Archive for raising Ramp-trend

Bjarke Ingels Group – BIG…. “Pragmatic utopian architecture or “Conscious Inspiration” Architecture

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 3, 2012 by eliinbar

Bjarke Ingels is a another successful graduate from Rem Koolhaas’s school ,the Office of Metropolitan Architecture ,OMA.

BIG ( Bjarke Ingels Groop) is a appreciated  firm that wins architecture competitions, on a regular base, all over the world.

Bjarke Ingels Design philosophy is very pragmatic:

Architecture has been dominated by two opposing extremes Eccentric curiosities” andboring boxes

Bjarke Ingels believes that there is a “third way” a “pragmatic utopian architecture”or as I understand it “Conscious Inspiration Architecture

In This post I will try to demonstrate why I think  BIG’s architecture is based on the principles of “conscious inspiration

1. Le Corbusier’s “raising Ramp”

BiG’s Cultural Center in Denmark

From  eliinbar’s sketchbook 2012

You are invited to visit my recent and relevant posts dealing with Le Corbusier’sraising Ramp-trend

2. “Extrovert inspiration”

BIG‘s Musée National des Beaux-Arts du Québec

eliinbar sketches 2010  “Extrovert inspiration”

You are invited to visit my recent and relevant posts dealing withExtrovert inspiration

3. “The slice effect”

BIG’s TEK Cube Building in Taiwan   2010

Zaha Hadid Architect

Performing arts centre Hague

The Netherlands Published  2010

You are invited to visit my recent and relevant posts dealing with theThe slice effect

4.“The Crystal Buildings”

Big’s Tallinn’s new City Hall Estonia 2009

From eliinbar’s sketchbook 2011, “TheCrystal Buildings”

You are invited to visit my recent and relevant posts dealing with Daniel Libeskind’s “Crystal Buildings

5.“The Green Lego Towers”

BIG’s Lego Towers 2007

 MVRDV – Dwellings Liuzhou, China 2007

What did I learned from this post?

1.“conscious inspiration” is a pragmatic method that can lead us architects to be a successful firm.

2. “Eccentric curiosities” andboring boxesis out pragmatic utopian architectureis In.

3.pragmatic utopian architectureis designing according to the principles of The “conscious Inspiration Method”….with the  methodology of “conscious Inspiration we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our toolsit will lead us to high quality and creative architecture”.

A warm recommendation…. Locate  presentations showing  BIG’s Planning process (tools) in YouTube

Here is one I like ….

Enjoy

Check the   NEW  CONSCIOUS  INSPARATION  PAGE

in my Facebook

No one escapes from Le Corbusier’s “raising Ramp-trend” Richard Meier , Oscar Niemeyer, Snohetta, Jean Nouvel ….

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , on March 29, 2012 by eliinbar

from  Eliinbar’s Sketchbook 2012- Le Corbusier’s “raising Ramp-trend”

Happy to be back after a long and challenging vacation….

In this post I will share with you a new “Conscious Inspiration” story….

The Story of the”Raising Ramp Trend”.

As always….
I’ll be brief in presenting the historical background of the “Raising Ramp
The Full story is complex and long….(I may write more about it in the book I will publish before my retirement….)

The “Raising Ramp” planning component highlighting the building’s entrance….
And suggests the main traffic strategy inside the building

The interesting and significant chapter in this story begins with a project designed by Le Corbusier in the sixties.

The Carpenter Center for Visual Arts built at 1963 in the Harvard University, shown in the image below.

Le Corbusier’s Carpenter Center forVisual Arts

Harvard University Cambridge

Massachusetts 1963

Richard Meier a contemporary recognized and influential Architect, frequently uses the principle of the ”Raising Ramp” in several of his buildings .

Le Corbusier unique style is recognized as Richard Meier ”inspiration sources”,  from the time Richard Meier was still part of a group called “The New York Five” in the seventies.

The High Museum of Art designed and built by Richard Meier  in 1983 shown in the image below,  is a relevant example.

Richard Meier Architect

High Museum of Art

Atlanta – Georgia , U.S  1983 

Architect Oscar Niemeyer of  Corbusier’s generation,  is still designing
contemporary architectural, using the principle of the “Raising Ramp

An example of this, see the image below of the Art  Museum Niterói designed by Oscar Niemeyer  in the nineties.

Oscar Niemeyer Architect

Contemporary Art Museum Niterói

Niterói, Rio de Janeiro, Brazil, completed in 1996.

Another example from the beginning of the decade
Is a the Oslo Opera House designed by the Snohetta Architectural firm.

The unique design of the Oslo Opera House is a good example of implementing the principals of the “conscious inspiration method

Snohetta took the design principle of “Raising Ramp” a step forward….

They gave a new interpretation to the idea of of the “Raising Ramp

You are invited to visit my relevant post with more examples of the
buildings that Invite the public to climb on them

Snohetta Architects

Oslo Opera House

2004-2007

Finally, three buildings recently designed according to the “conscious inspiration principles” ….
they all implement , in a creative way, Le Corbusier’sRaising Ramp

Jean Nouvel  Architect

La Philharmonie de Paris

Designed for a Competition  2007 , now under construction

Note  the entrance ramp

C. F. Møller Architects

Children’s House

Odense Denmark    2010

gmp architekten

Hangzhou  south railway station

china ,competition: 2011–1st prize

More examples of the “raising Ramp-trend”will be published in my blog course of the weekend ..

Check the New  CONSCIOUS  INSPIRATION  PAGE

in my Facebook