Archive for sources of inspiration

OMA and Zaha Hadid are defining the differences between the “Periodic Inspiration” and the “Specific Inspiration”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , on March 2, 2013 by eliinbar

From Eliinbar's sketchbook 2013- OMA   Stok exchange in shenzen the ultimate "Specific Inspiration"

From Eliinbar’s Sketchbook 2013 – OMA  Stok exchange in shenzen the ultimate “Specific Inspiration”

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

More than once I am asked 

Define, in one sentence the difference between Conscious Inspiration to copy-paste

:  And my anwer is

The fundamental difference between“Copy Paste” and Conscious Inspiration is that in “Conscious Inspiration” we Implement our INVENTION

And I’ll be more specific in future posts

In this post I will share with you my distinguishing between two Sources of Inspiration

“the “Periodic Inspiration

“and the “Specific Inspiration

The next image is OMA‘s stock exchange in Shenzhen Chaina

competition: 1st prize 2006

OMA's stock exchange in Shenzhen Chaina, competition: 1st prize 2006

And this is the Hong Kong Institute of Design .designed by CAAU, Published in ARCHDAILY,project year 2010,inspiered by OMA‘s   stock exchange in Shenzhen Chaina 2006

Hong Kong Institute of Design .designed by CAAU

From Eliinbar's sketchbook 2013- OMA   Stok exchange in shenzen the ultimate "Specific Inspiration"

From Eliinbar’s Sketchbook 2013 – OMA’s  Stok exchange in shenzen the ultimate  Specific Inspiration

Note to the prominent boxy morphology of both buildings

Both buildings are defined by the conceptual idea of “flying buildings” or “buildings moving” …. we recognise from the 60s  ARCHIGRAM

The main constructive solution is based on metal, a striking visual feature of diagonal columns and beams

The constructive solution is a prominent visual element in the facades of the building, and characterized by a transparency that eliminate the traditional concept of a window, A curtain wall

All this makes OMA‘s Stok exchange in shenzen the ultimate “Specific Inspiration” for the new Hong Kong Institute of Design

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 –

 ?So what is the “Periodic Inspiration”  and how does it affects us

 

Periodic Inspiration  is a source of inspiration that affects us all. We often identify it with architectural trends

Here is how the “Periodic Inspiration” affects the designers of the Hong Kong Institute of Design

“In a previous post of mine I presented the “Flouting Buildins Trend

-A dominant representative of this trend  , is Zahah Hadid‘s  Expo Centre exhibition halls and residential tower project in Moscow Russia, Published in 2007….shown in the next image

Zaha Hadid Architect Expo Centre exhibition halls and residential tower project Moscow Russia Published in 2007

Zaha Hadid   Architect

Expo Centre exhibition halls and residential tower project

Moscow Russia ,Published in 2007

Notice the dominant characteristics of this trend

horizontal proportioned structure lifted off the ground

Creating a covered public space at ground level

The following sketch illustrates this architectural concept

From Eliinbar's sketchbook

?What are the origins ( inspiration Sources)  for this trend

The folowing sketch examines the option that Zaha Hadid’s inspiration sources for the “Floating buildings trend” are Le Corbusier’s visionary piloties, developed in the 50s

le-corbusier-zaha-hadid-eliinbar-sketches-201000011

For the complete story of this sketch , you are invited to visit my post https://archidialog.com/2010/07/11/le-corbusier-zaha-hadid-les-pilotis-conscious-inspiration-1/

My folowing sketch examines a “Cousin” of the “Floating buildings trend” the “Moving Buildings Trend” that its origins are probably the work of the  “Archigrm Group“, that worked in the 60s

eliinbar-sketches-le-corbusierarchigram0001

:For the complete story of this sketch, you are invited to visit my post

https://archidialog.com/2011/07/05/

The big “conscious inspiration” project

Buildings that will be published in ARCHDAILY in the following weeks will be judged by the Followers of  SOMEONE  HAS  BUILT IT BEFORE from the viewpoint ,did this building was designed according to the principals of the “Conscious inspiration“? ,or may be, by accident , that the building is a victim of the  “Copy Paste”  syndrom

Obviously I will add pictures of buildings and sketches, from my recent posts, to clarify

 

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Zaha Hadid and the “Inspired Time Machine”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2013 by eliinbar

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

eliinbar's sketchbook 2013-Zaha Hadid Inspiration Sources

From Eliinbar’s sketchbook 2013 -Zaha Hadid Inspiration Sources

From time to time I come across a building that explains everything

Recently been completed the construction of Zaha Hadid‘s Galaxy Soho

Beijing China

?What are the sources of inspiration for this building

 

I can think about two sources of inspiration for the Zaha Hadid‘s Galaxy Soho.

Frank Lloyd Write‘s Guggenheim Museum’s is  Zaha Hadid‘s   Source of Knowledge

.”And Foster‘s London City Hall is the “Source of Inspiration

 

Each one of them has a different role in generating Zaha Hadid‘s design for the Galaxy Soho

For You to judge

Zaha Hadid’s “Source of Knowledge”

Frank Lloyd Wright  Architect Guggenheim Museum View from outsideFrank Lloyd Wright  Architect

Guggenheim Museum

View from outside 1959

Frank Lloyd Wright  Architect Guggenheim Museum interior 1959

Frank Lloyd Wright  Architect

Guggenheim Museum

interior 1959

Zaha Hadid’s “Source of Inspiration”

View from outside

Norman Foster and Ken Shuttle worth architects London City Hall  2002

Norman Foster and Ken Shuttle worth architects

London City Hall

2002

interior

Norman Foster and Ken Shuttle worth architects London City Hall  2002

Norman Foster and Ken Shuttle worth architects

London City Hall

  2002

Zaha Hadid‘s Realization  Invention

View from outside

Zaha Hadid's Architects Galaxy Soho Beijing China 2012

Zaha Hadid Architects

Galaxy Soho

Beijing China 2012

For more information visit ARCHDAlLY

interior

Zaha Hadid's Architects Galaxy Soho Beijing China interior  2012

Zaha Hadid Architects

Galaxy Soho Beijing China

interior  2012

eliinbar's sketchbook 2013-Zaha Hadid Inspiration Sources

From  Eliinbar’s sketchbook 2013 -Zaha Hadid Inspiration Sources

Note the unique peripheral windows

Also note to the dominant oval building profile

“EPILOG”

Zaha Hadid's Architects Galaxy Soho

Zaha Hadid Architects Galaxy Soho

Note the sophistication of this building.

It is characterized by varying shapes and sizes,

But built with  repetitive elements (for example, the coverings of the horizontal curving  elements )

(: ?Can anyone tell me how to get out of here

I could not pass out the following phenomenon
Recently published in archdaily
Is this example is more of “Conscious Inspiration” or more of “Copy Paste”?
What do you think?
Oiio Reveals Proposal for  Frank Lloyd Wright's    Guggenheim Museum   Expansion 2013
Oiio Reveals Proposal for

Frank Lloyd Wright’s

Guggenheim Museum

 Expansion 2013

For more information visit ARCHDAlLY

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 –

A “short talk” about “Conscious Inspiration”  January 2013

Inspiration” or “Copy Paste” are the most dominant phenomenon of the 21st century among architects.

Most likely , the “availability of information” enables the existence of the phenomenon.

The abundance of information in the Web affects us all…. I present it every week in my blog, accompanied by my explanation sketches.

We saw more than once, differences between “Conscious Inspiration” and “copy paste” are not so big….

With this challenge, the “Conscious inspiration Method” wants to cope .

I believe that the natural development of architecture design is based on inspiration techniques ….I call them “Codex Rules”.

I strive to develop a method.

A method that will help architects and designers to cope with this phenomenon, At this point in time, I call it the “Conscious Inspiration Method” ….

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools =“Codex Rules”, it will lead us to high quality creative architecture.

The Conscious Inspiration Method‘ ,  How it Works?

First step: “knowledge”, as many said and wrote before; knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis.

Second step: develop Conscious Inspiration personal  tools = “Codex Rules”.

Third step: the inspiration Source. (Don’t be intimidated to get inspired from relevant buildings).

Step Fourrealize your design idea (your invention).

Five “HOWS” of the “Conscious Inspiration Method

1. How to filter out relevant knowledge from the Web with abundance of information?

2. How to develop your own vision?

3. How to choose the right “Inspiration Sources” that empowers your vision?

4. How to develop your 0wn personal design tools?

5. How to use your inspiration sources as the “Planning Process Generator”, and to design high quality creative architecture?

 

OMA is Rem Koolhaas’s way for living a parallel life between the theory and practice of architecture.

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 3, 2012 by eliinbar

 Eliinbar Sketchbook 2012 - OMA and Rem Koolhaas’s parallel life between the theory and practice of architecture

From Eliinbar’s sketchbook 2012 – OMA and Rem Koolhaas’ parallel life between the theory and practice of architecture

In every direction I check….eventually all roads lead to OMA.

This post Is about one of the most Inspirational architecture firms working today….  MVRDV.

Maas and Van Rijs, two of MVRDV founding members, worked at OMA.

The next image is a housing complex designed by MVRDV in 1999…It’s called the FLYING VILLAGE (Villa Voladora –In Vienna, Austria)

0961_012

Notice the Main characteristics of this structure….

A three dimension curved slab with a dominant green terrace

Five years later (2004) the contemporary architectural firm SANAA, design the Rolex Learning Center, at the École Polytechnique Fédérale de Lausanne

SANAA maquette OK.indd

Notice the three dimension curved slab with a dominant green terrace….

It is hard to ignore the morphological similarity between MVRDV’s and SANAA’s  projects.

 Eliinbar Sketchbook 2012 - OMA and Rem Koolhaas’s parallel life between the theory and practice of architecture

From Eliinbar’s sketchbook 2012 –  Conscious Inspiration

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

We passed the 2000 LIKES
Thank you all
    enjoy….

  Eliinbar

 –

But the story begins long before….

What are the origins of this architecture approach?

What is the justification for the huge financial effort required to build the  Rolex Learning Center?

What is the added value that the user gets for this effort?

Well in this blog I do not deal with these questions….

The questions that concern me are….

What were the sources of inspiration that eventually generated these structures?

I think that “Inspiration” or “Copy Paste” are the most dominant phenomenon of the 21st century among architects.

 Most likely the “availability of information” enables the existence of the phenomenon.

 The abundance of information in the Web affects us all…. I present it every week here ….We saw more than once ….The differences between “Conscious Inspiration” and “copy paste” are not so big….

 And that is exactly what I intend to clarify and understand in this blog.

 I believe that the natural development of architecture design is based on inspiration techniques ….I call them “Codex Rules”.

 –

And finally I strive to develop a method.

 A method that will help architects and designers to cope with this phenomenon…. At this point in time, I call it the “Conscious Inspiration Method” ….

 With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools =“Codex Rules”, it will lead us to high quality and creative architecture.

Let’s see how the “Conscious Inspiration” works for SANAA….

“knowledge”

Conscious Inspiration” is first of all the understanding of the importance of “knowledge”…. as many said, and wrote before knowledge is the foundation for all designing process. We architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

The buildings Presented in the next images is in my opinion, the “Knowledge”, that was the inspiration base for The Rolex Learning Center

ucauditorium-001

Oscar Niemeyer Architect

 University of Constantine auditorium

Algeria 1968

niemeyer-sanaa-eliinbar-sketchbook-20110001-copy

from  Eliinbar’s sketchbook 2011

2358007020_9c96dcdb42

MVRDV Architects

Villa VPRO

 Hivesum  The Netherlands  1993

mvrdv-villa-vpro-_-eliinbar-sketches-20100001

from Eliinbar’s sketches 2010

144

Rem Koolhaas Architect

 Campus Center for the

University of Utrecht   1997

rem-koolhaas-_-eliinbar-sketches-20100001

Eliinbar’s sketches 2010

“Inspiration Source”

MVRDV’s Villa Voladora designed in 1999 ,showen in the next image is in my opinion, SANAA’s “Inspiration Source”

0961_012

“Invention”

And the building in the next image is SANAA’s

Rolex Learning Center, desined in 2004

What do you think was  SANAA’s invention ?

SANAA maquette OK.indd

001

From Eliinbar’s sketchbook 2012 –  Conscious Inspiration

Oscar Niemeyer once said You need to find an original way to think and to be informed about everything daily“. 

 To illustrate to you that he knows something about architecture

 I recommend you watch the following video showing a new building designed by OSCAR NIEMEYER

 An architect over the age of 100

The building is called puerto de la musica’…. Worth seeing to the end

What Zaha Hadid finds in Buckminster Fuller and Frank Gehry…. that we do not know?

Posted in buildings, nature, public buildings with tags , , , , , , , , , , , , , , , , , , , on October 28, 2012 by eliinbar

From  Eliinbar’s Sketch book 2012 – Zaha Hadid’s ….”basic inspiration generators”….

Zaha Hadid Architect

Guangzhou Opera House

in Guangdong province, China 2011

 –

The following texts were published In DEZEEN  …. Concerning Zaha Hadid’s Inspiration Sources when designing the Guangzhou Opera House 

1.“The Guangzhou Opera House design has been particularly influenced by river valleys – and the way in which they are transformed by erosion. 

2.“Shaped to resemble two pebbles on the bank of the Pearl River 

3.“The design evolved from the concepts of a natural landscape and the fascinating interplay between architecture and nature; engaging with the principles of erosion, geology and topography”.

 –

The Inspiration sources published in DEZEEN seem convincing….

 Those are probably Zaha Hadid’s Inspiration Sources….

 But to design this building, Zaha Hadid had to have other sources of inspiration ….

I call them….”basic inspiration generators

Let’s check what were Zaha Hadid‘s….”basic inspiration generators“….

The first basic inspiration generator

 Notice the exterior shell structure envelope of the Opera House.

 The shell structure wraps a large number of functions. It is also characterized by transparency that allows penetration of natural light.

Zaha Hadid’s  Guangzhou Opera House 2011

View from inside

In the next image you can see a typical cross section showing the exterior shell structure envelope of the Opera House wraps a large number of functions.

This design strategy has been developed in the 60 by Buckminster Fuller.

The Montreal Biosphère in Canada  Expo 1967, designed by Buckminster Fuller ….shown in the following image ,is a prominent example of this approach….

Buckminster Fuller

The Montreal Biosphère

Canada  Expo 1967

Notice the shell Structure that contains a large number of functions and characterized by transparency that allows penetration of natural light.

And this is an image of the Guangzhou Opera House under construction

Zaha Hadid Architect Guangzhou Opera House in Guangdong province, China 2011

From  Eliinbar’s Sketch book 2012 – Zaha Hadid’s ….”basic inspiration generators”….

Note the similarity between the construction method of Buckminster Fuller’s Montreal Biosphère and Zaha Hadid’s Guangzhou Opera House

 In both buildings, the construction method allows a flexible and transparent shell.

The second basic inspiration generator

Notice Guangzhou Opera House typical floor plan, shown in the next image.

Zaha Hadid designs a building with effective floor plans.

She does not give up her desire for creativity and uniqueness

She implements the ”Envelopes Design Strategy” and uses her architect skills to realize her architectural vision… a”sculptural buildings

 

 

The ”Envelopes Design Strategy”, has been developed in the 80 of the last century by Frank Gehry.

 

The Disney Concert Hall, designed by Frank Gehry in 1987-2003 ….shown in the following image ,is a prominent example of this approach….

Frank GehryArchitect

 Disney Concert Hall

 Los Angeles California 1987-2003

And this is an image of the Disney Concert Hall typical Floor Plan

Frank GehryArchitect

 Disney Concert Hall typical Floor Plan

 Los Angeles California 1987-2003

From  Eliinbar’s Sketch book 2012 – Zaha Hadid’s ….”basic inspiration generators”….

Note the similarity between the typical floor plans of Frank Gehry’s Disney Concert Hall and Zaha Hadid’s Guangzhou Opera House

 Both buildings are designed with effective floor plans…. Notice the rectangular dominant shapes in the center of the ground floors

 Both buildings envelops are unique and creative and realize Zaha hadid’s and Frank Gehry’s architectural vision…”sculptural buildings”

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

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The  “Conscious Inspiration” Method,  How it Works?

First step:  the inspiration Source.

Second step:   Developing  the Conscious Inspiration tools.

Third step:   Realize the design idea.

 

The five “HOWS” of the “Conscious Inspiration Method”

The ultimate inspiration methodology:

1. How to filter out relevant Knowledge from the Web with abundance of information?

2. How to develop your own Vision?

3. How to choose the right “Inspiration Sources” that empowers your Vision?

4. How to develop your personal Design tools?

5. How to use your Inspiration Sources as the “Planning Process Generator”, and design high quality and creative architecture?

“Conscious Inspiration” is practicing and acquiring tools to improve observation and differentiation of details.

The abundance of information in the Web affects us all, as I illustrate in my posts.

I Believe that designing is a process formed from three main phases:  knowledge, tools and invention.

Knowledge”:  as many said, and wrote before – Knowledge is the foundation for all designing processWe architects and designers are obliged to be informed about everything that was designed in the past and on a daily basis….

“Tools”:  develop tools to analyze buildings and “Understand” them,  tools that will cope with the abundance of architectural information…

(I intend to demonstrate some of my ideas in future posts)

“Invention”:  with the methodology of “conscious Inspiration” we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our tools, it will lead us to high quality and creative architecture.

Eli Inbar

Le Corbusier is here…. and his alive ….

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , , , on May 15, 2012 by eliinbar

From  eliinbar’s sketchbook 2012 – Wang Shu’s inspiration Sources

The Chinese architect Wang Shu, has been awarded the 2012 Pritzker Architecture Prize.

I must confess….
I was unfamiliar with the work of  Shu Wang,

In this post I present a building designed by Shu Wang….The new Art Academy in Hangzhou  China.

It is really hard to ignore the  inspiration sources of this building….there is a strong sense that Le Corbusier is still among us…. working in China….

The design strategy adopted by Shu Wang In China Is a combination of modernist architectural citations along with awareness to local materials and local construction methods …

It reminds me Le Corbusier’s approach. while planning Chandigarh  in India, in the 1950s.

Here are Selected photos of the New Art Academy Hangzhou designed by Wang Shu,  and his possible sources of inspiration….   For you to judge….

Amateur Architecture Studio / Wang Shu architect

  New Art Academy Hangzhou China

published in Arch daily  IN  2009

Le Corbusier Architect

Unité d ‘ Habitation Rezé

Nantes,France built from 1952 to 1954

Amateur Architecture Studio / Wang Shu architect 

New Art Academy Hangzhou China

published in Arch daily  in  2009

Le Corbusier and Iannis Xenakis Architects

Sainte Marie de La Tourette monastery

in a valley near Lyon, France 1953-1960

Amateur Architecture Studio / Wang Shu architect 

New Art Academy Hangzhou China

published in Arch daily  in  2009

Hans Sharoun Architect

Philharmonic building in Berlin-Tiergarten

Germany 1960-1963

Amateur Architecture Studio / Wang Shu architect 

 New Art Academy Hangzhou China

 published in Arch daily  in  2009

SANAA rchitects

Zollverein School of  Management & Design

Essen,Germany 2003-2006

What did I learn from this post?

1. Wang Shu actually designs his buildings according to the principles of the conscious inspiration method.

2. He chooses wisely Le Corbusier to be his main inspiration source….(And others).
3. He developed a planning strategy refers to his projects surrounding environment..

4. He consciously cites his sources of inspiration.

and finally he is awarded the 2012 Pritzker Architecture Prize .

Check the NEW CONSCIOUS INSPARATION PAGE

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Are Issey Miyake’s pleats, the Inspiration Sources of Zaha Hadid ,Grimshaw and Sinclair,Knight & Merz?

Posted in buildings, public buildings with tags , , , , , , , , , , on March 14, 2012 by eliinbar
I do not often present to you the  inspirational relationship between different design areas(Fashion,Jewelry,Product Design,Design cars, etc.).

Currently I visited with my youngest son the “Geneva Motor Show”.

It was an interesting opportunity for me to examine
the sources of  inspiration of the Cars industry.

And I learned  that it happens in a similar manner  like in architecture….

I’ll write a post about it soon….

In this post I’ll check,
Are architects  inspired from the fashion world?

I apologize I did not attach a sketch….
Soon I’ll be back from my vacation.

Grimshaw Architects

Garibaldi  Exhibition Building

Milan Italy Competition won: 2006

Zaha Hadid Architects

The Burnham Pavilion, temporary pavilion to house multimedia installation

in Chicago  Published : August 2009

 Sinclair, Knight, Merz Architects

London 2012 Basketball Arena

published June 2011

Notice to the recurring themes of the three structures shown in the images above ….their fabric skins wrapped tightly around a metal frame, inspired by the fashion  industry Pleats.

In the image above a typical example of a purse inspired by the Pleats

(Clearly reflected in Grimshaw’s  Garibaldi Exhibition Building)

“Epilogue”

Issey Miyake Fashion Designer was born in Hiroshima , Japanin 1938.

Miyake’s basic tenets for making clothes has always been the idea of creating a garment from ‘one piece of cloth’,

And the exploration of the space between the human body and the cloth that covers it.

His approach to design has always been to strike a consistent balance between tradition and innovation, handcrafts and new technology.

“Minaret” Dress by Issey Miyake

Look at the image above demonstrating Issey Miyake’s Interpretation to a rad-ical but eminently practical and universal form of contemporary clothing that combines technology, functionality and beauty. 


Are Issey Miyake’s unique designs
the sources of inspiration for  
Zaha Hadid , Grimshaw Architects and Sinclair, Knight ,Merz?

You are invited to visit my recent and relevant post:

 Zaha Hadid & Grimshaw Architects, wrapped softly….

 https://archidialog.com/2012/01/30/zaha-hadid-gri…wrapped-softly/ ‎

Check the New  CONSCIOUS  INSPIRATION  PAGE

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Architecture – The Sculpted decade

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , , , , on January 4, 2012 by eliinbar

Eliinbar’s Sketchbook 2011 – Architecture – The Sculpted decade

New Year it is time for summations….


The last decade is by far the most sculptural decade in recent years.


Here is a brief overview of the typical types of sculptural
buildings.


You are invited to add your own ideas…. 

In my next posts I will give a close look into the sources of inspiration of the various types of sculptural buildings.

“Plastelina sculpted buildings”

Zaha Hadid Architec with Patrik Schumacher

Cultural Centre and Opera House in Dubai

 published 2008

“wrapped Sculpted buildings”

Frank Gehry Architect

Experience Music Project, Seattle Center

2000

”Materialistic sculpted buildings”

Thom Mayne Los Angeles firm Morphosis

 Sciences Building of Cooper Union college in

New York. 2009

“Prisma sculpted buildings”

architecture firm Coop Himmelb(l)au.

 founder, architect Wolf D. Prix

 Ohio, Akron  Akron Art Museum  2007

crystal Sculpted buildings” 

Daniel Libeskind Architect

Royal Ontario Museum

 competition:2002-completion: 2007

You are invited to visit my relevant posts:

Zaha Hadid & “Plastelina Buildings” https://archidialog.com/2011/08/08/zaha-hadid-plastelina-buildings/

Learning from Frank Gehry ….Chapter 1 ,His Design Tools https://archidialog.com/2011/10/24/learning-from-frank-gehry-chapter-1-his-design-tools/

Daniel Libeskind’s Inspiration Sources ; “The Crystal Buildings”https://archidialog.com/2011/10/08/daniel-libeski…stal-buildings/

Check the   NEW CONSCIOUS  INSPIRATION  PAGE

in my Facebook