Archive for eliinbar’s sketchbook 2012

OMA & Rem Koolhaas Architectural “Influence” ….Why does he choose to ignore it?

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 11, 2012 by eliinbar

002-copy1 - Copy

From Eliinbar’s sketchbook 2012 – OMA’s Central Chinese TV Building….”Influences”….

Recently I found a Rem Koolhaas twitt related to the Questions I raise in this blog….

“Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to really ignore it.” 

Well…. Rem Koolhaas is no doubt one of the influential architects in our time….

Are the Max Reinhardts Haus project designed by Peter Eisenman and the “Arche de la Defense France” designed by Johann Otto von Spreckelsen shown in the next images ….Were OMA and REM KOOLHAAS  inspiration source when they designed the Central Chinese TV Building?

For you to judge…

 –

S_Arch

Johann Otto von Spreckelsen Architect

Grande Arche de la Defense France

Compettion 1982   Completed 1989

eis1

Peter Eisenman Architect

 Max Reinhardts Haus project

Berlin-1992

tall52

OMARem Koolhaas Architects

Central Chinese TV Building

 Beijing – 2008

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From Eliinbar’s sketchbook 2012 – OMA’s Central Chinese TV Building….”Influences”….

The most dominant Characteristic of OMA’s Central Chinese TV Building,

Is its configuration….

A Sequence of prisms, vertical and horizontal, connected to create a closed shape, highlighted with a significant open space, in the center.

 

The next two buildings were designed, in resent years….

eventspace-339-01

Iran

1348160253-3-waterside-view-of-gateway-tower-528x307

Neil M. Denari Architects (NMDA), in collaboration with Taiwanese architectural firm Fei and Cheng Associates

international competition new Keelung Harbor Service Building,

Taiwan’s largest port city 2012

for more information  go to Archdaily

002-copy1

From Eliinbar’s sketchbook 2012 – morphological resembles to OMA’s Central Chinese TV Building

Notice the morphological resembles to OMA’s Central Chinese TV Building….

A Sequence of prisms, vertical and horizontal’ connected to create a closed shape, highlighted with a significant open space, in the center.

 

Let’s check if those buildings are more the type of “CONSCIOUS INSPIRATION” or the type of “COPY PASTE

Buildings designed according to the principles of “Conscious Inspiration“, are  identified  by means of three principles:

1. You can easily identify the sources of knowledge,

2. There is a clear expression of unique planning tools=”Codex Rolls”

3. Stands out, the architect’s invention.

For you to judge…

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

 

For more information about the principles of the “Conscious Inspiration Method”, you are invited to visit my relevant posts;

 

1. OMA is Rem Koolhaas’s way for living a parallel life between the theory and practice of architecture.

https://archidialog.com/2012/12/03/

001

From Eliinbar’s sketchbook 2012 – OMA and Rem Koolhaas’ parallel life between the theory and practice of architecture

2. “Origami Envelopes” – Conscious Inspiration

https://archidialog.com/2011/02/24/%E2%80%9Corigami-envelopes-conscious-inspiration/

origami-envelopes-eliinbar-sketches-20110001

Origami Envelopes – eliinbar sketches 2011 

The  “Conscious Inspiration Method‘ ,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

 

OMA is Rem Koolhaas’s way for living a parallel life between the theory and practice of architecture.

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 3, 2012 by eliinbar

 Eliinbar Sketchbook 2012 - OMA and Rem Koolhaas’s parallel life between the theory and practice of architecture

From Eliinbar’s sketchbook 2012 – OMA and Rem Koolhaas’ parallel life between the theory and practice of architecture

In every direction I check….eventually all roads lead to OMA.

This post Is about one of the most Inspirational architecture firms working today….  MVRDV.

Maas and Van Rijs, two of MVRDV founding members, worked at OMA.

The next image is a housing complex designed by MVRDV in 1999…It’s called the FLYING VILLAGE (Villa Voladora –In Vienna, Austria)

0961_012

Notice the Main characteristics of this structure….

A three dimension curved slab with a dominant green terrace

Five years later (2004) the contemporary architectural firm SANAA, design the Rolex Learning Center, at the École Polytechnique Fédérale de Lausanne

SANAA maquette OK.indd

Notice the three dimension curved slab with a dominant green terrace….

It is hard to ignore the morphological similarity between MVRDV’s and SANAA’s  projects.

 Eliinbar Sketchbook 2012 - OMA and Rem Koolhaas’s parallel life between the theory and practice of architecture

From Eliinbar’s sketchbook 2012 –  Conscious Inspiration

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

We passed the 2000 LIKES
Thank you all
    enjoy….

  Eliinbar

 –

But the story begins long before….

What are the origins of this architecture approach?

What is the justification for the huge financial effort required to build the  Rolex Learning Center?

What is the added value that the user gets for this effort?

Well in this blog I do not deal with these questions….

The questions that concern me are….

What were the sources of inspiration that eventually generated these structures?

I think that “Inspiration” or “Copy Paste” are the most dominant phenomenon of the 21st century among architects.

 Most likely the “availability of information” enables the existence of the phenomenon.

 The abundance of information in the Web affects us all…. I present it every week here ….We saw more than once ….The differences between “Conscious Inspiration” and “copy paste” are not so big….

 And that is exactly what I intend to clarify and understand in this blog.

 I believe that the natural development of architecture design is based on inspiration techniques ….I call them “Codex Rules”.

 –

And finally I strive to develop a method.

 A method that will help architects and designers to cope with this phenomenon…. At this point in time, I call it the “Conscious Inspiration Method” ….

 With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools =“Codex Rules”, it will lead us to high quality and creative architecture.

Let’s see how the “Conscious Inspiration” works for SANAA….

“knowledge”

Conscious Inspiration” is first of all the understanding of the importance of “knowledge”…. as many said, and wrote before knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

The buildings Presented in the next images is in my opinion, the “Knowledge”, that was the inspiration base for The Rolex Learning Center

ucauditorium-001

Oscar Niemeyer Architect

 University of Constantine auditorium

Algeria 1968

niemeyer-sanaa-eliinbar-sketchbook-20110001-copy

from  Eliinbar’s sketchbook 2011

2358007020_9c96dcdb42

MVRDV Architects

Villa VPRO

 Hivesum  The Netherlands  1993

mvrdv-villa-vpro-_-eliinbar-sketches-20100001

from Eliinbar’s sketches 2010

144

Rem Koolhaas Architect

 Campus Center for the

University of Utrecht   1997

rem-koolhaas-_-eliinbar-sketches-20100001

Eliinbar’s sketches 2010

“Inspiration Source”

MVRDV’s Villa Voladora designed in 1999 ,showen in the next image is in my opinion, SANAA’s “Inspiration Source”

0961_012

“Invention”

And the building in the next image is SANAA’s

Rolex Learning Center, desined in 2004

What do you think was  SANAA’s invention ?

SANAA maquette OK.indd

001

From Eliinbar’s sketchbook 2012 –  Conscious Inspiration

Oscar Niemeyer once said You need to find an original way to think and to be informed about everything daily“. 

 To illustrate to you that he knows something about architecture

 I recommend you watch the following video showing a new building designed by OSCAR NIEMEYER

 An architect over the age of 100

The building is called puerto de la musica’…. Worth seeing to the end

MVRDV Inspiration …. Or a self fulfilling prophecy

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , on November 25, 2012 by eliinbar

From eliinbar’s sketchbook 2012 – MVRDV Inspiration …. Or a self fulfilling prophecy

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

We passed the million and a Half views all time
Thank you all
    enjoy….

  Eliinbar

In this post we will learn about MVRDV’s Inspiration sources …. Or maybe it’s a “self fulfilling prophecy”….

For you to judge….

In the next image a building designed by Rem Koolhaas in Bangkok, Thailand in 1996 .

The building is designed according to the “Stacking Diagram design Strategy”

Rem Koolhaas & OMA Architects

The Hyperbuilding , A self-contained city for 120,000 inhabitants with housing, education, culture, welfare, medical facilities, amusement, industry, retail .

 Bangkok, Thailand  1996

How does the “Stacking Diagram design Strategy” works? 

First step: definition of size and shape of the spaces in accordance with the program.

Second step: designing the building as a “stacking Diagram” emphasizing the program.

 eliinbar’s sketchbook 2012 – Rem Koolhaas and the The Hyperbuilding

For more information about theStacking Diagram design Strategyvisit my post

Rem Koolhaas -“They were All my sons”– Bjarke Ingels Group – BIG & MVRDV& REX & FREE

https://archidialog.com/2012/05/28/

 From  eliinbar’s sketchbook 2012   OMA’s “Stacking Diagram” design Strategy-

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

In the next images….buildings designed by two of Rem Koolhaas’s former employees/partners .

Today they are part of the world’s leading architectural firms …. REX- (Joshua Prince-Ramus) and BIG-(Bjarke Ingels)

REX architects

MuseumPlaza  Louisville  Kentuky

 USA published 2005

Bjarke Ingels group- BIG  architects:

cross # towers

seoul , korea published 2012

Recently was published in ARCHDAILY

a new building ,designed by another Rem Koolhaas’s former employees/partners…. MVRDV

MVRDV Architects

vertical city integrates retail, offices, housing, a luxury hotel, four levels of parking, a wedding house, a mosque, an imax theater and an outdoor amphitheater

 Jakarta, Indonesia

Published in ARCHDAILY 2012

 eliinbar’s sketchbook 2012 – MVRDV Inspiration …. A self fulfilling prophecy

Note the similarity in three projects…you can easily Identify the primary components of the buildings ….the Stacking Process has a clear visual expression….

 –

 Just a Minute….

 13 years ago MVRDV won a world wide competition to design Berlin Voids housing project, a vertical block marking the void left by the Berlin Wall….a three-dimensional puzzle of individual apartments.

MVRDV Architects

Model-Berlin Voids

 Competition 1991

eliinbar’s sketchbook 2010 -MVRDV and Rem Koolhaas &REX….the Stacking Diagram design Strategy”

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

 –

I can estimate

that the Berlin Voids housing project designed by MVRDV in early 90s is the source of inspiration for the “Stacking Diagram design Strategy”? 

– 

Well…Is MVRDV’s Berlin Voids housing project designed in the 90’s is MVRDV’s “self fulfilling prophecy“?

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

 

MVRDV Architects

vertical city, Jakarta, Indonesia

Published 2012

Finally, it is hard to ignore another two dominant planning strategies,highlighted in MVRDV’s  Jakarta’s  vertical city building ….

I call them “Multi Style Buildings Trend” and the “Revolving/Rotated floors buildings”

– 

“Multi Style Buildings Trend”:   Buildings designed by one architect divided into several parts. Each part of the building is characterized by a different architectural style.( materials, different morphology, the building envelope, the building openings etc.)

For more information about the Multi Style Buildings Trend”visit my post –The New “Multi Style BuildingsTrend” – Herzog-De-Meuron & Jean Nouvel & Dominique Perrault & Massimiliano and Doriana Fuksas  https://archidialog.com/2012/02/19/

eliinbar’s Sketchbook 2012 – “Multi Style Buildings Trend”

“Revolving/Rotated floors buildings”: For more information about the Revolving/Rotated floors buildingsvisit my post: Expo 2010 Part Eight – The “Revolving/Rotated floors buildings” https://archidialog.com/2010/05/11/

eliinbar’s Sketches 2010 – “ Revolving \ Rotated  floors   buildings “

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

The  “Conscious Inspiration Method‘ ,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

 

Inspiration,inspiration;Inspiration …. West and East… Are there anonymous mutual relations between them ,which we do not know about ?

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , on November 11, 2012 by eliinbar

From Eliinbar’s Sketch book 2012 –  The mutual inspirational relations between west and east

My inspiration for this post are Simona Rota’s photographs, published in WALLPAPER on “Soviet Modernism”. Unknown Stories”!!

Thank you  Simona….

From Simona Rota’s introduction to her photographs published in WALLPAPER, I learned that the Soviet modern architecture of the second half of the 20th century has remained practically unknown to date. 

Come and join me to a short journey uncovering the mutual inspirational relations, between the “Soviet Modernism” architecture, built in the second half of the 20th century and western architecture, built in the last two decades,

At this point, I do not understand how these mutual inspirational relations were created….

First , I will focus on the west getting inspired from the “Soviet Modernism”…. 

In my next post I will show how the “Soviet Modernism” is getting inspired from “Western Architecture” ….

This is the Ministry of Highways and Transportation built in Tbilisi, Georgia in 1979.

Ministry of Highways and Transportation, 1979, Tbilisi, Georgia

Copyright: Simona Rota

And this is Bjarke Ingels “cross towers” designd for Seoul, Korea

Bjarke Ingels,  BIG

“cross  towers”  Yongsang Master Plan

The future development, to be situated in Seoul, Korea

published 2012

You are invited to visit a relevant posts of mine:

Rem Koolhaas the inspirational “spiritual father”….

https://archidialog.com/2012/08/05/

Rem Koolhaas and the “Conscious Inspiration” issue….

https://archidialog.com/2012/04/06/

From Eliinbar’s Sketch book 2012 – Bjarke Ingels and the mutual inspirational relations between west and east

Ministry of Highways and Transportation, 1979, Tbilisi, Georgia
Copyright: Simona Rota

MVRDV Architects

Mirador residential building’s “roof terrace”

 Sanchinarro Madrid-Spain ( in Collaboration with Blanca Lleo’ Asociados) 2001-2004

You are invited to visit a relevant post of mine:

MVRDV & Le Corbusier and the ultimate inspirational roof terrace

https://archidialog.com/2011/12/05/

From Eliinbar’s Sketch book 2012 -MVRDV and the mutual inspirational relations between west and east

Canteen for the House of Recreation for Writers of Armenia

1965-1969, Sevan Peninsula, Armenia.

Copyright: Simona Rota

MVRDV and Mole Architects “Balancing Barn”

holiday home Suffolk, England Project Year:  2010

For More information you can find in ARCHDAILY

You are invited to visit a relevant post of mine:

MVRDV & Herzog de Meuron – The “Visual House “&”Balancing House”

https://archidialog.com/2011/03/25/

From Eliinbar’s Sketch book 2012 -MVRDV and the mutual inspirational relations between west and east

Cascade – the development of Northern Radius

1975- mid 2000s, Yerevan, Armenia .

Copyright: Simona Rota

Snøhetta Architects

Bibliotheca Alexandrina

Alexandria Egypt 1995-2002

From Eliinbar’s Sketch book 2012 – Snøhetta and the mutual inspirational relations between west and east

LeninPalace, 1970, Almaty, Kazakhstan
Copyright: Simona Rota

Christian de Portzamparc Architect

“Conservatoire National Supérieur de Musique et de Danse de Paris”

Parc de la Villette Paris  France 1986-1990

From  Eliinbar’s Sketch book 2012  Christian de Portzamparc – and the mutual inspirational relations between west and east

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

The  “Conscious Inspiration Method‘ ,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

MVRDV, Rafael Moneo and SANAA are leading the age of the “Ideal Disorder Design Strategy” = IDDS….

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 24, 2012 by eliinbar


From  Eliinbar’s Sketch book 2012 the “Ideal Disorder Design Strategy” = IDDS….

This is the well Known Zollverein School of Management & Design, designed by SANAA.

SANAA A rchitects

Zollverein School of  Management & Design

Essen,Germany 2003-2006

And this is Le corbusier’s Unité d’Habitation Rezé Nantes….

Is this building,  SANAA’s inspiration source?

Le Corbusier 

Unité d ‘Habitation Rezé Nantes , France 1952-1954

A View to the upper floor balcony of the Unité d‘Habitation Rezé

eliinbar Sketches 2011

Notice the dominant principle of the “Ideal Disorder” in Le Corbusier’s and SANAA’s building facades….

Square openings. , with different sizes and proportions, scattered on the building façade  .

This is Rafael Moneo’s Murcia Town Hall in Spain 1991-1998

Rafae lMoneo Architect

 Murcia Town Hall

Spain 1991-1998

And those are La Tourette Monastery, designed by Le Corbusier and Museo de san Telmo in San Sebastian….

Are those buildings , Rafael Moneo’s inspiration sources?

Le Corbusier La Tourette Monastery 1953-1957

Museo de san Telmo , San Sebastian,Spain

From  Eliinbar’s Sketch book 2012 – Rafael Moneo’s inspiration sources

Note the vertical columns at varying distances at le Corbusier’s la Tourette Monastery and the Variable scale of the openings on different levels of the Museo de san Telmo in San Sebastian, Spain.

 The synthesis between the two buildings was probably Rafael Moneo’s  inspiration, when  designing Murcia Town Hall, unique front façade.

This is MVRDV Architects “Movie Village” in Busa, South Korea ,designed in 2005

MVRDV Architects

 “Movie Village” in Busa

South Korea ,designed in 2005

And this is F.Van Dagen’s Architect  Mega Apartment building  Amsterdam  built 1995-2000.

Is this building, MVRDV’s  inspiration sources

F.Van Dagen Architect

Mega Apartment building

Amsterdam 1995-2000

eliinbar Sketches 2010

Notice to the dominant morphological of the following structures, shaped like a whale. The two buildings are characterized by a rising-front that emphasizes the main entrance.

After a long introduction….but not necessarily not relevant ….
Let’s learn what is happening today….
Here is an example of a building whose been completed in 2012,
A culture centre in Dilbeek , Belgium
Let’s check if this building implement consciously the “Ideal disorder design strategy”

 –

Carlos Arroyo Architect

Cultural Centre in Dilbeek

Belgium, Project year: 2012, published in ARCHdaily 2012

Notice to the dominant morphological, shaped like a whale, characterized by a rising front, that emphasize the main entrance.

As in MVRDV’s  “Movie Village” . 

Notice the variable scale of vertical patterns on different areas of the facade,

As in Rafael Moneo’s  Murcia Town Hall.

 –

And this is another image of the Carlos Arroyo’s  Cultural Centre  in Dilbeek

Carlos Arroyo Architect

Cultural Centre in Dilbeek

Belgium, Project year: 2012

Notice the Square openings, with different sizes and proportions, scattered on the building façade as in  SANAA’s Zollverein School of  Management & Design

From  Eliinbar’s Sketch book 2012 – the “Ideal Disorder Design Strategy” = IDDS….

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

What did I learn from this post?

1. Today most influential buildings, are the result of a Conscious Inspiration process.

2. It seems as if we are in the midst of the “Ideal Disorder design strategy ” age…. The most common inspiration source today….

See the following list of buildings that are inspired from Moneo’s , SANAA’s and MVRDV’sIdeal Disorder design strategy”…. for you to judge….

You are also invited to visit a relevant post of mine:

Rafael Moneo’s and SANAA’s “Ideal Disorder Façades” ,The most common Inspiration source today….

https://archidialog.com/2012/09/09/

Here is a partial list of buildings that are inspired from Moneo’s , SANAA’s  and MVRDV’s “Ideal Disorder design strategy”…. for you to judge:

SANAA’s  Zollverein School of  Management & Design

as an inspiration source for architects inspired by the“Ideal Disorder design strategy”

Rafael Moneo’s  Murcia Town Hall

as an inspiration source for architects inspired by the“Ideal Disorder design strategy”

MVRDV’s“Movie Village” in Busa as an inspiration source for architects inspired by the “Ideal Disorder design strategy”

The  “Conscious Inspiration” Method,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

Bjarke Ingels and SANAA are Joining forces and paving the way to the…. unbelievable “Conscious Inspiration” building

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , on August 9, 2012 by eliinbar


From eliinbar’s sketchbook 2012, SANAA and the “Shifted Buildings Trend”

Just unbelievable….

On a regular basis I introduced in this blog, a variety of “Conscious Inspiration” examples.

This time,  I came across the ultimate example of the “Conscious inspiration building”……

or maybe not….

For you to judge….

The next building undoubtedly is an honorary member in the privileges group of the “Shifted buildings”

 Saraiva & Associados Arquitectura Urbanismo

 proposal  for the Two Towers project

competition in China 2011 

for more information visit  ARCHDAILY.COM

The  Saraiva & Associados Arquitectura Urbanismo’s  proposal  for the Two Towers project  has a Typology that is  identified  with the “Shifted Buildings Trend

For more information and a lot of examples for the ” Shifted Buildings” see my next sketch , and visit my previous post “Typology of Shifted Buildings  – “Conscious Inspiration

from  eliinbar’s sketchbook 2010  SANAA and the  “Shifted Buildings Trend”

A calculate guess …. Like most of the Shifted buildings

Probably Saraiva & Associados Arquitectura Urbanismo  are inspired by the SANAA’s very familiar Museum of Contemporary Art, in New York ….shown in the next image.

SANAA Architects

Museum of Contemporary Art

New York City 2002– 2007

For more information visit  ARCHDAILY.COM

Now lets See the next clip….this is a clip representing

 Saraiva & Associados Arquitectura Urbanismo’s  design strategies….

Does It seems familiar? ….Did you recognize the architect’s design strategies?

Well… Saraiva & Associados Arquitectura Urbanismo’s  design strategies, look  in the video clip exactly like  BIG’s Augmented reality design strategy

For more information about BIG’s “Augmented reality design strategy” (emphasizing the building’s morphology planning given the weather conditionslooks at the viewtraffic systems, etc.) see  my next sketch, and visit my previous post “Bjarke Ingels Group – BIG….how they do it?”

A warm recommendation…. Locate presentations showing  BIG’s “Augmented reality design strategy”  in YouTube

Here is one I like …. 

From eliinbar’s sketchbook 2012 , BIG’s architects “Augmented reality design strategy

What did I learn from this post?

Architects have varied inspiration Sources ….

The first type of inspiration is basic and common ….I call it the “Visual Inspiration” Easy to identify, and characterized by architectural trends.  (Like the “Shifted buildings” trend)

The second type of inspiration is based on research…. I call it the “Design Strategy Inspiration”. It requires knowledge and analytical skills. (Like BIG’s architects “Augmented reality design strategy”)

Recently, colleagues encouraged me to publish a “very small book”, With a collection of common planning strategies, explained through my sketches….

What do you think about it?

Check the   NEW  CONSCIOUS  INSPARATION  PAGE

in my Facebook

More examples of buildings inspired by the

Shifted Buildings Trend

Believe me,  there are much more….

Rem Koolhaas -“They were All my sons”– BIG & MVRDV& REX- Chapter two-The “Wrapper Strategy” or the”libraries syndrome”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , on June 3, 2012 by eliinbar

From  eliinbar’s sketchbook 2012 – Rem Koolhaas’s “Wrapper Strategy

Inspiration sketch Gallery (ISG) by Eli Inbar

And the design strategy chosen for today’s post is…….. The “Wrapper Strategy”

(you are invited to visit  my relevant  previous  post)

 We will start our journey with a building designed by the spiritual father…. The Inspiration Source for all his followers…… Rem Koolhaas

 The next two images are Rem Koolhaas/OMA’s   Television Cultural Centre in Beijing – CHINA, (1st prize in a Competition from 2002)…. Construction began 2005.

This is the model of the internal part of the building, showing Rem Koolhaas’sWrapper Strategy” the Inside is an accumulation of structurally independent volumes

And This Is an External Image of the Television Cultural Centre building, showing the Wrapper Strategy”

 Continuous skin encompasses this assemblage, the walls become the roof and the roof transforms back into the walls.

We will continue our journey with a building designed by Rem Koolhaas and Joshua Prince-Ramus (Rex)OMA/LMN

The next three images are Rem Koolhaas/OMA’s   and Joshua Prince-Ramus (Rex) Seattle Central Library opened to the public, 2004

This is the model of the internal part of the building ,The Inside…. structurally independent volumes”

 And This Is an External Image of the Seattle Central Library, showing the Wrapper Strategy”-

 Continuous skin encompasses this assemblage. The walls become the roof and the roof transforms back into the walls”

The next image is the interior space of the Seattle Central Library The Library is covered by a glass shell. Natural day light penetrates through geometric openings in the exterior shell, creating lit spaces for reading”

 –

And here is another example …. REX’s and OMA’s  Wyly Theatre in Dallas, Texas published in arc space.com 2005 – Completed in 2009

This is a three-dimensional Internal imaging of the Wyly Theatre the Inside…. structurally independent volumes”

And This Is an External Image of the Wyly Theatre showing Rem Koolhaas’s Wrapper Strategy”

“A transparent skin encompasses this assemblage”

This Is a view from the inside of the Wyly Theatre

A transparent skin encompasses this assemblage

The next images are MVRDV’s   interior space of the Book Mountain Library in the Netherlands published in Dezeen 2009

This is a section of the Book Mountain Library showing  “ the Inside a “book mountain” ,a structurally independent volumes”

And This Is an External Image of MVRDV’s Book Mountain Library showing Rem Koolhaas’sWrapper Strategy”

A glass shell refers to a traditional Dutch barn style typology

The next image is the interior space of the MVRDV’s Book Mountain Library

“The book mountain is covered by a glass shell; natural day light penetrates through openings in the exterior shell, creating lit spaces for reading”

Notice the resemblance to the Seattle Central Library transparent shell

And the last images are BIG’s Architects new-national-library Astana Kazakhstan published in Designboom 2009

This is a section of the new-national-library  “In the Inside…. structurally independent volumes”

And This Is an External Image is BIG’s design of the new-national-library in Astana Kazakhstan. Showing Rem Koolhaas’sWrapper Strategy” 

“Exterior shell, creating lit spaces, the walls become the roof and the roof transforms back into the walls”

The next image is the interior space of  BIG’s new-national-library.

“The interior corridors are naturally day lit through geometric openings in the exterior shell, creating lit spaces for reading”

 

Notice the resemblance to the Seattle Central Library transparent shell

My challenge in this blog is to clarify the “Conscious Inspiration Method”. I want to thank my eldest son, whose conversation with him makes the challenge much more enjoyable….

The five “HOWS” of the “Conscious Inspiration Method”  The ultimate inspiration methodology

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own architectural Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your “Inspiration Sources” as the “Planning Process Generator”, and design high quality and creative architecture?

 –

“Conscious Inspiration” – to be inspired consciously….

Check the NEW CONSCIOUS INSPIRATION PAGE

in my Facebook