Archive for Towards Architecture

Le Corbusier and the double message of the Conscious Inspiration

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , on June 9, 2013 by eliinbar

Here is Le Corbusier’s thought-provoking quote, published in his book “Towards Architecture“, in the early 20’s of the last century

The iron and cement  during the last fifty years brought achievements , indicating the powerful of construction, but also architecture that its code is disrupted

? What was Le corbusier‘s message when he wrote this phrase

It is possible to interpret Le corbusier’s  message literally

Architects failed to take advantage correctly ,of new construction technologies that were developed at the end of the 19th century and early 20th century

I think Le Corbusier wanted to  send us a message bit different

:That is how I understand, le Corbusier’s message 

 Since its birth, the architectural bases itself on the guiding principles

    These principles serves the needs of the primary users, we all

?Where do we find the guiding principles

We finde the guiding principles in existing buildings

 Architects failed to take advantage correctly ,of new construction technologies because they did not base their new designs on Inspiring buildings

 Instead of learning the guiding principles that have evolved over the centuries, they choose to skip this legacy, and reinvent the wheel

 This architecture does not serve us

 I can suggest a name to Le corbusier’s message , I would call  it Conscious Inspiration

Here Is an interesting example , Le Corbusier has published in his book Towards Architecture

This example shows us how “Conscious Inspiration” works for Le Corbusier

Here are the four Conscious Inspiration steps, who led Corbusier to high quality and creative architecture

First step–  le Corbusier choose the right “Inspiration Sources” that empowers his vision,  guiding principles = Outlining guidelines


Second step– this is one of Le Corbusier’s first buildings. le Corbusier implements consciously the principals of the “Outlining guidelines” in a building characterized by periodical architectural characteristics   


Third step – le Corbusier develops his own personal design tools =five points of architecture / Maison Domino



Le Corbusir’s five points of architecture – Eliinbar sketches 2011

Fourth step- le Corbusier use his inspiration sources as the “Planning Process Generator”, he combines the tools developed and design high quality creative architecture, The building shown in the next image is a completely radical design compared to buildings which are being built at the time



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Le Corbusier and Steven Holl ….once more they have shown us, consciously…. “God is in the details”

Posted in public buildings with tags , , , , , , , , , , , , , , , , , , , , on October 19, 2012 by eliinbar

From  Eliinbar’s Sketch book 2012 ….“God is in the details”

This is a Doric Temple

Temple of Neptune at Paestum

And this is a typical Doric Column

Notice the  characteristics vertical slots

Le Corbusier in his book “Towards an Architecture” (1923) is fascinated by the small details Of the Parthenon’s Doric Columns.

Here is a quote from le Corbusier’s book “towards an architecture” ( page 178) about extrusion in Doric Columns… other words  “the slots”:   

“We recognize the artist plastic by extrusion…. this is the place and time that the engineer is deleted, and the sculpture goes into action


Know look at the next image showing a detail from Steven Holl’s Nanjing Museum of Art

Notice the Similarity between Steven Holl’s slots, shown in the image above,, and the slots of the Doric Columns …

Notice the fundamental difference between the tow designs approaches….

The slots In the Doric Columns are vertical … and in Steven Holl’s Nanjing Museum of Art , shown in the next image  …. are Horizontal….

Steven Holl’s Nanjing Museum of Art

horizontal slots

This is a typical case of “Conscious Inspiration” ……..

Steven Holl chooses consciously to be inspired from the vertical Doric Columns’s slots ….

But he implements the slots horizontally ….

 As shown on the lower right of the next image

Steven Holl’s  Nanjing Museum of Art

Nanjing, China, 2003-2013

 For More information about the Steven Holl’s Nanjing Museum of Art



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What did I learn from this post?

1. An architectural detail can be a “Source of Inspiration”.

2. “Conscious inspiration” is also the ability to copy architectural details , and by one small change ….the detail gets a new architectural meaning =“Copy with Invention”….

A “small talk” about “Conscious inspiration”:

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.

Be inspired consciously from existing buildings, and you will experience a unique design process that willserve your creative desires….

But first we must develop our “TOOLS” or in other words, our” Codex rules”…. 

In my previous posts I published numerous “Design Strategies” = “TOOLS” ”= “Codex rules”, of talent and well known architects

You are invited to visit my previous posts and learn more about  ”Codex rules” of leading architects like Frank Gehry, Zaha Hadid, Rem Koolhaas, Morphosis and others

Here is a short list of my previous posts , Presenting the “Design Strategies” = TOOLS” ”= “Codex rules of leading architects

1. Zaha Hadid & Frank Lloyd Wright ….Do aspirations for reality begins in our drawings?

2. Morphosis “Floor plan strategy”

3. Learning from Frank Gehry ….Chapter 1 ,His Design Tools

4. Learning from Frank Gehry ….Chapter 2  His floor plan Strategy

5. Learning from Frank Gehry .  ….Chapter 3 – the “Clinging Statue Strategy”

6. Learning from Zaha Hadid

7. Bjarke Ingels Group – BIG….how they do it?

Once we develop our “TOOLS”=”Codex rules”, it will lead us to high quality and creative architecture.

“Conscious Inspiration” the ultimate inspiration methodology

I invite you all to contribute in developing the attitude and tools towards the viability of the “Conscious Inspiration” Method.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar