Archive for Eliinbar’s sketchbook 2013

Is Zaha Hadid the most relevant architect for the twenty first century ?

Posted in Inspiration Source, Uncategorized with tags , , , , , , , , , , , on April 10, 2016 by eliinbar

Eliinbar’s Sketches 2012 –Zaha Hadid’s “aggressive snake motif”

From Eliinbar Sketch book 2012–Zaha Hadid’s “aggressive snake motif

From 2010 until today

I have published dozens of posts featuring the works of Zaha Hadid in the context of “Conscious Inspiration”

Zaha Hadid is the most relevant architect for the twenty first century

Here are some selected posts …. Thank you Zaha Hadid

Zaha Hadid and the mechanics of inspiration

From  Eliinbar’s sketchbook 2012  Zaha Hadid-“Mechanics of Inspiration“

From  Eliinbar’s sketchbook 2012  Zaha Hadid-“Mechanics of Inspiration

https://archidialog.com/2012/02/12/zaha-hadid-and-the-mechanics-of-inspiration/

Zaha Hadid and the liquid buildings trend

Eliinbar Sketches 2013 - Zaha Hadid and the liquid buildings Trend

Eliinbar Sketches 2013 – Zaha Hadid and the liquid buildings Trend

https://archidialog.com/2013/03/19/zaha-hadid-and-the-liquid-buildings-trend/

Zaha Hadid , do aspirations for reality begins in our drawings?

Zaha Hadid’s Sketch for the spiral tower in Barcelona

Zaha Hadid’s Sketch for the spiral tower in Barcelona

more information about the spiral tower

you can find in archdaily.com

https://archidialog.com/2012/05/11/zaha-hadid-frank-lloyd-wright-do-aspirations-for-reality-begins-in-our-drawings

Zaha Hadid helps us raise a critical issue that should concern us all …. how to get inspired from existing buildings consciously

From Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

From Eliinbar’s sketchbook 2013 -Zaha Hadid Inspiration Sources

 Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

From  Eliinbar’s Sketchbook 2013 -Zaha Hadid and the “Copy Paste” Syndrom

https://archidialog.com/2013/04/30/zaha-hadid-helps-us-raise-a-critical-issue-that-should-concern-us-all-how-to-get-inspired-from-existing-buildings-consciously/

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  Eliinbar  

Zaha Hadid‘s legacy will be present in Dubai’s Expo 2020

The evolution of typology  

The next image. Is  Zaha Hadid’s  Aqua table from 2008

Zaha Hadid’s Aqua table from 2008

And this is the National Museum of China competition entry from 2012designed by MAD Architects 

National Museum of China competition entry from 2012, Designed by MAD Architects

From eliinbar’s Sketchbook 2012- MAD Architects and Zaha Hadid’s Phaeno Science Center  without words….

From eliinbar’s Sketchbook 2012– MAD Architects National Museum of China competition entry from 2012 and Zaha Hadid’s Aqua table from 2008

three years later, BIG’s Opportunity Pavilion shown in the next image, was elected to be built in Expo 2020 in Dubai

5

for you to judge….

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We passed the 12000 likes Thank you all     enjoy….

  Eliinbar  

 

 

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Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit, and it should be realized by a plastic artist = Architect

Posted in Uncategorized with tags , , , , , , , , , , , , , , , on June 23, 2013 by eliinbar

 Le Corbusier and Carlos Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

From Eliinbar’s Sketchbook 2013 – Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

The following quote, is from le Corbusier’s  book “Towards an Architecture” ,published in 1923:

Extrusion is the touchstone of architecture

It distinguishes Art from Engineering

Extrusion is free of all constraint

This is not a question of conventions, tradition, construction method or even usefulness

Extrusion is a pure creation of the spirit, it needs a plastic artist

– 

Le Corbusier ,in his book Towards  an Architecture, presents to us the Pantheon‘s coffered dome  ,as an example for an extrusion’s inspiration source

The Pantheon was built during the reign of Augustus in Rome ,Italy

Pantheon's Coffered dome

Years after the Pantheon was built

The renowned architect ,Carlo Scarpa, was inspired by the coffered dome of the Pantheon

Here Is a typical detail from the Brion’s Family mausoleum ceiling, designed by Carlo Scarpa  1969-1978

typical detail from the Brion's Family mausoleum, designed by Carlos Scarpa  1969-1978

 Le Corbusier and Carlos Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

From Eliinbar’s Sketchbook 2013 – Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist = Architect

For you to Judge

If you want to learn more about famous architects  inspired by ancient temples,  You are invited to visit my relevant and very popular post

David Chipperfield & Oscar Niemeyer & The Parthenon Conscious Inspiration

david-chipperfield-oscar-niemeyer-eliinbar-sketches-2011-001

Eliinbar’s Sketches 2011  The Parthenon -Conscious Inspiration

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

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We passed the 9000 likes
Thank you all
    enjoy….

  Eliinbar

Zaha Hadid helps us raise a critical issue that should concern us all …. how to get inspired from existing buildings consciously

Posted in buildings, public buildings with tags , , , , , , , , , , , , on April 30, 2013 by eliinbar

From Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

 Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

From  Eliinbar’s Sketchbook 2013 -Zaha Hadid and the “Copy Paste” Syndrom

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

Today’s post gets a boost from two recent articles, published in ARCHDAILY

The articles explor the disturbing phenomenon of “copy-paste” in architecture

You already know my opinion on this subject

The main question is not whether to copy existing buildings

This has been a fact, which is part of our professional life

You are invited to examine hundreds of examples that reinforce this claim in my blog

Our challenge today, as I would put it

is how to get inspired consciously from existing buildings

Do not be ashame to be inspired by existing buildings, as long as you do it consciously

Certainly, this is the natural process, which architecture is going towards

 

For the fourth time, Since I started the“Conscious Inspiration” project = 100 Conscious projects in 200 days , Here is another relevant example published in ARCHDAILY in 9 april 2013

This is Zaha Hadid‘s Wangjing SOHO from 2011

Zaha Hadid Architect Wangjing SOHO China published 2011

Zaha Hadid Architect

Wangjing SOHO China

published 2011

“And the next image is Zaha Hadid‘s Wangjing Soho “twin

This building is under construction, It is built in Chongqing , china

Meiquan-22nd-Century-Chongqing

?Do you realy think this post will stop with the Chongqing project

Obviously it will not finish there, because “Copy Paste” is has been a fact, which is part of our professional life

We have just seen an example from “real life“,  Zaha Hadid‘s Wangjing SOHO

But the phenomenon is much broader and complex

This is our reality, and we can not ignore it

So let’s not fight it. or forbid or even despise this phenomenon

Our duty is to develop methods and ways to “copy” properly

Or as I put it ,  to be inspired consciously

To avoid any misunderstanding , I am not talking about waking in the morning with a some kind of ready-made inspiration

To be inspired consciously is a structured process we can practice it and perfect it

I feel ready to share with you my thoughts ,how  to apply it in our professional life

….To be continued

let’s get back to the regular course of this post

what do you think was Zaha Hadid‘s inspiration source when she designed the Wangjing SOHO

Well I can suggest this projects….for you to judge

Frank Lloyd Wright  Architect Guggenheim Museum

Frank Lloyd Wright  Architect

Guggenheim Museum

View from outside 1959

Norman Foster and Ken Shuttle worth architects London City Hal 2002

Norman Foster and Ken Shuttle worth architects

London City Hal 2002

Note the sophistication of this buildings

a dominant oval building profile

characterized by varying shapes and sizes,

but built with repetitive unique peripheral windows

You can identify the same characteristics at Zaha Hadid’s  Galaxy Soho

shown in the following sketch

From Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

From  Eliinbar’s Sketchbook 2013 – Zaha Hadid and the “Copy Paste” Syndrom

Here are examples that strengthen my argument, that “copy-paste” is a common phenomenon these days

The “twin” that was found to Zaha Hadid’s Wangjing SOHO Is not a single incident

this is a common phenomenon

Here are some examples for you to judge

UNStudio’s Kempkensberg

Architectural firm Yassky, Moore ,Sivan Inbal Or’s Project Arlozorov Towers Tel Aviv 2011

Architectural firm Yassky, Moore ,Sivan Inbal Or’s Project Arlozorov Towers  ,Tel Aviv 2011

MAD Architects design the Absolute Towers 2010  Residential condominiums in Mississauga, Ontario

MAD Architects design the Absolute Towers

2010  Residential condominiums in Mississauga, Ontario

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SANAA and 100 Conscious Inspiration projects, in 200 days

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on April 22, 2013 by eliinbar

eliinbar's sketchbook 2013 – SANAA and the 100 Conscious Inspiration projects in 200 days

from  Eliinbar’s Sketchbook 2013 – SANAA and the 100 Conscious Inspiration projects in 200 days

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

Today’s post presents for the third time, my New “Conscious Inspiration” project…. 100 Conscious projects in 200 days

In the following 200 days I will present 100 projects that are published  in ARCHDAILY ,the world’s most visited architecture website.

Followers of  SOMEONE  HAS  BUILT IT BEFORE will judge it , from this  point of view

Are the buildings published in ARCHDAILY,designed according to the principals of Conscious Inspiration

Or maybe by accident, they are the victims of the Copy Paste syndrome

Obviously, I will contribute by adding my input

What do you think?….We will find more of the “Conscious Inspiration” designs or “Copy Paste”  designs

?What we will learn from this project

And my last crop. is here for you to judge

The next building was published in ARCHDAILY in 6 april 2013

This is the Maranello Library desingnd by Andrea Maffei Architects in 2011

Andrea Maffei Architects Maranello Library 2011

Andrea Maffei Architects

Maranello Library 2011

And this is SANAA‘s Onishi Public Hall from 2005

Sejima + Ryue Nishizawa =SANAA Architects Onishi Public Hall', Japan,  2005

Sejima + Ryue Nishizawa =SANAA Architects

Onishi Public Hall

Japan 2005

Once again ,this is the Maranello Library designed by Andrea Maffei Architects in 2011

Andrea Maffei Architects Maranello Library 2011

Andrea Maffei Architects

Maranello Library 2011

And this  is SANAA‘s serpentine gallery pavilion from 2009

SANAA  Architects serpentine gallery pavilion 2009

SANAA  Architects

serpentine gallery pavilion 2009

From eliinbar's sketchbook 2013 – SANAA and the 100 Conscious Inspiration projects in 200 days

From  Eliinbar’s Sketchbook 2013 – SANAA and the 100 Conscious Inspiration projects in 200 days

Note the prominent design choice of Andrea Maffei Architects

Transparent building envelope but basically sealed

Massive use of rounded forms ,and thin columns

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Le Corbusier, Almost 50 years after his death, remains an important source of inspiration for leading architects today.

Posted in buildings, public buildings with tags , , , , , , , , , , , on April 7, 2013 by eliinbar

From Eliinbar's sketchbook 2012 -  Le Corbusier Vis Zaha Hadid…. and “Google Trends” is always right

From  Eliinbar’s Sketchbook 2013 – Le Corbusier Vis Zaha Hadid…. and “Google Trends” is always right

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

On one of my visits to Europe, I purchased a booklet documenting systematically, all of  Le Corbusier’s  projects

The booklet is written in German and translated into French

Published by STUDIO PAPERBACK in 1972, The booklet was edited by Willy Boesiger von Herausgegeben

In the back of the booklet is told, that Le Corbusier expressed his desire in 1960 that his works will be published in a booklet at popular prices, so everyone can purchase it

It is no secret that I am a fan of Le Corbusier

Le Corbusier is undoubtedly  the most influential architect (inspiration source) over the past century

Almost 50 years after his death, he remains an important source of inspiration for  leading architects today

When comparing the number of online searches  of Le Corbusier , to leading architects today, Le Corbusier leads by far

In this post I’ll demonstrate Le Corbusier‘s important role ,as a main source of inspiration, for generations of architect

Here is a large number of posts  I posted over the years, that show it

for you to judge

Enjoy

Le Corbusier…. Do we need more evidence that he is the most significant source of inspiration for architects, in the last   century

mario-botta-rem-koolhaas-eliinbar-sketches-20100001

Le Corbusier Vis Zaha Hadid…. and “Google Trends” is always right

From Eliinbar's sketchbook 2012 -  Le Corbusier Vis Zaha Hadid…. and “Google Trends” is always right

Le Corbusier is here…. and he is alive

le Corbusier - Inspiration Source

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No one escapes from Le Corbusier’s “raising Ramp-trend” Richard Meier , Oscar Niemeyer, Snohetta, Jean Nouvel

No one escapes from Le Corbusier’s “raising Ramp-trend” Richard Meier , Oscar Niemeyer, Snohetta, Jean Nouvel

Zaha hadid and Le Corbusier ….Playing musical chairs

Zaha hadid and Le Corbusier ….Playing musical chairs

That is how you will get inspired…. Learning from le corbusier’s book -“Towards an Architecture” -1923

That is how you will get inspired…. Learning from le corbusier’s book -“Towards an Architecture” (1923)

Oscar Niemeyer, le Corbusier, Toyo Ito And the first chapter, in the short story of “invention” in architecture

Oscar Niemeyer, le Corbusier, Toyo Ito And the first chapter, in the short story of “invention” in architecture

Le Corbusier, Frank Gehry ,Rem Koolhaas, Herzog De Meuron and MVRDV, ….The Only one that can “put them” together in one building is the Conscious Inspiration Method

Le Corbusier, Frank Gehry ,Rem Koolhaas, Herzog De Meuron and MVRDV, ….The Only one that can “put them” together in one building is the“Conscious Inspiration Method”

Le Corbusier’s dream and broke

Le Corbusier’s “dream and broke”….

Le Corbusier & Steven Holl ” Past Continuous Inspiration” 2

le-corbusier-steven-holl-eliinbar-sketch-book-20110001

Le Curbosier & Steven Holl

le-corbusier-maison-de-brasil-eliinbar-sketches-20100001 (1)

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OMA and Zaha Hadid are defining the differences between the “Periodic Inspiration” and the “Specific Inspiration”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , on March 2, 2013 by eliinbar

From Eliinbar's sketchbook 2013- OMA   Stok exchange in shenzen the ultimate "Specific Inspiration"

From Eliinbar’s Sketchbook 2013 – OMA  Stok exchange in shenzen the ultimate “Specific Inspiration”

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

More than once I am asked 

Define, in one sentence the difference between Conscious Inspiration to copy-paste

:  And my anwer is

The fundamental difference between“Copy Paste” and Conscious Inspiration is that in “Conscious Inspiration” we Implement our INVENTION

And I’ll be more specific in future posts

In this post I will share with you my distinguishing between two Sources of Inspiration

“the “Periodic Inspiration

“and the “Specific Inspiration

The next image is OMA‘s stock exchange in Shenzhen Chaina

competition: 1st prize 2006

OMA's stock exchange in Shenzhen Chaina, competition: 1st prize 2006

And this is the Hong Kong Institute of Design .designed by CAAU, Published in ARCHDAILY,project year 2010,inspiered by OMA‘s   stock exchange in Shenzhen Chaina 2006

Hong Kong Institute of Design .designed by CAAU

From Eliinbar's sketchbook 2013- OMA   Stok exchange in shenzen the ultimate "Specific Inspiration"

From Eliinbar’s Sketchbook 2013 – OMA’s  Stok exchange in shenzen the ultimate  Specific Inspiration

Note to the prominent boxy morphology of both buildings

Both buildings are defined by the conceptual idea of “flying buildings” or “buildings moving” …. we recognise from the 60s  ARCHIGRAM

The main constructive solution is based on metal, a striking visual feature of diagonal columns and beams

The constructive solution is a prominent visual element in the facades of the building, and characterized by a transparency that eliminate the traditional concept of a window, A curtain wall

All this makes OMA‘s Stok exchange in shenzen the ultimate “Specific Inspiration” for the new Hong Kong Institute of Design

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 –

 ?So what is the “Periodic Inspiration”  and how does it affects us

 

Periodic Inspiration  is a source of inspiration that affects us all. We often identify it with architectural trends

Here is how the “Periodic Inspiration” affects the designers of the Hong Kong Institute of Design

“In a previous post of mine I presented the “Flouting Buildins Trend

-A dominant representative of this trend  , is Zahah Hadid‘s  Expo Centre exhibition halls and residential tower project in Moscow Russia, Published in 2007….shown in the next image

Zaha Hadid Architect Expo Centre exhibition halls and residential tower project Moscow Russia Published in 2007

Zaha Hadid   Architect

Expo Centre exhibition halls and residential tower project

Moscow Russia ,Published in 2007

Notice the dominant characteristics of this trend

horizontal proportioned structure lifted off the ground

Creating a covered public space at ground level

The following sketch illustrates this architectural concept

From Eliinbar's sketchbook

?What are the origins ( inspiration Sources)  for this trend

The folowing sketch examines the option that Zaha Hadid’s inspiration sources for the “Floating buildings trend” are Le Corbusier’s visionary piloties, developed in the 50s

le-corbusier-zaha-hadid-eliinbar-sketches-201000011

For the complete story of this sketch , you are invited to visit my post https://archidialog.com/2010/07/11/le-corbusier-zaha-hadid-les-pilotis-conscious-inspiration-1/

My folowing sketch examines a “Cousin” of the “Floating buildings trend” the “Moving Buildings Trend” that its origins are probably the work of the  “Archigrm Group“, that worked in the 60s

eliinbar-sketches-le-corbusierarchigram0001

:For the complete story of this sketch, you are invited to visit my post

https://archidialog.com/2011/07/05/

The big “conscious inspiration” project

Buildings that will be published in ARCHDAILY in the following weeks will be judged by the Followers of  SOMEONE  HAS  BUILT IT BEFORE from the viewpoint ,did this building was designed according to the principals of the “Conscious inspiration“? ,or may be, by accident , that the building is a victim of the  “Copy Paste”  syndrom

Obviously I will add pictures of buildings and sketches, from my recent posts, to clarify

 

Zaha Hadid and the “Inspired Time Machine”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2013 by eliinbar

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

eliinbar's sketchbook 2013-Zaha Hadid Inspiration Sources

From Eliinbar’s sketchbook 2013 -Zaha Hadid Inspiration Sources

From time to time I come across a building that explains everything

Recently been completed the construction of Zaha Hadid‘s Galaxy Soho

Beijing China

?What are the sources of inspiration for this building

 

I can think about two sources of inspiration for the Zaha Hadid‘s Galaxy Soho.

Frank Lloyd Write‘s Guggenheim Museum’s is  Zaha Hadid‘s   Source of Knowledge

.”And Foster‘s London City Hall is the “Source of Inspiration

 

Each one of them has a different role in generating Zaha Hadid‘s design for the Galaxy Soho

For You to judge

Zaha Hadid’s “Source of Knowledge”

Frank Lloyd Wright  Architect Guggenheim Museum View from outsideFrank Lloyd Wright  Architect

Guggenheim Museum

View from outside 1959

Frank Lloyd Wright  Architect Guggenheim Museum interior 1959

Frank Lloyd Wright  Architect

Guggenheim Museum

interior 1959

Zaha Hadid’s “Source of Inspiration”

View from outside

Norman Foster and Ken Shuttle worth architects London City Hall  2002

Norman Foster and Ken Shuttle worth architects

London City Hall

2002

interior

Norman Foster and Ken Shuttle worth architects London City Hall  2002

Norman Foster and Ken Shuttle worth architects

London City Hall

  2002

Zaha Hadid‘s Realization  Invention

View from outside

Zaha Hadid's Architects Galaxy Soho Beijing China 2012

Zaha Hadid Architects

Galaxy Soho

Beijing China 2012

For more information visit ARCHDAlLY

interior

Zaha Hadid's Architects Galaxy Soho Beijing China interior  2012

Zaha Hadid Architects

Galaxy Soho Beijing China

interior  2012

eliinbar's sketchbook 2013-Zaha Hadid Inspiration Sources

From  Eliinbar’s sketchbook 2013 -Zaha Hadid Inspiration Sources

Note the unique peripheral windows

Also note to the dominant oval building profile

“EPILOG”

Zaha Hadid's Architects Galaxy Soho

Zaha Hadid Architects Galaxy Soho

Note the sophistication of this building.

It is characterized by varying shapes and sizes,

But built with  repetitive elements (for example, the coverings of the horizontal curving  elements )

(: ?Can anyone tell me how to get out of here

I could not pass out the following phenomenon
Recently published in archdaily
Is this example is more of “Conscious Inspiration” or more of “Copy Paste”?
What do you think?
Oiio Reveals Proposal for  Frank Lloyd Wright's    Guggenheim Museum   Expansion 2013
Oiio Reveals Proposal for

Frank Lloyd Wright’s

Guggenheim Museum

 Expansion 2013

For more information visit ARCHDAlLY

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 –

A “short talk” about “Conscious Inspiration”  January 2013

Inspiration” or “Copy Paste” are the most dominant phenomenon of the 21st century among architects.

Most likely , the “availability of information” enables the existence of the phenomenon.

The abundance of information in the Web affects us all…. I present it every week in my blog, accompanied by my explanation sketches.

We saw more than once, differences between “Conscious Inspiration” and “copy paste” are not so big….

With this challenge, the “Conscious inspiration Method” wants to cope .

I believe that the natural development of architecture design is based on inspiration techniques ….I call them “Codex Rules”.

I strive to develop a method.

A method that will help architects and designers to cope with this phenomenon, At this point in time, I call it the “Conscious Inspiration Method” ….

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools =“Codex Rules”, it will lead us to high quality creative architecture.

The Conscious Inspiration Method‘ ,  How it Works?

First step: “knowledge”, as many said and wrote before; knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis.

Second step: develop Conscious Inspiration personal  tools = “Codex Rules”.

Third step: the inspiration Source. (Don’t be intimidated to get inspired from relevant buildings).

Step Fourrealize your design idea (your invention).

Five “HOWS” of the “Conscious Inspiration Method

1. How to filter out relevant knowledge from the Web with abundance of information?

2. How to develop your own vision?

3. How to choose the right “Inspiration Sources” that empowers your vision?

4. How to develop your 0wn personal design tools?

5. How to use your inspiration sources as the “Planning Process Generator”, and to design high quality creative architecture?