Archive for inspiration sources

……….Expo 2015 Milan = Controlling light

Posted in buildings, Inspiration Source, public buildings with tags , , , , , , , , , , , , , , , , , , , on October 24, 2015 by eliinbar

"Controlling Light" In Expo 2015

eliinbar’s  sketches 2015 – “Controlling Light” In Expo 2015

I visited this year Expo in Milan….

Expo 2015 Motto is  Feeding the Planet, Energy for Life

From the point of view of an architect ,Milan Expo 2015 is a  dreamy playground containing 145 Structures designed by talented architects

appears that 145 architects

in Expo 2015

chose to deal with

a common challenge

to Control  Light

you are already familiar

to this blog tradition

I will first deal with different strategies of

how to “Control Light” implemented in different structures in Expo 2015

And than

I shall propose

their

Inspiration sources

for you to judge

Here is a sketch showing the most common design strategy in  Expo 2015

to Control Light by

envelopes made of Layers

Layers that are composed of vertical and horizontal slabs

"Controlling Light" In Expo 2015

“Controlling Light” In Expo 2015

shown in the next image

is the Ireland’s pavilion in Expo 2015

notice the shading strategy implemented in the Ireland’s pavilion

layers of vertical slabs connected to the envelope structure

in  variable density

IMG_6008

and this is  le Corbusier’s  La Tourette Monastery in Lyon France designed and built from 1953 to 1957

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notice the shading strategy implemented in le Corbusier’s  La Tourette Monastery

layers of vertical slabs connected to the envelope structure

in  variable density

eliinbar's sketches 2015 -inspiration sources- "Controlling Light" In Expo 2015

eliinbar’s  sketches 2015 -inspiration sources- “Controlling Light” In Expo 2015

Is le Corbusier’s  La Tourette Monastery, the Ireland’s Pavilion inspiration?

for you to judge

 _

_

_

_

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more pavilions in Expo 2015 in Milan

implementing this strategy

The Czech pavilion

 Czech pavilion in expo 2015 vertical slabs

Azerbaijan pavilion in expo 2015

Azerbaijan pavilion in expo 2015- horizontal slabs


IMG_6099

German pavilion in expo 2015- horizontal slabs

IMG_6082

 Romania pavilion in expo 2015- vertical slabs

French pavilion in Expo 2015

French pavilion in Expo 2015 – vertical slabs

Pavilion Expo 2015

more

Inspirational stories from Expo 2015, in future posts

What is common to ancient Rome, Louis Kahn, Charles Moore ,Tadao Ando and Rem Koolhaas?

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on July 5, 2014 by eliinbar

eliinbar’s sketches 2014 - THE MAIN CONFIGURATION=ROTATION
eliinbar’s sketches 2014 – THE MAIN CONFIGURATION=ROTATION

Today’s post will be the second of a series, inquiring whether one of the leading architectural firms in the world, OMA of Rem Koolhaas, is a popular Inspiration Source for leading architects today. Today’s main configuration of a building designed by Oma and Rem Koolhass is ROTATION.

THE MAIN CONFIGURATION

ROTATION

eliinbar's sketches-ROTATION

The origins

(Inspiration Sources)

 –

8th century BC to the 5th century AD

Forum Romanum

Ancient Rome floors plans

(Republican Era)

Platner-forum-republic-96

The Sixties

Louis Kahn

Norman Fisher House floor plan Hatboro, Pennsylvania, United States 1960-1967

Louis Kahn Norman Fisher House

The Seventies

Charles Moore

 Kresge College street level floor plan 1971

kresge College Plan

The Eighties

Tadao Ando

Church of the light  built in 1989, in the city of Ibaraki, Osaka Prefecture.

church of the light site plan

eliinbar’s sketches 2014 - THE MAIN CONFIGURATION=ROTATION

eliinbar’s sketches 2014 – THE MAIN CONFIGURATION=ROTATION

Note that the main configuration- rotation

 is  reflected in each of the above floor plans

eliinbar's sketches-ROTATION

And how  Rem Koolhaas implements the idea of ​​ROTATION today?

The Contemporary Inspiration Source

OMA and Rem Koolhaas’s winning proposal for the Plaza at Santa Monica 2013

OMA and Rem Koolhaas's winning proposal for the Plaza at Santa Monica 2013

Conscious Inspiration today

more Rotating buildings

arkinetia_spiralling_tower_-_barcelona_zaha_hadid_qqqnot20060517_01

xrange_sml_w2

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cool00

the-institute-for-islamic-culture-mikou-design-studio-paris

kube-4

PFP-Planungs-GmbH-Hamburg-Germany_-School-in-Genoa_dezeen_468_1

Strasbourg-School-of-Architecture_dezeen_5

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cap01

nadra_tower-l

21210_acadecloseup1385

monaco-expo-2010

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images (2)

images (1)

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This blog examines the

 inspiration sources

 of contemporary architectural projects

 I put a virtual

 mirror  

 reflecting processes of

conscious and

unconscious inspiration among Architects

and you judge

 But my challenge is not over yet

If my

mirror

 reflects the reality correctly

Then is needed a change in architecture profession training

And I will explane

You probably noticed that the differences between

Conscious Inspiration” and “Copy paste

are rather vague

And there is a consensus that

 Copy-paste is disastrous for the architectural profession

We all know that the basis for all architectural design , is the unique site

 on which the building is built

so how can we copy buildings?

For that I strive to develope a responsive training method for architects

I call it the

 Conscious Inspiration Method

The “Conscious Inspiration Method” is  learning to be inspired  consciously  from existing buildings

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our designing tools =“Codex Rules”, it will lead us to high quality creative architecture

.

I believe that the natural development of architecture design is based on 

inspiration techniques

I call them

Codex Rules

In my next posts ,I will show some Interesting  inspiration techniques

Le Corbusier and the double message of the Conscious Inspiration

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , on June 9, 2013 by eliinbar

Here is Le Corbusier’s thought-provoking quote, published in his book “Towards Architecture“, in the early 20’s of the last century

The iron and cement  during the last fifty years brought achievements , indicating the powerful of construction, but also architecture that its code is disrupted

? What was Le corbusier‘s message when he wrote this phrase

It is possible to interpret Le corbusier’s  message literally

Architects failed to take advantage correctly ,of new construction technologies that were developed at the end of the 19th century and early 20th century

I think Le Corbusier wanted to  send us a message bit different

:That is how I understand, le Corbusier’s message 

 Since its birth, the architectural bases itself on the guiding principles

    These principles serves the needs of the primary users, we all

?Where do we find the guiding principles

We finde the guiding principles in existing buildings

 Architects failed to take advantage correctly ,of new construction technologies because they did not base their new designs on Inspiring buildings

 Instead of learning the guiding principles that have evolved over the centuries, they choose to skip this legacy, and reinvent the wheel

 This architecture does not serve us

 I can suggest a name to Le corbusier’s message , I would call  it Conscious Inspiration

Here Is an interesting example , Le Corbusier has published in his book Towards Architecture

This example shows us how “Conscious Inspiration” works for Le Corbusier

Here are the four Conscious Inspiration steps, who led Corbusier to high quality and creative architecture

First step–  le Corbusier choose the right “Inspiration Sources” that empowers his vision,  guiding principles = Outlining guidelines

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Second step– this is one of Le Corbusier’s first buildings. le Corbusier implements consciously the principals of the “Outlining guidelines” in a building characterized by periodical architectural characteristics   

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Third step – le Corbusier develops his own personal design tools =five points of architecture / Maison Domino

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le-corbusier-five-points-of-architecture0001111

Le Corbusir’s five points of architecture – Eliinbar sketches 2011

Fourth step- le Corbusier use his inspiration sources as the “Planning Process Generator”, he combines the tools developed and design high quality creative architecture, The building shown in the next image is a completely radical design compared to buildings which are being built at the time

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Inspiration from existing buildings…. Apparently we can get inspired from a number of buildings simultaneously

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 18, 2013 by eliinbar

spiral-architecture-eliinbar-sketches-2011-001

–   Eliinbar’s sketches 2011 – Spiral Architecture

Today post presents for the seventh time, my New “Conscious Inspiration” project…. 100 Conscious projects in 200 days

100projects in 200 days that we can easily Identify their Inspiration sources

These projects are published in ARCHDAILY the world’s most visited architecture website

The inspiration sources for the 100 projects ,are not nature in full bloom ,or wonderful music,not exciting prose

Their inspiration sources are existing buildings

– 

 ? What does it indicates about us

It indicates that there is an expanding phenomenon and we can not  ignore it

Architects are inspired by existing buildings as a method

? So what’s the problem 

The problem is that some of us are experiencing difficulty getting inspired from existing buildings

Sometimes the result of this process, looks more like “Copy-paste” rather than conscious inspiration

 

? So how to get inspired consciously from existing buildings

– 

You are invited to join me to a very short journey uncovering the inspiration sources of a Snailtower designed by Künnapu & Padrik Architects

 published lately in ARCHDAILY

In my privious post we saw how Steven Holl Is inspiered consciously from Le Corbusier‘s  La Tourette  monastery

Le Corbusier’s La Tourette  monastery, is Steven Holl’s  Inspiration building

The Snailtower building , published lately in ARCHDAILY, is characterized by a variety of sources of inspirations

for you to judge

  What was the “floor plans strategy” of the “SnailTower” designers

This is Zvi Hecker’s floorplan for the  spiral apartment house in Ramat gan Israel, designed and built in the 70s

Published in  arcspace.com

Zvi Hecker's floorplan for the  spiral apartment house in Ramat gan Israel, designed and built in the 70s.

And this is the Snailtower typical floor plan

Published in ARCHDAILY in may 2013

Snailtower typical floor plan

Notice the spiral floorplan with the apartments grouped around a central, load bearing column within which all the service functions were located. In the Spiral House, the retaining column has been removed and replaced by an open courtyard

The Spiral House deploys the principle of terracing typical of Arab villages where the roof is used as part of the living space for the apartments. The organization of the living spaces around an interior courtyard and the use of inexpensive, readily available materials are local components that compliment the geometric order based on a spiral.

From arcspace.com

For more information about “Spiral Architecture” you are invited to browse to my relevant post  : Spiral architecture & Conscious Inspiration

spiral-architecture-eliinbar-sketches-2011-001

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?What was the Snailtower’s designers facades strategy

This is the well Known Zollverein School of Management & Design, designed by SANAA in the early 2000. Essen,Germany 2003-2006

zollverein-building-by-sanaa1

And this is the Snailtower typical façade

building year : 2008

Published in ARCHDAILY in may 2013

Snailtower typical façade

Notice the dominant principle of the “Ideal Disorder” in the Snailtower  and SANAA’s building facades

Square openings , with different sizes and proportions, scattered on the building façade

For more information about  the Ideal Disorder Design Strategy

 you are invited to browse to my relevant post  : MVRDV, Rafael Moneo and SANAA are leading the age of the Ideal Disorder Design Strategy

From Eliinbar's sketchbook 2012 Ideal Disorder Design Strategy

From Eliinbar’s sketchbook 2012 – Ideal Disorder Design Strategy

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Inspiration from an existing building…. Le Corbusier and Steven Holl shows us, that it is worth trying….

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , on May 14, 2013 by eliinbar

 Eliinbar Sketchbook 2012 –Is Le Corbusier's  La Tourette Monastery,Steven Holl's "Inspiration building"?

from  Eliinbar Sketchbook 2012 –Is Le Corbusier’s  La Tourette Monastery,Steven Holl’s “Inspiration building”?

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

 Today post presents for the sixth time, my New “Conscious Inspiration” project…. 100 Conscious projects in 200 days,100 projects in 200 days that we can easily Identify their Inspiration sources

These projects are published in ARCHDAILY ,the world’s most visited architecture website

The inspiration sources for the 100 projects ,are not nature in full bloom ,or wonderful music,nor exciting prose

Their inspiration sources are existing buildings

You are invited to join me to a very short journey uncovering the inspiration sources of Steven Holl

Steven holl‘s Campbell Sports Center was published in Archdaily  May 2013

Notice the dominant horizontal building wing,raised through a series of pillars

Steven Holl Architects Campbell Sports Center Columbia University, New York, NY, USA 2013

Let’s see what are Steven Holl‘s inspiration Sources….

This is Steven Holl’s competition entry for the American Library expansion in Berlin1984

Notice the dominant horizontal building wing,raised through a series of pillars

Steven Holl's competition entry for the American Library expansion in Berlin .1984.

Interesting enough,  Steven Holl was not the only one that showed interest in

The “Floating Buildings Trend

Here is Zaha Hadid’s Expo Centre exhibition halls and residential tower

In Moscow, published in 2007

Zaha Hadid Architects Expo Centre exhibition halls and residential tower project Moscow Russia Published in 2007

and this is my sketch describing the evolution of the

Floating buildings trend

 Eliinbar Sketch book 2012 – the“Floating buildings trend

From Eliinbar Sketchbook 2012 – the“Floating buildings trend

And finally, as I keep repeating it in many of my blog entries

knowledge is the foundation for all designing process

This is Le Corbusier‘s  La Tourette Monastery from 1953-1960

notice Le Corbusier’s  La Tourette dominant building wing,raised through a series of pillars

Le Corbusier's  La Tourette Monastery from 1953-1960

Steven Holl is a well-known fan of Le Corbusier

   Le Corbusier‘s  La Tourette , is probably the “Inspiration building” for  Steven Holl‘s  American Library expansion from 1984

 More than 25 years later, Le Corbusier‘s  La Tourette,is probably once more, the “Inspiration building” for the campbell-sports-center

For you to Judge

 Eliinbar Sketchbook 2012 –Is Le Corbusier's  La Tourette Monastery,Steven Holl's "Inspiration building"?

From Eliinbar Sketchbook 2012 – Is Le Corbusier’s  La Tourette Monastery,Steven Holl’s Inspiration building

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

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Inspiration from existing building, Is it worth trying?

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 9, 2013 by eliinbar

from Eliinbar’s Sketchbook 2012 –

Eliinbar’s Sketches 2012 –Zaha Hadid’s “aggressive snake motif

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

Today post presents for the fifth time, my New “Conscious Inspiration” project…. 100 Conscious projects in 200 days

100projects in 200 days, that we can easily identify their inspiration sources

These projects are published in ARCHDAILY ,the world’s most visited architecture website

The inspiration sources for the 100 projects ,are not nature in full bloom ,or wonderful music,nor exciting prose

Their inspiration sources are existing buildings

You might remember the post-modernism trend in the 80s

Sources of inspiration for this style/trend were classical buildings, Nothing else

 ? What does it indicates about us

It indicates that there is an expanding phenomenon and we can not ignore it

Architects are inspired by existing buildings as a method

 ? So what’s the problem 

The problem is that some of us are experiencing difficulty getting inspired from existing buildings

Sometimes the result of this process, looks more likeCopy-paste” rather than conscious inspiration

 ? So how to get inspired consciously from existing buildings

 

 

 ? The Conscious Inspiration Method ,how it works

First step:  knowledge”, as many said and wrote before; knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis

Second step: develop Conscious Inspiration personal tools = Codex Rules

Third step: the Inspiration Source. Don’t be intimidated to get inspired from relevant buildings

Step Four: realize your design idea ,your invention

Now that we are familiar with the four steps of the Conscious Inspiration Method, let’s learn how to implement this  method in daily life

But first we must define the challenges facing us

Here are the five “HOWS” of the Conscious Inspiration Method

A. How to filter out relevant knowledge from the Web?…. with abundance of information

 ? B. How to develop your own vision

  C.  How to choose the right “Inspiration Sources” ?  that empowers your vision

? D.  How to develop your own personal design tools

 E.  How to use your inspiration sources as the “Planning Process Generator”?  and to design high quality creative architecture

 

In conclusion

I believe that the natural development of architecture design is based on inspiration techniques ….I call them  Codex Rules

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings

Get inspired consciously from existing buildings, and you will experience a unique design process that will serve your creative desires

Finally two examples of buildings published  in ARCHDAILY for you to judge

Architects: 70ºN Arkitektur  Tromsø, 2003-2009 Norway

 70ºN Arkitektur

Tromsø

2003-2009 Norway

Published in archdaily 2008

Zaha Hadid Architect  Spittelau  Vienna  Austria 2003-2005Zaha Hadid Architect

Spittelau  Vienna

Austria 2003-2005

   Notice the dominant principle of the “aggressive snake motif” in 70n arkiektur project and Zaha Hadid’s project in Spittelau Vienna

For more relavent information about the origins of the  aggressive snake motif

you are invited to visit my privious post

Peter Eisenman & Zaha Hadid –Conscious Inspiration

peter-eisenman-zaha-hadid-eliinbar-sketches-20100001

Eliinbar sketches 2010 – Zaha Hadid’s Inspiration Sources

another relevant post

Zaha Hadid And the morphology of the “aggressive snake motif”2

Eliinbar’s Sketches 2012 –Zaha Hadid’s “aggressive snake motif”

Eliinbar’s Sketches 2012 –Zaha Hadid’s aggressive snake motif

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

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another exampl published in archdaily for you to judge 

Ateliers O-S architectes Cultural Center in Nevers, France 2012

Ateliers O-S architectes

Cultural Center

Nevers, France 2012

Published in archdaily 2012

Notice the dominant principle of the “Ideal Disorder” in  Ateliers O-S architectes  Cultural Center, front facade

Is it familiar to you? You’ve seen it in Le Corbusier Unité d ‘Habitation Rezé Nantes and in SANAA’s Zollverein School of  Management & Design , as shown in the following sketch

le-corbusier-sanna-eliinbar-sketches-2011-001

eliinbar Sketches 2011

Snohetta Architects Oslo Opera House Norway 2003-2007

Snohetta Architects

 Oslo Opera House

 Norway 2003-2007

Notice the dominant principle of the “Extroverted buildings trend” in  Ateliers O-S architectes  Cultural Center and Snohetta’s Oslo Opera House

For more relavent information about the origins of the the “Extroverted buildings trend” = Snohetta’s Oslo Opera house ,  you are invited to visit my privious post

Architecture ,Trends , Inspiration and the complex relationship with the Extroverted buildings trend

Eliinbar’s Sketchbook 2012 –the inspiration sources of the“Extroverted building”

From Eliinbar’s S ketchbook 2013 –the inspiration sources of the Extroverted building

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Frank Gehry and Santiago Calatrava gives us a short lesson about “Conscious Inspiration”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , on February 22, 2013 by eliinbar

Eliinbar's sketch 2013-Frank Gehry and Santiago Calatrava practicing "Conscious Inspiration"

Eliinbar Sketches 2013 – Frank Gehry and Santiago Calatrava practicing “Conscious Inspiration”

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

Kurt Cobain  , Nirvana’s  music band songwriter,guitarist and lead singer was proud to share with us his musical influences (Inspiration Sources)…. the Beatles,Pixies,Sonic Youth ,R.E.M ,Led Zeppelin ,Black Sabbath and other well known music Bands.

? So why architects , always claim they get inspired in their dreams

I learned during  my journey in this blog,  that inspiration from existing buildings, is common among architects

 But I also learned something else

A relatively large group of architects lack the “tools” to make the distinction between “copy-paste” and Conscious Inspiration

 In this blog I want ,to clarify the differences between the disturbing phenomenon that is commonly called “copy-paste” , and the positive phenomenon I encourage …. Conscious Inspiration

In my next posts, I intend to suggest Inspiration techniques, that will help young architects to get inspired from existing buildings….in a CONSCIOUS way

Let’s look at the short story I brought today

this is Halliday Avray-Wilson ,Twisting Male  Torso Sculpture

artpark_sculpture_halliday_avray-wilson_twisting_male_torso_1

And this is the Santiago Calatrava’s Twisting Torso Sculpture from 1999

Inspiered by Halliday Avray-Wilson’s , Twisting Male  Torso Sculpture

Santiago Calatrava's Twisting Torso Sculpture from 1999

The next image is Santiago Calatrava’s sketch showing how he got inspired from Halliday Avray-Wilson , Twisting Male  Torso Sculpture -(right), when he designed the HSB Turning Torso in Malmo Sweden -on the left

Santiago Calatrava's sketch showing how he got inspired from Halliday Avray-Wilson , Twisting Male  Torso Sculpture (right), when he designed the HSB Turning Torso in Malmo Sweden (left)

And this is Frank O. Gehry’s building in Hanover Germany  from 1999-2001

Frank O. Gehry's building in Hanover Germany  from  1999-2001

In 2001-2005 Santiago Calatrava realized his vision from 1999, with the HSB Turning Torso in Malmo Sweden ,shown in the next image

HSB Turning Torso in Malmo Sweden

Eliinbar's sketch 2013-Frank Gehry and Santiago Calatrava practicing "Conscious Inspiration"

Eliinbar Sketches 2013 -Frank Gehry and Santiago Calatrava practicing  Conscious Inspiration

You probably noticed the morphological resemblance betwwen Frank Gehry’s twisted building in Hanover Germany and Santiago Calatrava’s HSB Turning Torso in Malmo

Curious coincidence, the two projects were designed and built during the same years…. One may assume that this is another typical example of Conscious inspiration

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?what did I learn from this post

 Santiago Calatrava’s inspiration source for the HSB Turning Torso in Malmo was Halliday Avray-Wilson’s ,Twisting Male  Torso Sculpture….This Is a typical example of an “inspiration source” that is not an existing building

 And Frank Gehry’s inspiration source for the twisted building in Hanover Germany, is a typical example of an “inspiration source” that is an existing building

 So we can distinguish between two types of Inspiration Sources

Inspiration from the “Outside world of architecture” ,like  in the case of  Santiago  Calatrava’s HSB Turning Torso

and Inspiration from the “Inside world of architecture” ,  like  in the case of Frank Gehry’s twisted building in Hanover Germany

 So obvious ….. but  not…. I’ll check it in future posts

 

Architecture ,Trends , Inspiration and the complex relationship with the “Origami Envelopes Trend”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , on January 11, 2013 by eliinbar

Inspiration sketch Gallery (ISG) by Eli Inbar

From eliinbar’s sketch book 2012 - the inspiration source of the Origami Envelopes trend

From  Eliinbar’s Sketchbook 2012 – the inspiration sources of the “Origami Envelopes Trend”

I have nothing against trends.

There is an interest to recognize the existence of trends, and understand their origins.

From time to time I like to examine, the hottest trends in architecture.

In this post I will examine  the “Origami Envelopes trend”

For more information about the “Origami Envelopes trend”, you are invited to visit my post: Preston Scott Cohen and the “Origami Envelopes trend”

What are the inspiration Sources for the “Origami Envelopes trend”?

I can think about three sources of inspiration for the “Origami Envelopes trend”.

1.The origami traditional Japanese art.

2.Peter Eisenman’s  Max Reinhardts Haus project. from 1992.

3.Preston Scott Cohen’s Tel Aviv Museum –  2003-2010.

Each one of them has a different role in generating the “Origami Envelopes trend”.

The “Knowledge base

Origami Swan

Origami Swan

The origamy  traditional Japanese art of paper folding, is the “Knowledge base” for the Origami Envelopes trend

The origamy  traditional Japanese art of paper folding, is the “Knowledge base for the “Origami Envelopes trend

The “Inspiration Source”

Peter Eisenman Architect  Max Reinhardts Haus project Berlin 1992

Peter Eisenman Architect  Max Reinhardts Haus project Berlin-1992

Peter Eisenman’s  Max Reinhardts Haus project in Berlin from 1992 is the “Inspiration Source” for the Origami Envelopes trend

Peter Eisenman’s  Max Reinhardts Haus project in Berlin from 1992 is the “Inspiration Source” for the “Origami Envelopes trend

The Realization

Preston Scott Cohen architect Tel Aviv Museum 2003-2010

Preston Scott Cohen architect Tel Aviv Museum 2003-2010

And Preston Scott Cohen’s Tel Aviv Museum from  2003-2010 is the “Realization” of the “Origami Envelopes trend”

And Preston Scott Cohen’s Tel Aviv Museum from  2003-2010 is the “Realization” of the “Origami Envelopes trend

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And here are some recent examples of the”Origami Envelopes trend”

 For you to judge.

SEBASTIAN CERREJON

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em2n . Keystone Office Building . Prague (1)

Karuizawa Museum by Yasui Hideo Atelier06

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Here is a very short video that my youngest son photographed, my daughter edited and the eldest son chose the background music, documenting , the preparation process of a sketch.

They called it “ Sketch is born

Note that you see the video from the viewpoint of my eyes, How did they do it?

 music by Nicolas Jaar

You are invited to visit my new Inspiration Sketch Gallery (ISG) in ETSY

Inspiration sketch Gallery (ISG) by Eli Inbar

Inspiration” or “Copy Paste” are the most dominant phenomenon of the 21st century among architects.

Most likely the “availability of information” enables the existence of the phenomenon.

The abundance of information in the Web affects us all…. I present it every week in my blog, accompanied by my explanation sketches, we saw more than once, the differences between “Conscious Inspiration” and “copy paste” are not so big….

And that is exactly what I clarify in my blog.

I believe that the natural development of architecture design is based on inspiration techniques ….I call them “Codex Rules”.

I strive to develop a method.

A method that will help architects and designers to cope with this phenomenon, At this point in time, I call it the “Conscious Inspiration Method” ….

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools =“Codex Rules”, it will lead us to high quality and creative architecture.

The Conscious Inspiration Method‘ ,  How it Works?

First step: “knowledge”, as many said and wrote before; knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis.

Second step:   develop your personal Conscious Inspiration tools=“Codex Rules”.

Third step: the inspiration Source. (Don’t be intimidated to get inspired from relevant buildings).

Step Four: realize your design idea (your invention).

The five “HOWS” of the “Conscious Inspiration Method

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

Are OMA and Herzog de Meuron the inspiration source for the WAN awards winners for 2012 ?

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on December 28, 2012 by eliinbar

from Eliinbar’s Sketch book 2012 -        A-lab Architects  inspiration sources

from Eliinbar’s Sketch book 2012 – A-lab Architects inspiration sources

Here is a very short video that my youngest son photographed, my daughter edited and the eldest son chose the background music, documenting , the preparation process of a sketch.

They called it “ Sketch is born”

music by Nicolas Jaar

You are invited tovisit my new Inspiration Sketch Gallery (ISG) in ETSY

Inspiration sketch Gallery (ISG) by Eli Inbar

….From time to time I come across a building that explains everything

“A building designed according to the guiding principles of the  “Conscious Inspiration Method

….Here is another winner

The next building is the WAN Awards winner for 2012,  the commercial category

A-lab Architects    : Offices - Public   Oslo, Norway   2009-2012

A-lab Architects

   Offices – Public

Oslo,Norway  2009-2012

Let’s see how the “Conscious Inspiration Method   works for this building….

“But first, Let’s learn a few things about “Conscious Inspiration

The designing method I call “Conscious Inspiration” is a process formed from three main phases:  “knowledge”, DesigningTools = “Codex Rules” and  “Invention

Knowledge :as many said, and wrote before, is the foundation for all designing process. We architects and designers are obliged to” be informed about everything that was designed in the past and on a daily basis….

Designing Tools”=“Codex Rules”: develop tools to analyze buildings and “Understand” them, Tools that will help us cope with the abundance of architectural information….

Invention  with the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings, Once we develop our tools, it will lead us to high quality and creative architecture

“Knowledge”

(Big Horizontal prisms placed over each other perpendicularly)

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Ministry of Highways and Transportation

1979, Tbilisi, Georgia

Copyright:  Simona Rota

Note the dominant morphological of this building

Big Horizontal prisms placed over each other perpendicularly.

It is noticeable for the observer…. most likely , A-lab‘s “sources of inspiration”  are Herzog de Meuron’s Vitra Haus Showroom and OMA’s  residential project in Singapor,shown in the next images

….Note the morphological resemblance….Big Horizontal prisms, placed over each other, in rotation, creating a stable structure

“The Inspiration Sources”

Big Horizontal prisms placed over each other in rotation)

(creating a stable structure

HerzogdeMueron_VitraHaus

Herzog de Meuron Architects

Vitra Haus Showroom

Germany  2006-2007

Office for Metropolitan Architecture  OMA architects       project        residential        Singapore  2009

Office for Metropolitan Architecture – OMA architects

          residential   project

          Singapore   2009     

More Information in Archdaily

,The  “Conscious Inspiration Method‘  is about bringing something of your self , A-lab Architects  , morphologically get inspired from  Herzog de Meuron’s  Vitra Haus Showroom and OMA’s residential project in Singapore

….but they add their own  invention

The dramatic flying prisms, placed in rotation, create a Lack of equilibrium that transmits a dynamic sensation of a building in motion

“The Invention”

Flying prisms, placed in rotation, create a Lack of equilibrium that transmits a dynamic sensation of a building inmotion

A-lab Architects    : Offices - Public   Oslo, Norway   2009-2012

 A-lab Architects

 Offices – Public

  Oslo,Norway  2009-2012

from Eliinbar’s Sketch book 2012 -        A-lab Architects  inspiration sources

from Eliinbar’s Sketch book 2012 – A-lab Architects inspiration sources

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Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

A “small talk” about “Conscious inspiration”

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.

Be inspired consciously from existing buildings, and you will experience a unique design process that will serve your creative desires….

But first we must develop our TOOLS” or in other words, our” Codex rules”…. 

In my previous posts I published numerous “Design Strategies” = “TOOLS” ”= “Codex rules”, of talent and well known architects

You are invited to visit my previous posts and learn more about  ”Codex rules” of leading architects like Frank Gehry, Zaha Hadid, Rem Koolhaas, Morphosis and others….

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 Here is a short list of my previous posts , Presenting the “Design Strategies” = TOOLS” ”= “Codex rules” of leading architects

1. Zaha Hadid & Frank Lloyd Wright ….Do aspirations for reality begins in our drawings?

https://archidialog.com/2012/05/11/

2. Morphosis “Floor plan strategy”

https://archidialog.com/2012/01/12/

3. Learning from Frank Gehry ….Chapter 1 ,His Design Tools

https://archidialog.com/2011/10/24/

4. Learning from Frank Gehry ….Chapter 2  His floor plan Strategy

https://archidialog.com/2011/10/27/

5. Learning from Frank Gehry .  ….Chapter 3 – the “Clinging Statue Strategy”

https://archidialog.com/2011/11/13/

6. Learning from Zaha Hadid

https://archidialog.com/2011/09/12/

7. Bjarke Ingels Group – BIG….how they do it?

https://archidialog.com/2012/05/06/

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

What Zaha Hadid finds in Buckminster Fuller and Frank Gehry…. that we do not know?

Posted in buildings, nature, public buildings with tags , , , , , , , , , , , , , , , , , , , on October 28, 2012 by eliinbar

From  Eliinbar’s Sketch book 2012 – Zaha Hadid’s ….”basic inspiration generators”….

Zaha Hadid Architect

Guangzhou Opera House

in Guangdong province, China 2011

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The following texts were published In DEZEEN  …. Concerning Zaha Hadid’s Inspiration Sources when designing the Guangzhou Opera House 

1.“The Guangzhou Opera House design has been particularly influenced by river valleys – and the way in which they are transformed by erosion. 

2.“Shaped to resemble two pebbles on the bank of the Pearl River 

3.“The design evolved from the concepts of a natural landscape and the fascinating interplay between architecture and nature; engaging with the principles of erosion, geology and topography”.

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The Inspiration sources published in DEZEEN seem convincing….

 Those are probably Zaha Hadid’s Inspiration Sources….

 But to design this building, Zaha Hadid had to have other sources of inspiration ….

I call them….”basic inspiration generators

Let’s check what were Zaha Hadid‘s….”basic inspiration generators“….

The first basic inspiration generator

 Notice the exterior shell structure envelope of the Opera House.

 The shell structure wraps a large number of functions. It is also characterized by transparency that allows penetration of natural light.

Zaha Hadid’s  Guangzhou Opera House 2011

View from inside

In the next image you can see a typical cross section showing the exterior shell structure envelope of the Opera House wraps a large number of functions.

This design strategy has been developed in the 60 by Buckminster Fuller.

The Montreal Biosphère in Canada  Expo 1967, designed by Buckminster Fuller ….shown in the following image ,is a prominent example of this approach….

Buckminster Fuller

The Montreal Biosphère

Canada  Expo 1967

Notice the shell Structure that contains a large number of functions and characterized by transparency that allows penetration of natural light.

And this is an image of the Guangzhou Opera House under construction

Zaha Hadid Architect Guangzhou Opera House in Guangdong province, China 2011

From  Eliinbar’s Sketch book 2012 – Zaha Hadid’s ….”basic inspiration generators”….

Note the similarity between the construction method of Buckminster Fuller’s Montreal Biosphère and Zaha Hadid’s Guangzhou Opera House

 In both buildings, the construction method allows a flexible and transparent shell.

The second basic inspiration generator

Notice Guangzhou Opera House typical floor plan, shown in the next image.

Zaha Hadid designs a building with effective floor plans.

She does not give up her desire for creativity and uniqueness

She implements the ”Envelopes Design Strategy” and uses her architect skills to realize her architectural vision… a”sculptural buildings

 

 

The ”Envelopes Design Strategy”, has been developed in the 80 of the last century by Frank Gehry.

 

The Disney Concert Hall, designed by Frank Gehry in 1987-2003 ….shown in the following image ,is a prominent example of this approach….

Frank GehryArchitect

 Disney Concert Hall

 Los Angeles California 1987-2003

And this is an image of the Disney Concert Hall typical Floor Plan

Frank GehryArchitect

 Disney Concert Hall typical Floor Plan

 Los Angeles California 1987-2003

From  Eliinbar’s Sketch book 2012 – Zaha Hadid’s ….”basic inspiration generators”….

Note the similarity between the typical floor plans of Frank Gehry’s Disney Concert Hall and Zaha Hadid’s Guangzhou Opera House

 Both buildings are designed with effective floor plans…. Notice the rectangular dominant shapes in the center of the ground floors

 Both buildings envelops are unique and creative and realize Zaha hadid’s and Frank Gehry’s architectural vision…”sculptural buildings”

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

The  “Conscious Inspiration” Method,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar