From eliinbar’s Sketch book 2011- Le Corbusier & Archigram
–
Here are two more examples for a new type of buildings we can find on the Web
(Post 2, dealing with the same conscious inspiration phenomena)….
–
Timothy Moon Architects
Escarpment House Hawkesbury River
–
Architecture Paradigm
Bangalore India
–
eliinbar Sketches 2011– Le Corbusier & Archigram 2
–
You are invited to visit my relevant posts
https://archidialog.com/2011/07/05 – Le Corbusier & Archigram – “Buildings floating in the air” or “building moving”
https://archidialog.com/2011/03/22 – The New Vertical City – “Conscious Inspiration”
https://archidialog.com/2010/04/22 – Le Corbusier–Les Maisons Domino
https://archidialog.com/2011/03/08 – Five points of architecture
https://archidialog.com/2010/07/11/ – Le Corbusier & Zaha Hadid – Les Pilotis
–
Check the CONSCIOUS INSPARATION PAGE
in my Facebook
–
I invite you all to contribute in developing the attitude and tools towards the viability of the “Conscious Inspiration” Method
–
The “Conscious Inspiration” Method, How it Works?
First step: the inspiration Source
Second step: Developing the Conscious Inspiration tools
Third step: Realize the design idea
–
The abundance of information in the Web affects us all, as I illustrate in my posts.
I Believe that designing is a process formed from three main phases: knowledge, tools and invention.
“Knowledge”: as many said, and wrote before – Knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….
“Tools”: develop tools to analyze buildings and “Understand” them, tools that will cope with the abundance of architectural information…
(I intend to demonstrate some of my ideas in future posts)
“Invention”: with the methodology of “conscious Inspiration” , we don’t need to be intimidated to get inspired from relevant buildings. Once we develop our tools, it will lead us to high quality and creative architecture.
Eli Inbar
Someone Has Built It Before 