetta’s Oslo Opera House

For more relavent information about the origins of the the “Extroverted buildings trend” = Snohetta’s Oslo Opera house ,  you are invited to visit my privious post

Architecture ,Trends , Inspiration and the complex relationship with the Extroverted buildings trend

Eliinbar’s Sketchbook 2012 –the inspiration sources of the“Extroverted building”

From Eliinbar’s S ketchbook 2013 –the inspiration sources of the Extroverted building

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Zaha Hadid helps us raise a critical issue that should concern us all …. how to get inspired from existing buildings consciously

Posted in buildings, public buildings with tags , , , , , , , , , , , , on April 30, 2013 by eliinbar

From Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

From  Eliinbar’s Sketchbook 2013 -Zaha Hadid and the “Copy Paste” Syndrom

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

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Today’s post gets a boost from two recent articles, published in ARCHDAILY

The articles explor the disturbing phenomenon of “copy-paste” in architecture

You already know my opinion on this subject

The main question is not whether to copy existing buildings

This has been a fact, which is part of our professional life

You are invited to examine hundreds of examples that reinforce this claim in my blog

Our challenge today, as I would put it

is how to get inspired consciously from existing buildings

Do not be ashame to be inspired by existing buildings, as long as you do it consciously

Certainly, this is the natural process, which architecture is going towards

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For the fourth time, Since I started the“Conscious Inspiration” project = 100 Conscious projects in 200 days , Here is another relevant example published in ARCHDAILY in 9 april 2013

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This is Zaha Hadid‘s Wangjing SOHO from 2011

Zaha Hadid Architect Wangjing SOHO China published 2011

Zaha Hadid Architect

Wangjing SOHO China

published 2011

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“And the next image is Zaha Hadid‘s Wangjing Soho “twin

This building is under construction, It is built in Chongqing , china

Meiquan-22nd-Century-Chongqing

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?Do you realy think this post will stop with the Chongqing project

Obviously it will not finish there, because “Copy Paste” is has been a fact, which is part of our professional life

We have just seen an example from “real life“,  Zaha Hadid‘s Wangjing SOHO

But the phenomenon is much broader and complex

This is our reality, and we can not ignore it

So let’s not fight it. or forbid or even despise this phenomenon

Our duty is to develop methods and ways to “copy” properly

Or as I put it ,  to be inspired consciously

To avoid any misunderstanding , I am not talking about waking in the morning with a some kind of ready-made inspiration

To be inspired consciously is a structured process we can practice it and perfect it

I feel ready to share with you my thoughts ,how  to apply it in our professional life

….To be continued

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let’s get back to the regular course of this post

what do you think was Zaha Hadid‘s inspiration source when she designed the Wangjing SOHO

Well I can suggest this projects….for you to judge

Frank Lloyd Wright Architect Guggenheim Museum

Frank Lloyd Wright  Architect

Guggenheim Museum

View from outside 1959

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Norman Foster and Ken Shuttle worth architects London City Hal 2002

Norman Foster and Ken Shuttle worth architects

London City Hal 2002

Note the sophistication of this buildings

a dominant oval building profile

characterized by varying shapes and sizes,

but built with repetitive unique peripheral windows

You can identify the same characteristics at Zaha Hadid’s  Galaxy Soho

shown in the following sketch

From Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

From  Eliinbar’s Sketchbook 2013 – Zaha Hadid and the “Copy Paste” Syndrom

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Here are examples that strengthen my argument, that “copy-paste” is a common phenomenon these days

The “twin” that was found to Zaha Hadid’s Wangjing SOHO Is not a single incident

this is a common phenomenon

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Here are some examples for you to judge

UNStudio’s Kempkensberg

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Architectural firm Yassky, Moore ,Sivan Inbal Or’s Project Arlozorov Towers Tel Aviv 2011

Architectural firm Yassky, Moore ,Sivan Inbal Or’s Project Arlozorov Towers  ,Tel Aviv 2011

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MAD Architects design the Absolute Towers 2010 Residential condominiums in Mississauga, Ontario

MAD Architects design the Absolute Towers

2010  Residential condominiums in Mississauga, Ontario

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SANAA and 100 Conscious Inspiration projects, in 200 days

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on April 22, 2013 by eliinbar

eliinbar's sketchbook 2013 – SANAA and the 100 Conscious Inspiration projects in 200 days

from  Eliinbar’s Sketchbook 2013 – SANAA and the 100 Conscious Inspiration projects in 200 days

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

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Today’s post presents for the third time, my New “Conscious Inspiration” project…. 100 Conscious projects in 200 days

In the following 200 days I will present 100 projects that are published  in ARCHDAILY ,the world’s most visited architecture website.

Followers of  SOMEONE  HAS  BUILT IT BEFORE will judge it , from this  point of view

Are the buildings published in ARCHDAILY,designed according to the principals of Conscious Inspiration

Or maybe by accident, they are the victims of the Copy Paste syndrome

Obviously, I will contribute by adding my input

What do you think?….We will find more of the “Conscious Inspiration” designs or “Copy Paste”  designs

?What we will learn from this project

And my last crop. is here for you to judge

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The next building was published in ARCHDAILY in 6 april 2013

This is the Maranello Library desingnd by Andrea Maffei Architects in 2011

Andrea Maffei Architects Maranello Library 2011

Andrea Maffei Architects

Maranello Library 2011

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And this is SANAA‘s Onishi Public Hall from 2005

Sejima + Ryue Nishizawa =SANAA Architects Onishi Public Hall', Japan, 2005

Sejima + Ryue Nishizawa =SANAA Architects

Onishi Public Hall

Japan 2005

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Once again ,this is the Maranello Library designed by Andrea Maffei Architects in 2011

Andrea Maffei Architects Maranello Library 2011

Andrea Maffei Architects

Maranello Library 2011

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And this  is SANAA‘s serpentine gallery pavilion from 2009

SANAA Architects serpentine gallery pavilion 2009

SANAA  Architects

serpentine gallery pavilion 2009

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From eliinbar's sketchbook 2013 – SANAA and the 100 Conscious Inspiration projects in 200 days

From  Eliinbar’s Sketchbook 2013 – SANAA and the 100 Conscious Inspiration projects in 200 days

Note the prominent design choice of Andrea Maffei Architects

Transparent building envelope but basically sealed

Massive use of rounded forms ,and thin columns

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