You are invited to visit my post from 2012, and learn more how OMA and Herzog de Meuron are dealing with the morphological aspect of the “pile of boxes” strategy
This is Halliday Avray-Wilson ,Twisting Male Torso Sculpture
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And this is Santiago Calatrava’s
Twisting Torso Sculpture from 1999
Inspired by the Halliday Avray-Wilson’s
Twisting Male Torso Sculpture shown above
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The next image is Santiago Calatrava’s sketch ,showing how he got inspired from Halliday Avray-Wilson , Twisting Male Torso Sculpture, when he designed the HSB Turning Torso in Malmo Sweden (on the left of the sketch)
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In 2001-2005Santiago Calatrava realized his vision from 1999, with the HSB Turning Torso in Malmo Sweden ,shown in the next image
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And this is
Frank Gehry’s InterActiveCorp headquarters in New York
You are invited to visit my post from 2013, and see how Frank Gehry and Santiago Calatrava are dealing with the morphological aspect of Torso structures
Eliinbar Sketches 2013 – Frank Gehry and Santiago Calatrava practicing “Conscious Inspiration”
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Kurt Cobain , Nirvana’s music band songwriter,guitarist and lead singer was proud to share with us his musical influences (Inspiration Sources)…. the Beatles,Pixies,Sonic Youth ,R.E.M ,Led Zeppelin ,Black Sabbath and other well known music Bands.
? So why architects , always claim they get inspired in their dreams
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I learned during my journey in this blog, that inspiration from existing buildings, is common among architects
But I also learned something else
A relatively large group of architects lack the “tools” to make the distinction between “copy-paste” and Conscious Inspiration
In this blog I want ,to clarify the differences between the disturbing phenomenon that is commonly called “copy-paste” , and the positive phenomenon I encourage …. Conscious Inspiration
In my next posts, I intend to suggest Inspiration techniques, that will help young architects to get inspired from existing buildings….in aCONSCIOUS way
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Let’s look at the short story I brought today
this is Halliday Avray-Wilson ,Twisting Male Torso Sculpture
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And this is the Santiago Calatrava’s Twisting Torso Sculpture from 1999
Inspiered by Halliday Avray-Wilson’s , Twisting Male Torso Sculpture
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The next image is Santiago Calatrava’s sketch showing how he got inspired from Halliday Avray-Wilson , Twisting Male Torso Sculpture -(right), when he designed the HSB Turning Torso in Malmo Sweden -on the left
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And this is Frank O. Gehry’s building in Hanover Germany from 1999-2001
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In 2001-2005Santiago Calatrava realized his vision from 1999, with the HSB Turning Torso in Malmo Sweden ,shown in the next image
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Eliinbar Sketches 2013 -Frank Gehry and Santiago Calatrava practicing Conscious Inspiration
You probably noticed the morphological resemblancebetwwen Frank Gehry’s twisted building in Hanover Germany and Santiago Calatrava’s HSB Turning Torso in Malmo
Curious coincidence, the two projects were designed and built during the same years….One may assume that this is another typical example of Conscious inspiration
Santiago Calatrava’s inspiration source for the HSB Turning Torso in Malmo was Halliday Avray-Wilson’s ,Twisting Male Torso Sculpture….This Is a typical example of an “inspiration source” that is not an existing building
And Frank Gehry’s inspiration source for the twisted building in Hanover Germany, is a typical example of an “inspiration source” that is an existing building
So we can distinguish between two types of Inspiration Sources
Inspiration from the “Outside world of architecture” ,like in the case of Santiago Calatrava’s HSB Turning Torso
and Inspiration from the “Inside world of architecture” , like in the case of Frank Gehry’s twisted building in Hanover Germany
So obvious ….. but not…. I’ll check it in future posts
The following texts were published In DEZEEN …. Concerning Zaha Hadid’s Inspiration Sources when designing the Guangzhou Opera House
1.“The Guangzhou Opera House design has been particularly influenced by river valleys – and the way in which they are transformed by erosion.
2.“Shaped to resemble two pebbles on the bank of the Pearl River”
3.“The design evolved from the concepts of a natural landscape and the fascinating interplay between architecture and nature; engaging with the principles of erosion, geology and topography”.
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The Inspiration sources published in DEZEEN seem convincing….
Those are probably Zaha Hadid’s Inspiration Sources….
But to design this building, Zaha Hadid had to have other sources of inspiration ….
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I call them….”basic inspiration generators“
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Let’s check what were Zaha Hadid‘s….”basic inspiration generators“….
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The first basic inspiration generator
Notice the exterior shell structure envelope of the Opera House.
The shell structure wraps a large number of functions. It is also characterized by transparency that allows penetration of natural light.
Zaha Hadid’s Guangzhou Opera House 2011
View from inside
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In the next image you can see a typical cross section showing the exterior shell structure envelope of the Opera House wraps a large number of functions.
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This design strategy has been developed in the 60 by Buckminster Fuller.
The Montreal Biosphère in Canada Expo 1967, designed by Buckminster Fuller ….shown in the following image ,is a prominent example of this approach….
Buckminster Fuller
The Montreal Biosphère
Canada Expo1967
Notice the shell Structure that contains a large number of functions and characterized by transparency that allows penetration of natural light.
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And this is an image of the Guangzhou Opera House under construction
Zaha Hadid Architect Guangzhou Opera House in Guangdong province, China 2011
Second step: Developing the Conscious Inspiration tools.
Third step: Realize the design idea.
The five “HOWS” of the “Conscious Inspiration Method”
The ultimate inspiration methodology:
1. How to filter out relevant Knowledge from the Web with abundance of information?
2. How to develop your own Vision?
3. How to choose the right “Inspiration Sources” that empowers your Vision?
4. How to develop your personal Design tools?
5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?
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“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.
The abundance of information in the Web affects us all, as I illustrate in my posts.
I Believe that designing is a process formed from three main phases: knowledge, tools and invention.
“Knowledge”: as many said, and wrote before – Knowledge isthe foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….
“Tools”: develop tools to analyze buildings and “Understand” them, tools that will cope with the abundance of architectural information…
(I intend to demonstrate some of my ideas in future posts)
“Invention”: with the methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings.Once we develop our tools, it will lead usto high quality and creative architecture.
Recently was published in Arch daily a mixed-use project …three “sculptural” residential towers designed by Frank Gehry .
As I showed in previous posts of mine, there is a common phenomenon among successful architects that is worth checking out….
I call this phenomenon the “Multiplying architecture strategy”…. (Multiplying of architectural ideas or “Self inspiration”).
In a previous post of mine ,I showed one of the most common design strategies Frank Gehry applies in his projects…. I Call it the “pile of boxes strategy”….
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It started in the 80s ….
One of the most successful buildings designed by Frank Gehry according to the “pile of boxes strategy”, is in my opinion, the public library in Hollywood, shown in the next image.
Frank Gehry Architect
Public Library Hollywood Branch
USA 1983–1986
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Three years later Frank Gehry designed the unique Schnabel House (shown in the next image) applying once more his “pile of boxes strategy”…..
Frank Gehry Architect
Schnabel House
Brentwood, California 1989
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Eight years later Frank Gehry designed the Guggenheim Abu Dhabi (shown in the next image) according to the “pile of boxes strategy”…..
Frank Gehry Architect
working model of Guggenheim Abu Dhabi
2007 , courtesy of hoss gifford
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And Five years later Frank Gehry designs three towers in Toronto…. Notice especially the one on the right ,designed according to the “pile of boxes strategy”…..
Frank Gehry’s “pile of boxes strategy” is not just a “unique morphology”, that we experience from the outside….
Frank Gehry’s strategy has other advantages….
Look at the next interior images of the Schnabel House …
The “pile of boxes strategy” is an original and exciting technique to put in the building, natural light.
Frank Gehry Architect
Schnabel House ,Internal photo
Brentwood, California 1989
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Frank Gehry Architect
Schnabel House, Internal photo
Brentwood, California 1989
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I recommend you to watch this short YouTube video, showing Frank Gehry’s designing strategy ….using his most powerful tool ….architectural models….
This video explains somewhat, frank Gehry’s “pile of boxes strategy”
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In my previous posts I published numerous “Design Strategies” = “TOOLS” ”= “Codex rules”, of talent and well known architects
You are invited to visit my previous posts and learn more about ”Codex rules” of leading architects like Frank Gehry, Zaha Hadid, Rem Koolhaas, Morphosis and others….
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Here is a short list of my previous posts , Presenting the “Design Strategies” =“TOOLS” ”= “Codex rules” of leading architects
1. Zaha Hadid & Frank Lloyd Wright ….Do aspirations for reality begins in our drawings?
Once we develop our “TOOLS”=”Codex rules”, it will lead us to high quality and creative architecture.
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The abundance of information in the Web affects us all, as I illustrate in my posts.
I Believe that designing is a process formed from three main phases: knowledge, tools and invention.
“Knowledge”: as many said, and wrote before – Knowledge isthe foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….
“Tools”: develop tools to analyze buildings and “Understand” them, tools that will cope with the abundance of architectural information…
(I intend to demonstrate some of my ideas in future posts)
“Invention”: with the methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings.Once we develop our tools, it will lead usto high quality and creative architecture.
You are invited to visit the gallery and to enjoy my sketches .
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Here is a very short video that my youngest son photographed, my daughter edited and the eldest son chose the background music, documenting , the preparation process of a sketch.
They called it “ Sketch is born”
Note that you see the video from the viewpoint of my eyes, How did they do it?
In the next images and sketches I will try to demonstrate how the “Conscious inspiration Method” works for the building designed by Atelier Thomas Pucher and Bramberger [architects]in Tartu, Estonia.
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1. Le Corbusier’s “Domino House”…. a Conscious Inspiration Source
Domino House (1914–1915) is an open floor plan structures, supported by reinforced concrete columns meaning that the floor space was free to be configured into rooms without concern for supporting walls and the physical The building envelope expression is an independent expression subject to the interpretation of Its Architect.
Le Corbusier’s typical” Domino House” 1914-1915
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Atelier Thomas Pucher and Bramberger [architects] apartment Building
Tartu Rebase Street Tartu, Estonia Project Year: 2008.
Noticethe visual similarity to Rem Koolhaas’s Three Dimensional floor Strategydeveloped in theJussieu Library
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You are invited to visit my relevant previous post…. MVRDV & Rem Koolhaas & SANAA – Buildings with three-dimensional floor https://archidialog.com/2010/05/26/
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3. MVRDV’s Cantilever Strategy…. a Conscious Inspiration Source
MVRDV Architects
“WoZoCo” Housing for Elderly
Amsterdam: 1997
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Atelier Thomas Pucher and Bramberger [architects] apartment Building
Notice the use of Le Corbusier’sPiloties to raise the building from the ground to let parking.
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You are invited to visit my relevant previous post….Le Corbusier & Zaha Hadid – Les Pilotis – Conscious Inspiration 1 https://archidialog.com/2010/07/11/
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6. Herzog De Meuron’s circular Staircase…. a Conscious Inspiration Source
1. Once more we saw that the “Conscious Inspiration Method” is practiced intuitively by talented architects all over the world.
2. It Seems that the “Conscious Inspiration Method” does not prejudice the creativity of architects….Perhaps even enhances It.
3. The “Conscious Inspiration Method” is not limited to a certain place, cultural or environmental conditions.
4. Inspiration Sources are varied…. architects are inspired from different periods and different places.
5. An inspiration source can be a “design strategy” or a “unique morphology”, What really matters, is the architect skills to develop and make use of his appropriate “design-tools”.
Second step: Developing the Conscious Inspiration tools.
Third step: Realize the design idea.
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A “small talk” about “Conscious inspiration”
With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.
Be inspired consciously from existing buildings, and you will experience a unique design process that will serve your creative desires….
But first we must develop our “TOOLS” or in other words, our” Codex rules”….
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In my previous posts I published numerous “Design Strategies” = “TOOLS” ”= “Codex rules”, of talent and well known architects
You are invited to visit my previous posts and learn more about ”Codex rules” of leading architects like Frank Gehry, Zaha Hadid, Rem Koolhaas, Morphosis and others….
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Here is a short list of my previous posts , Presenting the “Design Strategies” =“TOOLS” ”= “Codex rules” of leading architects
1. Zaha Hadid & Frank Lloyd Wright ….Do aspirations for reality begins in our drawings?
Once we develop our “TOOLS”=”Codex rules”, it will lead us to high quality and creative architecture.
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The abundance of information in the Web affects us all, as I illustrate in my posts.
I Believe that designing is a process formed from three main phases: knowledge, tools and invention.
“Knowledge”: as many said, and wrote before – Knowledge isthe foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….
“Tools”: develop tools to analyze buildings and “Understand” them, tools that will cope with the abundance of architectural information…
(I intend to demonstrate some of my ideas in future posts)
“Invention”: with the methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings.Once we develop our tools, it will lead usto high quality and creative architecture.
The building envelope is the physical separator between the interior and the exterior.
It was not always been like that….
It was Le Corbusier that helped us liberate the envelope from the internal structure with his “Dominos houses”.
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Domino House (1914–1915) is an open floor plan structures , supported by reinforced concrete columns meaning that the floor space was free to be configured into rooms without concern for supporting walls and the physical expression of the building envelope, is subject to the interpretation of Its Architect.
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This is an old sketch of mine, showing contemporary expressions to Le Corbusier’s “Dominos houses”.
Eliinbar’s Sketches, contemporary expressions to Le Corbusier’s “Dominos houses”.
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Since Le Corbusier…. architects made number of measures for total separation between the building envelope and its internal structure.
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In this post I will show three leading architects taking advantage of the evolution that accorded in building envelopes,
Each one of them expresses in his building ,his own -“Envelopes Design Strategy”
1. Simple cube-shaped building with an Interior core designed by the principles of the “sponge concept” (you are invited to sea my post about Steven Holl’s “sponge concept”).
2. And a sculptural façade created by a steel screen fluctuates in its offset from the cube. (You are invited to sea my post about the three dimensional “Mashrabiya Envelopes” and some other of my relevant posts listed at the end).
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I think we can summarize this post with the following statement:
“The most dominant characteristic of contemporary architecture, is liberating the envelope from its internal building ”
It all started somewhere at the 60th when the young Safdie designed the three-dimensional, prefabricated units community and housing complex built as a pavilion for Expo 67 the first significant Pixilated Building ever built….
Frank Gehry was asked. “How do you get some sky to your buildings?” And his answer was “I don’t know what I do, I just “punch” a few holes here and there and….. somehow they end up being in the right place”.
This post Traces Zaha Hadid’s “Conscious inspiration” design Methodology, that eventually engenders a unique and winning design such as the Riverside Museum in Glasgow Scotland.
Zaha Hadid’splanning process Shown in this post is based on my own understanding (for you to judge)…. my Intention is to introduce Zaha Hadid’s strategy implementing the “conscious inspiration method”
Zaha Hadid’s starts her design process by connecting to Accessible information sources“she isinformed about everything that was designed in the past and on a daily basis”
Notice the Repetitive theme of the triangular gable
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And this is the Riverside Museum’s front entrance designed by Zaha Hadid in Glasgow. She gives an innovative interpretation to the repetitive Victorian gable.
Zaha Hadid Architect
Riverside Museum Glasgow
Scotland, Competition 2004 -2011.
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This is an Aerial view
of the Central railway Station In Glasgow
And this is an Aerial view of Zaha Hadid’s Riverside Museum in Glasgow
Note the linear and continuous configuration of the building roof
in the two images
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This is an image of the departures board in Glasgow’s Central railway station sealing.
Notice the configuration of the extruded triangular-shaped roof
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And this is an inner image of the Zaha Hadid’s Riverside Museum sealing in Glasgow. Notice the configuration of the extruded triangular-shaped roof
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And finally as I mentioned more than once”we don’t need to be intimidated to get inspired from relevant buildings”
This is the Image of the Dundee Maggie’s Centre in Scotland, designed by Frank Gehry, opened its doors in 2003
Notice the variable repetitive theme of the triangular gable.
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Who knows…. maybe this recognized building in Dundee shown in the following picture, is the inspiration source for Gehry’s Maggie’s Centre .
Note the initial visual characteristics of the two buildings. Triangular pediment and vertical tower next to It…..
The McManus Galleries in the centre of Dundee
architect Sir George Gilbert Scott
The style building is known as Victorian Gothic
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You are invited to visit my recent and relevant posts:
O.M. Ungers & Iakov Chernikhov – Is This “Conscious Inspiration”?
“Conscious Inspiration” the ultimate inspiration methodology
“Knowledge”: as many said, and wrote before – Knowledge isthe foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….
“Tools”: develop tools to analyze buildings and “Understand” them, tools that will cope with the abundance of architectural information…
“Invention”: with the methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings.Once we develop our tools, it will lead us to high quality and creative architecture
A blog where I trace the inspiration sources of architects. Each post will compare an architect's
creation with its origins for you to judge.
Tell us what you think !
About the Author
Architecture is my profession as well as my favorite hobby.
In my blog " Architecture Dialog"
( Archidialog.com), I wish to open a vital discussion about it.
Architecture enthusiasts, practitioners and consumers, are welcome to join me on
my one-of-a-kind journy through the
unexplored wonders of the architecture realm.
First , I take a crack at uncovering the inspiration sources of gifted architects.
Eli Inbar is an accomplished architect who runs his own architecture firm in Jerusalem, Israel for 20 years now.
He specializes in public establishments and
hard-landscaping development.