Archive for eliinbar’s Sketch book 2012

SANAA, Zaha Hadid, Steven Holl and Bjarke Ingels will help us understand how can a sketch be an inspiration-source, for a “design strategy” .

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , on January 18, 2013 by eliinbar


Inspiration sketch Gallery (ISG) by Eli Inbar

Eliinbar’s Sketch book 2012 – Steven Holl’s “Sponge Concept” 2012

Eliinbar’s Sketch book 2012 – Steven Holl’s “Sponge Concept” 2012

Recently were published in ARCHIDAILY ,two new buildings designed by Steven Holl, the Tianjin Ecocity Ecology and Planning Museums.

One of those buildings is characterized by a unique morphology …. It is called the “Sponge Concept”.

For more information about the “Sponge Concept” you are invited to visit my previous posts:

Steven Holl the “Sponge Concept” 2 – Conscious Inspiration. https://archidialog.com/2010/08/24/

Eliinbar’s sketches 2010 – steven Holl’s ‘Sponge Consept

Bjarke Ingels ,Zaha Hadid and SANAA are getting inspired Consciously from Steven Holl’s “Sponge Concept”. https://archidialog.com/2012/08/20/

Eliinbar’s sketches 2010 – Steven Holl’s ‘Sponge Consept

Zaha Hadid & Steven Holl – the “Sponge Concept” – “Conscious Inspiration”.  https://archidialog.com/2010/07/14/

copy-of-zaha-hadid-steven-holl-eliinbar-sketches-20100001

Zaha Hadid & Steven Holl -Conscious Inspiration-The “Sponge building”.  https://archidialog.com/2010/06/23/

copy-of-steven-holl-the-sponge-concept-eliinbar-sketch-book-201000011

Bjarke Ingels And Zaha Hadid Dancing all the way to the “Conscious Inspiration” and beyond…. https://archidialog.com/2012/08/17/

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Those are the new Steven Holl’s Ecology and Planning Museums ( 2012) .one of them, was designed according to the “Sponge Concept” .

Steven Holl Architects: Tianjin Ecocity Ecology and Planning Museums., China published in 2012

Steven Holl Architects

 Tianjin Ecocity Ecology and Planning Museums

China, published in 2012

The next sketch  was made by Steven Holl in 2002 , for a building designed in Nanjing , China . 

csan_holl_8_8501

Eliinbar’s Sketch book 2012 – Steven Holl’s “Sponge Concept” 2012

From Eliinbar’s Sketch book 2012 – Steven Holl’s “Sponge Concept”

Notice the morphological similarity, both buildings are perforated boxes, characterized by morphology of a sponge, designed according to the “Sponge Concept” – strategy.

But the previous story,  is maybe least interesting …. What do you think about this story?

Before the Steven Holl ‘s Tianjin Ecocity Ecology and Planning Museums were built , One can see ,that Steve Holl’s well known sketches are already the source of inspiration for Leading architects.

  All of the next buildings are perforated boxes, characterized by morphology of a sponge, designed according to the “Sponge Concept” .

Zaha Hadid Architect  The Opus Commercial Towers _ Dubai _ 2007

Zaha Hadid  Architect  ,The Opus Commercial Towers , Dubai, 2007

Zaha Hadid Architect  King Abdullah II house of Culture and Art _ Amman _ 2010

Zaha Hadid Architect ,King Abdullah II house of Culture and Art , Amman , 2010

BIG Architects  Ted Building _ Taiwan _ Competition 2010

Bjarke Ingels GroopBIG Architects Ted Building , Taiwan , Competition 2010

Rolex Learning Center by SANAA Architects

SANAA Architects, Rolex Learning Center, 2010

Bjarke Ingels Architect (BIG) Shenzhen International Energy Mansion first prize in the international competition 2009

Bjarke Ingels Architect (BIG)

Shenzhen International Energy Mansion

first prize in the international competition 2009

the-sponge-concept-eliinbar-sketches-20100001 (1)

Eliinbar’s sketches 2010 – Steven Holl’s “Sponge Concept’”.

You are invited to visit my new Inspiration Sketch Gallery (ISG) in ETSY

Inspiration sketch Gallery (ISG) by Eli Inbar

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

A “short talk” about “Conscious Inspiration”   January 2013

Inspiration” or “Copy Paste” are the most dominant phenomenon of the 21st century among architects.

Most likely , the “availability of information” enables the existence of the phenomenon.

The abundance of information in the Web affects us all…. I present it every week in my blog, accompanied by my explanation sketches.

We saw more than once, differences between “Conscious Inspiration” and “copy paste” are not so big….

With this challenge, the “Conscious inspiration Method” wants to cope .

I believe that the natural development of architecture design is based on inspiration techniques ….I call themCodex Rules”.

I strive to develop a method.

A method that will help architects and designers to cope with this phenomenon, At this point in time, I call it the “Conscious Inspiration Method” ….

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools =“Codex Rules”, it will lead us to high quality creative architecture.

The Conscious Inspiration Method‘ ,  How it Works?

First step: “knowledge”, as many said and wrote before; knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis.

Second step: develop Conscious Inspiration personal  tools = “Codex Rules”.

Third step: the inspiration Source. (Don’t be intimidated to get inspired from relevant buildings).

Step Fourrealize your design idea (your invention).

Five “HOWS” of the “Conscious Inspiration Method

1. How to filter out relevant knowledge from the Web with abundance of information?

2. How to develop your own vision?

3. How to choose the right “Inspiration Sources” that empowers your vision?

4. How to develop your 0wn personal design tools?

5. How to use your inspiration sources as the “Planning Process Generator”, and to design high quality creative architecture?

OMA / Rem Koolhaas, dominates the Architectural world…. “business as usual”….

Posted in buildings, public buildings with tags , , , , , , , , , , , , on December 23, 2012 by eliinbar

Scan_Doc0004

From  Eliinbar’s Sketch book 2012 – OMA / Rem Koolhaas, dominates the Architectural world….“business as usual”….

Here is a very short video that my youngest son photographed, my daughter edited and the eldest son chose the background music, documenting , the preparation process of a sketch.

They called it “ Sketch is born

 music by Nicolas Jaar

You are invited tovisit my new Inspiration Sketch Gallery (ISG) in ETSY

Inspiration sketch Gallery (ISG) by Eli Inbar

It’s not a secret anymore, OMA and its spiritual father, Rem Koolhaas, are a critical source of inspiration to contemporary architecture….

In this post we’ll take a short break from the discussion about the “Conscious Inspiration Method”.

Here are two examples, among many others, that show cases of “conscious inspiration” or “copy-paste” Of buildings that got inspired from OMA…. For you to judge….

This is Rem Koolhaas/OMA Television Cultural Centre,

China, Beijing, Competition: 1st prize 2002  Construction  began  2005

artist-rendering-02[1]

And this a model of a design proposal for the National Library of Islamic Republic of Iran

iran-national-library

Copy (2) of Scan_Doc0004

From  Eliinbar’s Sketch book 2012 OMA, dominates the Architectural world….“business as usual”….

This is Rem Koolhaas/OMA  Campus Center for the University of Utrecht  1997

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And this is a bus Station at Rio Maior, Portugal designed by Domitianus Arquitectura in 2005

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Copy (3) of Scan_Doc0004

From  Eliinbar’s Sketch book 2012 – OMA, dominates the Architectural world….“business as usual”….

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

You are invited to visit my relevant Posts showing OMA and its spiritual father,Rem Koolhaas as a critical source of inspiration to contemporary architecture:

Rem Koolhaas/OMA Wrapping the “Conscious Inspiration”

https://archidialog.com/2011/04/16/

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Eliinbar”s Sketches  2011- OMA and its spiritual father,

REM KOOLHAAS as a critical source of inspiration in contemporary architecture….

MVRDV Inspiration …. Or a self fulfilling prophecy

https://archidialog.com/2012/11/25/

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From eliinbar’s sketchbook 2012 – MVRDV Inspiration …. Or a self fulfilling prophecy

Le Corbusier, Frank Gehry ,Rem Koolhaas, Herzog De Meuron and MVRDV, ….The Only one that can “put them” together in one building is the“Conscious Inspiration Method”

https://archidialog.com/2012/09/30/

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From  Eliinbar’s Sketch book 2012 – “Conscious inspiration Method” how it works….

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

Inspiration,Inspiration;Inspiration …. West and east… Well there are mutual relations between them…. another reflection for “Conscious Inspiration” ?

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , on November 18, 2012 by eliinbar

From  Eliinbar’s Sketch book 2012 – The mutual inspirational relations between west and east

My inspiration for this post are Simona Rota’s photographs, published in WALLPAPER on “Soviet Modernism”. Unknown Stories”!!

Thank you  Simona….

In my last post, I showed the mutual inspirational relations, between the “Soviet Modernism” architecture, built in the second half of the 20th century and western architecture, built in the last two decades….

In this post, I would like to share with you some of the strange cases of conscious and unconscious inspiration…. from the “Soviet Modernism” period….

Let’s look at some of Simona Rota’s photographs….

This is the known Kisho Kurokawa’s Nakagin Capsule Tower built in Tokyo, Japan 1970-1972

Kisho Kurokawa architect

Residential, office

Tokyo, Japan 1970-1972

And this is a residential building built in the 1980s in Bobrujsk, Belarus

Residential Building on Minskaya Street

1980s, Bobrujsk, Belarus

Copyright: BelorussianState Archive of Scientific-Technical Documentation

From Eliinbar’s Sketch book 2012 – Kisho Kurokawa and them mutual inspirational relations between west and east

This is the known Kaufmann House / “Falling water” designed by  Frank Lloyd Wright

Frank Lloyd Wright architect

Kaufmann House “Falling water”

Mill Run, Pennsylvania  USA 1936- 1939

And this is the Sanatorium Zori Rossii

Sanatorium Zori Rossii (Sunrise of Russia), 1985, Crimea, Ukraine
Copyright: Simona Rota

From Eliinbar’s Sketch book 2012 – Frank Lloyd Wright and the mutual inspirational relations between west and east

And finally ….. You have already recognize the following picture, taken by Simona Rota?…. It was shown in my previous post

Cascade – the development of Northern Radius

1975- mid 2000s,

Yerevan, Armenia .Copyright: Simona Rota

This is  Louis Kahn’s National Assembly Building in Dacca, Bangladesh. 1962 to 1974

Louis Kahn Architect

 National Assembly Building in

Dacca, Bangladesh. 1962 to 1974

Now look at the building in the upper right corner of Simona Rota’s photograph, shown in the next image….

See the formal similarity to Kahn’s National AssemblyBuilding in Dacca

Notice the circular opening, separated by a horizontal Beam….

From Eliinbar’s Sketch book 2012 – the mutual inspirational relations between west and east

 –

And this is Mario Botta’s  “Casa Bianchi” 1971 – 1973

Mario Botta  architect

La Casa Bianchi

Riva San Vitale Switzerland 1971 – 1973

Now look at the building in the upper left corner of Simona Rota’s photograph shown in the next image….

See the formal similarity to Botta’s Casa Bianchi

Notice the square shape of the structure and the dominant pillar in the corner….

 From Eliinbar’s Sketch book 2012 – the mutual inspirational relations between west and east

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

The  “Conscious Inspiration Method‘ ,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

Inspiration, Consciousness and “copy paste”….and everything in between….

Posted in buildings, public buildings with tags , , , , , , , , , , on November 4, 2012 by eliinbar

From  Eliinbar’s Sketch book 2012  -”Copy Paste” Or “Conscious Inspiration”

The example presented to you in this post, is a bit confusing…. 

I must admit ….At first glance, I thought this example is a typical incident of “copy-paste” 

Later on I changed my mind….

This is a new building built in Taiwan

For more information about this building, browse to the next Site:   http://forgemind.net/phpbb/viewtopic.php?f=24&p=111763

Now look at the following Building, designed by Frank Lloyd Wright in the 30s (1936 to 1939)

This is the Interior, “Great Workroom”, of the Johnson Wax Headquarters building.

You probably noticed the obvious morphological resemblance between the “Mushroom Pillars”,in both projects . 

Notice also the innovative system, that allowed natural light to penetrate in between the “Mushroom Pillars”.… 

Let’s find out, how to distinguish between projects that are inspired “Consciously “to” copy-paste”. 

What distinguishes “Conscious Inspiration “from “copy-paste” ? 

….When we add our Invention”.

I believe that each one of us can give a better expression to his talents by adding an Invention ….to an existing building….

Once again look at the next image of the building built in Taiwan

Now here comes the “Invention”…..

See the bottom of the next sketch.

From  Eliinbar’s Sketch book 2012   “Conscious Inspiration”Invention”…..

Notice the non-symmetrical shape of the”Mushroom Pillars” of the Taiwan’s building ….

 Notice also the smooth and liquid appearance of the “Mushroom Pillars’s”….Unlike the structural appearance of Frank Lloyd Wright’s Johnson Wax Headquarters building. ….

Also note the Ideal Disorder dispersion of the “Mushroom Pillars” in accordance with the “Ideal Disorder Design Strategy” = IDDS….

Unlike the orthogonal dispersion of the”Mushroom Pillars” in Frank Lloyd Wright’s Johnson Wax Headquarters building.

 

For you to judge….

What did I learn from this post?

1. I believe that each one of us can give a better expression to his talents and Invention ….by implement the  “Conscious Inspiration” Method ….

2. Be inspired consciously from existing buildings. It will lead us to experience a unique design process that will serve our creative desires….

3. The initial difference between “Copy Paste” and “Conscious Inspiration

Is adding our “Invention”…..

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

The  “Conscious Inspiration Method‘ ,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

MVRDV, Rafael Moneo and SANAA are leading the age of the “Ideal Disorder Design Strategy” = IDDS….

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on October 24, 2012 by eliinbar


From  Eliinbar’s Sketch book 2012 the “Ideal Disorder Design Strategy” = IDDS….

This is the well Known Zollverein School of Management & Design, designed by SANAA.

SANAA A rchitects

Zollverein School of  Management & Design

Essen,Germany 2003-2006

And this is Le corbusier’s Unité d’Habitation Rezé Nantes….

Is this building,  SANAA’s inspiration source?

Le Corbusier 

Unité d ‘Habitation Rezé Nantes , France 1952-1954

A View to the upper floor balcony of the Unité d‘Habitation Rezé

eliinbar Sketches 2011

Notice the dominant principle of the “Ideal Disorder” in Le Corbusier’s and SANAA’s building facades….

Square openings. , with different sizes and proportions, scattered on the building façade  .

This is Rafael Moneo’s Murcia Town Hall in Spain 1991-1998

Rafae lMoneo Architect

 Murcia Town Hall

Spain 1991-1998

And those are La Tourette Monastery, designed by Le Corbusier and Museo de san Telmo in San Sebastian….

Are those buildings , Rafael Moneo’s inspiration sources?

Le Corbusier La Tourette Monastery 1953-1957

Museo de san Telmo , San Sebastian,Spain

From  Eliinbar’s Sketch book 2012 – Rafael Moneo’s inspiration sources

Note the vertical columns at varying distances at le Corbusier’s la Tourette Monastery and the Variable scale of the openings on different levels of the Museo de san Telmo in San Sebastian, Spain.

 The synthesis between the two buildings was probably Rafael Moneo’s  inspiration, when  designing Murcia Town Hall, unique front façade.

This is MVRDV Architects “Movie Village” in Busa, South Korea ,designed in 2005

MVRDV Architects

 “Movie Village” in Busa

South Korea ,designed in 2005

And this is F.Van Dagen’s Architect  Mega Apartment building  Amsterdam  built 1995-2000.

Is this building, MVRDV’s  inspiration sources

F.Van Dagen Architect

Mega Apartment building

Amsterdam 1995-2000

eliinbar Sketches 2010

Notice to the dominant morphological of the following structures, shaped like a whale. The two buildings are characterized by a rising-front that emphasizes the main entrance.

After a long introduction….but not necessarily not relevant ….
Let’s learn what is happening today….
Here is an example of a building whose been completed in 2012,
A culture centre in Dilbeek , Belgium
Let’s check if this building implement consciously the “Ideal disorder design strategy”

 –

Carlos Arroyo Architect

Cultural Centre in Dilbeek

Belgium, Project year: 2012, published in ARCHdaily 2012

Notice to the dominant morphological, shaped like a whale, characterized by a rising front, that emphasize the main entrance.

As in MVRDV’s  “Movie Village” . 

Notice the variable scale of vertical patterns on different areas of the facade,

As in Rafael Moneo’s  Murcia Town Hall.

 –

And this is another image of the Carlos Arroyo’s  Cultural Centre  in Dilbeek

Carlos Arroyo Architect

Cultural Centre in Dilbeek

Belgium, Project year: 2012

Notice the Square openings, with different sizes and proportions, scattered on the building façade as in  SANAA’s Zollverein School of  Management & Design

From  Eliinbar’s Sketch book 2012 – the “Ideal Disorder Design Strategy” = IDDS….

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

What did I learn from this post?

1. Today most influential buildings, are the result of a Conscious Inspiration process.

2. It seems as if we are in the midst of the “Ideal Disorder design strategy ” age…. The most common inspiration source today….

See the following list of buildings that are inspired from Moneo’s , SANAA’s and MVRDV’sIdeal Disorder design strategy”…. for you to judge….

You are also invited to visit a relevant post of mine:

Rafael Moneo’s and SANAA’s “Ideal Disorder Façades” ,The most common Inspiration source today….

https://archidialog.com/2012/09/09/

Here is a partial list of buildings that are inspired from Moneo’s , SANAA’s  and MVRDV’s “Ideal Disorder design strategy”…. for you to judge:

SANAA’s  Zollverein School of  Management & Design

as an inspiration source for architects inspired by the“Ideal Disorder design strategy”

Rafael Moneo’s  Murcia Town Hall

as an inspiration source for architects inspired by the“Ideal Disorder design strategy”

MVRDV’s“Movie Village” in Busa as an inspiration source for architects inspired by the “Ideal Disorder design strategy”

The  “Conscious Inspiration” Method,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

Le Corbusier and Steven Holl ….once more they have shown us, consciously…. “God is in the details”

Posted in public buildings with tags , , , , , , , , , , , , , , , , , , , , on October 19, 2012 by eliinbar

From  Eliinbar’s Sketch book 2012 ….“God is in the details”

This is a Doric Temple

Temple of Neptune at Paestum

And this is a typical Doric Column

Notice the  characteristics vertical slots

Le Corbusier in his book “Towards an Architecture” (1923) is fascinated by the small details Of the Parthenon’s Doric Columns.

Here is a quote from le Corbusier’s book “towards an architecture” ( page 178) about extrusion in Doric Columns…..in other words  “the slots”:   

“We recognize the artist plastic by extrusion…. this is the place and time that the engineer is deleted, and the sculpture goes into action

 

Know look at the next image showing a detail from Steven Holl’s Nanjing Museum of Art

Notice the Similarity between Steven Holl’s slots, shown in the image above,, and the slots of the Doric Columns …

Notice the fundamental difference between the tow designs approaches….

The slots In the Doric Columns are vertical … and in Steven Holl’s Nanjing Museum of Art , shown in the next image  …. are Horizontal….

Steven Holl’s Nanjing Museum of Art

horizontal slots

This is a typical case of “Conscious Inspiration” ……..

Steven Holl chooses consciously to be inspired from the vertical Doric Columns’s slots ….

But he implements the slots horizontally ….

 As shown on the lower right of the next image

Steven Holl’s  Nanjing Museum of Art

Nanjing, China, 2003-2013

 For More information about the Steven Holl’s Nanjing Museum of Art

 visit  ARCHDAILY

Check the   NEW  CONSCIOUS  INSPARATION  PAGE

in my Facebook

 –

What did I learn from this post?

1. An architectural detail can be a “Source of Inspiration”.

2. “Conscious inspiration” is also the ability to copy architectural details , and by one small change ….the detail gets a new architectural meaning =“Copy with Invention”….

A “small talk” about “Conscious inspiration”:

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.

Be inspired consciously from existing buildings, and you will experience a unique design process that willserve your creative desires….

But first we must develop our “TOOLS” or in other words, our” Codex rules”…. 

In my previous posts I published numerous “Design Strategies” = “TOOLS” ”= “Codex rules”, of talent and well known architects

You are invited to visit my previous posts and learn more about  ”Codex rules” of leading architects like Frank Gehry, Zaha Hadid, Rem Koolhaas, Morphosis and others

Here is a short list of my previous posts , Presenting the “Design Strategies” = TOOLS” ”= “Codex rules of leading architects

1. Zaha Hadid & Frank Lloyd Wright ….Do aspirations for reality begins in our drawings?

https://archidialog.com/2012/05/11/

2. Morphosis “Floor plan strategy”

https://archidialog.com/2012/01/12/

3. Learning from Frank Gehry ….Chapter 1 ,His Design Tools

https://archidialog.com/2011/10/24/

4. Learning from Frank Gehry ….Chapter 2  His floor plan Strategy

https://archidialog.com/2011/10/27/

5. Learning from Frank Gehry .  ….Chapter 3 – the “Clinging Statue Strategy”

https://archidialog.com/2011/11/13/

6. Learning from Zaha Hadid

https://archidialog.com/2011/09/12/

7. Bjarke Ingels Group – BIG….how they do it?

https://archidialog.com/2012/05/06/

Once we develop our “TOOLS”=”Codex rules”, it will lead us to high quality and creative architecture.

“Conscious Inspiration” the ultimate inspiration methodology

I invite you all to contribute in developing the attitude and tools towards the viability of the “Conscious Inspiration” Method.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

Le Corbusier’s “dream and broke”….

Posted in buildings with tags , , , , , , , , , , , , , , , , , , , , , , , on October 12, 2012 by eliinbar

From Eliinbar’s Sketch book 2012 – Le Corbusier’s dream and broke

Inspiration sketch Gallery (ISG) by Eli Inbar

This post tells Le Corbusier’s tragic story ….

Le Corbusier is a visionary…. outstanding architect ….who left us unique and inspiring projects such as :

1.Ron champ chapelhttps://archidialog.com/2012/07/30/

2.la Tourette Monasteryhttps://archidialog.com/2012/09/09/

3.Unite D’habitation in Marseillehttps://archidialog.com/2011/11/28/

4.Palace of the Assembly in Chandigarh- https://archidialog.com/2012/10/08

And other masterpieces….

Certainly Le Corbusier is the most significant “Source of Inspiration” for architects, in the last century.

Unfortunately Le Corbusier is also the most significant “Source of Inspiration” for architects who their planning processes is more like the “Unconscious inspiration”= “Copy Paste

And this is how the  story starts….

It all started with Le Corbusier’s Vision of a La Ville Radieus = Radiant city, in the 30s’ of  the last century.

La Ville Radieus promised future of sunshine, fresh air and greenery for city-dwellers.

The design maintained the idea of high-rise housing blocks, free circulation and abundant green spaces…. The blocks of housing were laid out in long lines stepping in and out, and were raised up on pilotis.

They had roof terraces and running tracks on their roofs. La Ville Radieus will be the vertical garden city….

See the next sketches by Le Corbusier showing the  high-rise housing blocks 

And the green, landscaped spaces surrounding them

“The city of tomorrow or the relationship between nature and man will be restored”La Ville Radieus = Radiant city

 sketch by Le Corbusier showing the Radiant city

sketch by Le Corbusier showing the Radiant city, high-rise housing blocks  and the green landscaped spaces surrounding them….

 The next sketch by Le Corbusier, is showing a typical section of  Unite D’habitation =high-rise housing block .

notice it is raised up on pilotis  ,the green landscape spaces surrounding it exactly as  Le Corbusier’s Vision for “La Ville Radieus”  =  “radiant city”

Unite D’habitation in Marseille was the first order Le Corbusier received from the French state starts to be scheduled immediately after the Second World War (1945-46), and was finished in 1952.

1. Le Corbusier’s Unite D’habitation in Marseille comprises 337 apartments arranged over twelve stories.

2. The apartments are suspended on large piloties .that aloude free circulation and abundant green spaces….Sport at the foot of the houses

3. The building also incorporates  with shops ,sporting, medical and educational facilities, a hotel which is open to the public, and a gastronomic restaurant.

4. Its flat roof is designed as a communal terrace with sculptural ventilationstacks, a running track, a shallow paddling pool for children, and an open-air theatre.

5. The building is constructed in béton brut (rough-cast concrete).  

Le Corbusier Architect

Unite D’habitation

 Marseille 1947-1952

Notice the Uniqueness of this building…. 

piloties that aloude free circulation and abundant green spaces,The flat roof designed as a communal terrace, The Internal Street(third floor), with shops, medical and educational facilities….

 Le Corbusier painted the apartments in different colors, to create an identity for each resident..

Now let’s examine how  Le Corbusier vision for the “Radiant City” and the”Unite D’habitation”

Inspired ,architectural projects, being built in our time….

See the next image showing the giant apartment blocks ….at a

renewable area (A “Radiant city”?) near Hong Kong’s airport ,

Built in recent years….

Where are the fresh air and greenery?

Where is the vertical garden city?

Where are the “green, landscaped spaces”?

Is this the “radiant city”Corbusier imagined?

From Eliinbar’s Sketch book 2012 – Le Corbusier’s dream and broke the “radiant City”

And this is a typical “Unite D’habitation” …. Hong Kong’s style….built in recent years.

Where are the raised up pilotis?

Where are the green landscape spaces?

Where are the communal terraces?

Is this the“Unite D’habitation” Corbusier imagined?

 –  

What is remained from le Corbusier’s vision of the “Unite D’habitation”?….

A giant apartment-block with endless repetitive apartments,

Lacking uniqueness….

From   Eliinbar’s Sketch book 2012 – Le Corbusier’s dream and broke “Unite D’habitation”.

And this is exactly a typical case of “Unconscious Inspiration”=

Getting inspired Unconsciously….

This post is the first in a series of posts

I will present projects designed according to the principles of “Conscious Inspiration” and “Unconscious Inspiration” for you to judge….

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

 –

“Epilog”

I can’t finish this post with bad taste….

So what do you think about  MVRDV’s  Mirador residential building shown in the next image?

This apartment block is probably inspired from Le Corbusier’s Unite D’habitation ….is this an example of “Conscious Inspiration” or “Unconscious Inspiration” ?…… for you to judge….

Note for example, MVRDV’s innovative approach to the “communal terrace”….

MVRDV Architects

Mirador residential building

 Sanchinarro Madrid-Spain

( in Collaboration with Blanca Lleo’ Asociados)  2001-2004

MVRDV Architects Mirador residential building communal terrace

You are invited to visit my relevant post and learn more about:

MVRDV & Le Corbusier and the ultimate inspirational roof terrace

https://archidialog.com/2011/12/05/

Eliinbar sketches 2011  Le Corbusier’s ultimate inspirational roof terrace

Conscious Inspiration Posts about Le Corbusier’s Ronchamp Chapel 

Le Corbusiers’ – Ron Champ Chapel -“Conscios Inspiration”

https://archidialog.com/2010/08/30/

Le Corbusier Ronchamp Chapel  ” Sacred Inspiration” 2

https://archidialog.com/2010/12/01/

Le Corbusier Ronchamp Chapel “Sacred Inspiraion”

https://archidialog.com/2010/11/28/l

Le Corbusier-Ronchamp Chapel “Conscious Inspiration” 2

https://archidialog.com/2010/11/24/

Zaha hadid and Le Corbusier ….Playing musical chairs….

https://archidialog.com/2012/07/30/

 

Conscious Inspiration Posts about Le Corbusier’s la Tourette Monastery

Rafael Moneo’s and SANAA’s “Ideal Disorder Façades” ,The most common Inspiration source today….

https://archidialog.com/2012/09/09/

Le Corbusier La Tourette Monastery

https://archidialog.com/2010/03/08/

Le Corbusier – La Tourette Inspiration Sources – “Conscious Inspiration”

https://archidialog.com/2010/09/11/l

Le Corbusier & Tadao Ando “Conscious Inspiration”

https://archidialog.com/2011/02/19/l

La Tourette ” Conscios Inspiration” 2

https://archidialog.com/2010/09/20/

La Tourette – “Conscious Inspiration” 1

https://archidialog.com/2010/09/14/

La Tourette – Le Corbusier

https://archidialog.com/2010/09/05/

Le Corbusier is here…. and his alive ….

https://archidialog.com/2012/05/15/

Conscious Inspiration Posts about Le Corbusier’s Unite D’habitation

MVRDV & Le Corbusier and the ultimate inspiration building, Le Corbusier’s “Unite D’habitation” in Marseille

https://archidialog.com/2011/11/28/

MVRDV & Le Corbusier and the ultimate inspirational roof terrace

https://archidialog.com/2011/12/05/

Bjarke Ingels Group – BIG…. the most Conscious Inspiration firm working today -Chapter two

https://archidialog.com/2012/05/23/

Conscious Inspiration Posts about Le Corbusier’s  Palace of the Assembly in Chandigarh

Le Corbusier…. Do we need more evidence that he is the most significant source of inspiration for architects, in the last century?

https://archidialog.com/2012/10/08/

A “small talk” about “Conscious inspiration”

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.

Be inspired consciously from existing buildings, and you will experience a unique design process that will serve your creative desires….

But first we must develop our “TOOLS” or in other words, our” Codex rules”…. 

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar