If you fantasize about being Toyo Ito, Herzog de Meuron or perhaps Rem Koolhaas, that is easy, two doses of “BIRD NEST typology” ,a single dose of “BRANCHING design”And you’re all set….

Posted in Inspiration Source, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 19, 2014 by eliinbar

eliinbar’s sketches 2014-Branching design or in other words the “Bird nest” typology

 eliinbar’s sketches 2014 – Branching design or in other words the “Bird nest” typology

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Today’s post will be the third of a series, inquiring whether one of the leading architectural firms in the world, OMA of Rem Koolhaas, is a popular Inspiration Source for architects today.

Today’s main configuration of a building designed by Oma and Rem Koolhass is a prominent source of inspiration , the branching design or in other words the “bird nest” typology .

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THE MAIN CONFIGURATION

Branching design

The branching design is based on Toyo Ito’s and Cecil Balmond’s

Serpentine Gallery Pavilion (2002) in London shown in the next image.

Serpentine Gallery Pavilion (2002) in London

A few words about Cecil Balmond:

Cecil Balmond sees his work as an open-ended visual application of theory, following the principle that “structure as conceptual rigour is architecture

Balmond’s research is about complexity and non-linear organization ,he investigates mathematical concepts and their influence on natural forms and structures

 

A few words about Toyo Ito:

Toyo Ito received the Royal Gold Medal at the RIBA on 15 February 2006

Jack Pringle, RIBA President described Toyo Ito’s work :.

Toyo Ito has been an inspiration for generations of architects worldwide since his work started to receive international acclaim in the 1970s. For thirty years he has been a leading figure in architecture and I am delighted that he has accepted the Royal Gold Medal.

 

THE ORIGINS

(Inspiration Sources)

It is hard to say for certain ..but I think that the following projects are definitely good candidates to be the ORIGINS sources of inspiration for the BRANCHING design
and the BIRD NEST typology

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BIRD NEST typology

Hezog De Meuron Architects

National Stadium – the “bird nest” Beijing   2001-2008

birds_nest_beijing_arup5

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and it’s Inspiration source: Chinese ceramic ware – Vase with crakle

VLUU L100, M100  / Samsung L100, M100

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BRANCHING design

In 2001,architect Toyo Ito designed Tods’ Omotesando Store in Tokyo.

A unique organic design that was called the “Tree Building

Tods’ Omotesando Store in Tokyo 2002-2004

Tod’s Omotesando Building By Toyo Ito & Associates-Photographs©Toyo Ito & Associate

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and it’s Inspiration source, the Zelkova trees shown in the next image  : (Tods’ Store is located in Omotesandō who is a Zelkova tree-lined avenue located in Shibuya and Minato,Tokyo)

04-shade-trees

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Toyo Ito about Tods’ Omotesando Store in Tokyo (From  HOUSE VARIETY) :

we enclosed the site with a wall that gives the impression of a row Zelkova trees  The facade of criss-crossed concrete braces reinterprets the silhouettes of the trees on the Omotesandō. This exterior surface serves as both graphic pattern and structural system

Our various studies started with the question, “How can we escape the conventional notion of a wall structure?” In other words, we were seeking a way to avoid transparent openings in an opaque volume. Instead of distinguishing transparency from opaqueness, we were seeking a new method that would simultaneously define and unite them – we were attempting to relate all the lines (columns), surfaces (walls), and openings in an innovative way. Our studies suddenly moved in a different direction after formulating the question: “Shouldn’t it be possible to create a surface as structure that directly expresses the flow of force, so long as it is formed as a structural diagram drawn as a pattern of thick lines on a flat surface?”

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The Contemporary Inspiration Source

OMA and Rem Koolhaas’s Faena Arts Center, Miami Beach, USA, 2014

Faena Arts Center_Indian Creek_Copyright OMA_big

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Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

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Conscious Inspiration today

more “branching” design

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Print

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more “bird nest” typology

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Bird_s_nest_staircase

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Finally, what  do you think about the following example?

for you to judge….

Tod’s Omotesando Building By Toyo Ito & Associates-Photographs©Toyo Ito & Associates-23

Tods’ Omotesando Store from within,designed by architect Toyo Ito 

In 2001

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and this is  Hezog De Meuron’s

Prada Store from 2003 located ten minutes walk from the Tod’s Omotesando Store

Prada-store-by-Herzog-and-De-MeuronTokyo-02

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Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

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what did i learn from this post?

As in any field that deals with  creation and invention, the people engaged in it are divided into two groups.

The first group is very small, they have the skills that allow them to innovate Big time.

Most of us belong to the second group, we get inspiration from the first group.

I do not think there is a problem with that….

The big questions are:

Do we know how to to be  inspired in a conscious way?

Do we know how to choose our source of inspiration in a way that enhances our buildings?

Do we copy and paste, or insist to add our invention?

What are the tools needed to improve the realization of the three previous questions?

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This blog examines the

 inspiration sources

 of contemporary architectural projects

 I put a virtual

 mirror  

 reflecting processes of

conscious and

unconscious inspiration among Architects

and you judge

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 But my challenge is not over yet

If my

mirror

 reflects the reality correctly

Then is needed a change in architecture profession training

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And I will explane

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You probably noticed that the differences between

Conscious Inspiration” and “Copy paste

are rather vague

And there is a consensus that

 Copy-paste is disastrous for the architectural profession

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We all know that the basis for all architectural design , is the uniquesite

 on which the building is built

so how can we copy buildings?

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For that I strive to develope a responsive training method for architects

I call it the

 Conscious Inspiration Method

The “Conscious Inspiration Method” is  learning to be inspired  consciously  from existing buildings

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our designing tools =“Codex Rules”, it will lead us to high quality creative architecture

.

I believe that the natural development of architecture design is based on 

inspiration techniques

I call them

Codex Rules

In my next posts ,I will show some Interesting  inspiration techniques

What is common to ancient Rome, Louis Kahn, Charles Moore ,Tadao Ando and Rem Koolhaas?

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on July 5, 2014 by eliinbar

eliinbar’s sketches 2014 - THE MAIN CONFIGURATION=ROTATION
eliinbar’s sketches 2014 – THE MAIN CONFIGURATION=ROTATION

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Today’s post will be the second of a series, inquiring whether one of the leading architectural firms in the world, OMA of Rem Koolhaas, is a popular Inspiration Source for leading architects today. Today’s main configuration of a building designed by Oma and Rem Koolhass is ROTATION.

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THE MAIN CONFIGURATION

ROTATION

eliinbar's sketches-ROTATION

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The origins

(Inspiration Sources)

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8th century BC to the 5th century AD

Forum Romanum

Ancient Rome floors plans

(Republican Era)

Platner-forum-republic-96

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The Sixties

Louis Kahn

Norman Fisher House floor plan Hatboro, Pennsylvania, United States 1960-1967

Louis Kahn Norman Fisher House

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The Seventies

Charles Moore

 Kresge College street level floor plan 1971

kresge College Plan

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The Eighties

Tadao Ando

Church of the light  built in 1989, in the city of Ibaraki, Osaka Prefecture.

church of the light site plan

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eliinbar’s sketches 2014 - THE MAIN CONFIGURATION=ROTATION

eliinbar’s sketches 2014 – THE MAIN CONFIGURATION=ROTATION

Note that the main configuration- rotation

 is  reflected in each of the above floor plans

eliinbar's sketches-ROTATION

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And how  Rem Koolhaas implements the idea of ​​ROTATION today?

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The Contemporary Inspiration Source

OMA and Rem Koolhaas’s winning proposal for the Plaza at Santa Monica 2013

OMA and Rem Koolhaas's winning proposal for the Plaza at Santa Monica 2013

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Conscious Inspiration today

more Rotating buildings

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images (2)

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images (1)

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

-

-

-

-

This blog examines the

 inspiration sources

 of contemporary architectural projects

 I put a virtual

 mirror  

 reflecting processes of

conscious and

unconscious inspiration among Architects

and you judge

-

 But my challenge is not over yet

If my

mirror

 reflects the reality correctly

Then is needed a change in architecture profession training

-

And I will explane

-

You probably noticed that the differences between

Conscious Inspiration” and “Copy paste

are rather vague

And there is a consensus that

 Copy-paste is disastrous for the architectural profession

-

We all know that the basis for all architectural design , is the unique site

 on which the building is built

so how can we copy buildings?

-

For that I strive to develope a responsive training method for architects

I call it the

 Conscious Inspiration Method

The “Conscious Inspiration Method” is  learning to be inspired  consciously  from existing buildings

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our designing tools =“Codex Rules”, it will lead us to high quality creative architecture

.

I believe that the natural development of architecture design is based on 

inspiration techniques

I call them

Codex Rules

In my next posts ,I will show some Interesting  inspiration techniques

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-

Le Corbusier Is probably the “Conscious Inspiration” Father, but without doubt, Rem Koolhaas is the Contemporary Inspiration Source for leading architects

Posted in Inspiration Source, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , on June 23, 2014 by eliinbar

Eliinbar’s Sketchbook 2014 ,Rem Koolhaas and SANAA Typology of a Shifted Buildings

From Eliinbar’s Sketchbook 2014Rem Koolhaas and SANAA Typology of a Shifted Buildings

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After a long break, I’m back.. Business as usual .. Nothing new under the sun.

Today’s post will be the first of a series, inquiring whether one of the leading architectural firms in the world, office of Architecture OMA led by Rem Koolhaas, is a popular Inspiration Sources among leading architects today.

Each post will introduce a building designed by  Rem Koolhaas . I will identify the building main configuration, and its origins. Then I will unfold some buildings, we can identify characteristics indicating they were influenced  by Rem Koolhaas   .

In other words,  Rem Koolhaas’s  buildings, most likely were their Inspiration Source

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The Inspiration Source

This is the new De Rotterdam complex a “vertical city” in Rotterdam completed in 2013

Designed By office of Architecture OMA led by Rem Koolhaas

Commission 1997, groundbreaking December 2009, completion November 2013

De-Rotterdam-by-OMA-interview-with-Rem-Koolhaas_dezeen_1SQ

  Rem Koolhaas’s quote published in DEZEEN :

a building that consists of separate volumes that were slightly shifted vis-a-vis each other

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The main configuration

 Here is a sketch I made, that explains the principles of the typology of a Shifted Buildings

Typology of a Shifted Buildings-

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The origins

 And this building  is Frank Lloyd Wright’s “Falling Water” built in the USA in 1934 . this building is probably one of the known examples of  Shifted Buildings.

 Frank Loyd  Whrite's “Falling Water”

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 Frank Lloyd Wright- “Falling Water”

Plans, sections and elevations

Frank Loyd  Whrite's “Falling Water”  Plans, sections and elevations

 Note that the principle of shifting is expressed in plans, sections and elevations

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Conscious Inspiration today

This is a Museum built lately in NewYork City,designed by Tokyo-based architects Kazuyo Sejima and Ryue Nishizawa.

 Kazuyo Sejima and Ryue Nishizawa are partners in the Japanese architectural firm SANAA.

 SANAA has won the 2010 Pritzker Architecture Prize, the profession’s highest honor.

SANAA received the commission of this Museum in 2002 and completion was in 2007

museum-of-contemporary-art

SANAA‘s Museum is a multi purpose buildings with an ambitious program a dramatic stack of seven rectangular boxes.

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The following video explains well the museum main configuration

Of shifted boxes.

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What do the architects have to say?

This is how Rem koolhaas describes the main  configuration of the De Rotterdam complex: “a building that consists of separate volumes that were slightly shifted vis-a-vis each other

From: DEZEEN

 

And this is SANAA’s description for the  museum in New York: “We knew we could not maximize the entire site with solid architecture, we had to reduce the building’s mass somehow to create space between it and the perimeter. The solution of the shifted boxes arrived quickly”.

From New Building Museume

 

 

Notice that Rem Koolhaas and SANAA are using the same basic notions to describe their buildings: “shifted volumes / boxes“.

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Eliinbar’s Sketchbook 2014 ,Rem Koolhaas and SANAA Typology of a Shifted Buildings

 From Eliinbar’s Sketchbook 2014Rem Koolhaas and SANAA Typology of a Shifted Buildings

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Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

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Memories

Glimpse to the past

you are invited to visit my relevant posts

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MVRDV Inspiration …. Or a self fulfilling prophecy

Eliinbar's sketches

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 Rem Koolhaas & MVRDV-”Conscious Inspiration”5

rem-koolhaas-mvrdv-eliinbar-sketches-2010

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Here are some more contemporary buildings,designed by the same principle of SHIFTING TYPOLOGY….OMA’s De Rotterdam complex most likely is their Inspiration Source

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 sanjay  puri architect   דובאי

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-atelier- UID Architects      Osaka

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garrison architects

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hamburg science centre  OMA

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thumb  August, 2008

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בנינים מדורגים

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Sugar-Hill-by-David-Adjaye_dezeen_1sq

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Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

We passed the 9000 likes Thank you all     enjoy….

  Eliinbar

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Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit, and it should be realized by a plastic artist = Architect

Posted in Uncategorized with tags , , , , , , , , , , , , , , , on June 23, 2013 by eliinbar

 Le Corbusier and Carlos Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

From Eliinbar’s Sketchbook 2013 – Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

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The following quote, is from le Corbusier’s  book “Towards an Architecture” ,published in 1923:

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Extrusion is the touchstone of architecture

It distinguishes Art from Engineering

Extrusion is free of all constraint

This is not a question of conventions, tradition, construction method or even usefulness

Extrusion is a pure creation of the spirit, it needs a plastic artist

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Le Corbusier ,in his book Towards  an Architecture, presents to us the Pantheon‘s coffered dome  ,as an example for an extrusion’s inspiration source

The Pantheon was built during the reign of Augustus in Rome ,Italy

Pantheon's Coffered dome

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Years after the Pantheon was built

The renowned architect ,Carlo Scarpa, was inspired by the coffered dome of the Pantheon

Here Is a typical detail from the Brion’s Family mausoleum ceiling, designed by Carlo Scarpa  1969-1978

typical detail from the Brion's Family mausoleum, designed by Carlos Scarpa  1969-1978

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 Le Corbusier and Carlos Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

From Eliinbar’s Sketchbook 2013 – Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist = Architect

For you to Judge

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If you want to learn more about famous architects  inspired by ancient temples,  You are invited to visit my relevant and very popular post

David Chipperfield & Oscar Niemeyer & The Parthenon Conscious Inspiration

david-chipperfield-oscar-niemeyer-eliinbar-sketches-2011-001

Eliinbar’s Sketches 2011  The Parthenon -Conscious Inspiration

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

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Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

We passed the 9000 likes
Thank you all
    enjoy….

  Eliinbar

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Le Corbusier to Peter Zumthor passes one straight line….”Conscious Inspiration”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on June 16, 2013 by eliinbar

From eliinbar's sketchbook 2013- Le Corbusier to Peter Zumthor  passes one straight line…."Conscious Inspiration"

From Eliinbar’s sketchbook 2013- Le Corbusier to Peter Zumthor  passes one straight line….Conscious Inspiration

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Peter Zumthor recently published a model for the Los Angeles County Museum of Art  - LACMA ,new building

 Museum of Art - LACMA

 Does Peter Zumthor also plans according to the principals of the Conscious Inspiration method

Apparently so
Let’s examine how Conscious Inspiration works for Peter Zumthor
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The first step in any process of conscious inspiration, is knowledge.

 The most dominant feature in Peter Zumthor’s building,  is the fact that it is raised from the ground by huge PILOTIS

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-Columns, pillars, or stilts that lift a building above ground or water ,are traditionally found in stilt and pole dwellings such as fishermen’s huts in Asia and Scandinavia

fishermen-s-stilt-houses-pilar-bicol-southern-luzon-philippines-southeast-asia-asia

Fishermen’s Stilt Houses, Pilar, Bicol

Southern Luzon, Philippines

Southeast Asia

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The architect that is most ןdentify  with the idea of ​​PILOTIS is Le Corbusier.  THE PILOTIS is the first principle of  le corbusier’s five
points of architecture
The main idea that led to lifting building PILOTIS ,is to allow a sequence of green areas and free movement of pedestrians.
The next sketch by Le Corbusier is showing a typical section of  Unite D’habitation = high-rise housing block 1946-1952
Le Corbusier's sketch
notice the  Unite D’habitation is raised up on pilotis  ,the green landscape spaces surrounding as  Le Corbusier’s Vision for  “La Ville
Radieus”  =  radiant city
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The second phase of the Conscious Inspiration process is the development of the conscious inspiration Tools.
Zumthor chose to present his project using a physical model
The model represents the initial phase of the project
51af776ab3fc4b225b000148_a-first-look-at-peter-zumthor-s-design-for-the-lacma_screen_shot_2013-06-05_at_10-34-29_am-528x249
The Los Angeles County Museum of Art  (LACMA) zumathor’s new
design would act as a “user-based village” of experiences with several access points and routes. Just as one would wander through a forest

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The third step in the Conscious Inspiration process,is to identify relevant sources of inspiration (existing buildings)
There are two types of buildings that can be a sources of inspiration
Buildings that are highly recognized representing a source of inspiration for many architects

one of them is  Le Corbusier’s Unite d’ Habitation built in Marseille  1946-1952 

shown in

the next image

                                                                                                                  

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The same year Le Corbusier’s Unite d’ Habitation in Marseille was finished 1952Kenzo Tange’s Hiroshima Peace Memorial Museum in Japan ,was opened

48

 notice Kenzo Tange’s Hiroshima Peace Memorial Museum is a  raised horizontal beam up on pilotis

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Newly constructed buildings are used as specific inspiration sources

 Recently were published two buildings (one of them a museum) that realize the design principles developed by Le Corbusier in the 20s of the last century, the first principle of le corbusier’s five points of architecture, lift the building on PILOTIS to allow continuity of the ground level of pedestrian movement and sequence of the forest

The first building is Jean Nouvel’s quai Branly Musée du Paris, 1995-2005 

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Note the prominent principles of this Museum
raised horizontal beam up on pilotis, allowing passage of pedestrians on the ground floor,in a clear green Characteristics.
One year after completion of the  Jean Nouvel’s Branly Musée 
Steven Hall plans an horizontal skyscraper, the  VANKE CENTER in Shenzhen,China  2006-2009
dzn_steven-holl-vanke-61
Once more ,note the prominent principles of this building,
raised horizontal beam, up on pilotis,llowing passage of pedestrians on the ground floor,in a clear green characteristics.

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Step Four  realise your invention

The next image is a general view of Peter Zumthor’s Los Angeles County Museum of Art model

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Unlike the very characteristics raised horizontal beam, up on pilotis
  Zumthor’s  Museum is a very large amorphous surface.

   

Is  Zumthor’s  Museum   a good example of Conscious Inspiration?

For you to judge….

 

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

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Le Corbusier and the double message of the Conscious Inspiration

Posted in buildings, public buildings with tags , , , , , , , , , , , , , , , , on June 9, 2013 by eliinbar

Here is Le Corbusier’s thought-provoking quote, published in his book “Towards Architecture“, in the early 20′s of the last century

The iron and cement  during the last fifty years brought achievements , indicating the powerful of construction, but also architecture that its code is disrupted

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? What was Le corbusier‘s message when he wrote this phrase

It is possible to interpret Le corbusier’s  message literally

Architects failed to take advantage correctly ,of new construction technologies that were developed at the end of the 19th century and early 20th century

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I think Le Corbusier wanted to  send us a message bit different

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:That is how I understand, le Corbusier’s message 

 Since its birth, the architectural bases itself on the guiding principles

    These principles serves the needs of the primary users, we all

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?Where do we find the guiding principles

We finde the guiding principles in existing buildings

 Architects failed to take advantage correctly ,of new construction technologies because they did not base their new designs on Inspiring buildings

 Instead of learning the guiding principles that have evolved over the centuries, they choose to skip this legacy, and reinvent the wheel

 This architecture does not serve us

 I can suggest a name to Le corbusier’s message , I would call  it Conscious Inspiration

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Here Is an interesting example , Le Corbusier has published in his book Towards Architecture

This example shows us how “Conscious Inspiration” works for Le Corbusier

Here are the four Conscious Inspiration steps, who led Corbusier to high quality and creative architecture

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First step-  le Corbusier choose the right “Inspiration Sources” that empowers his vision,  guiding principles = Outlining guidelines

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Second step- this is one of Le Corbusier’s first buildings. le Corbusier implements consciously the principals of the “Outlining guidelines” in a building characterized by periodical architectural characteristics   

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Third step – le Corbusier develops his own personal design tools =five points of architecture / Maison Domino

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Le Corbusir’s five points of architecture - Eliinbar sketches 2011

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Fourth step- le Corbusier use his inspiration sources as the “Planning Process Generator”, he combines the tools developed and design high quality creative architecture, The building shown in the next image is a completely radical design compared to buildings which are being built at the time

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Check the   NEW  CONSCIOUS  INSPARATION  PAGE

in my Facebook

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Inspiration from existing buildings = Conscious Inspiration….”If You’re Gonna Do It, Do It Right”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on May 31, 2013 by eliinbar

From Eliinbar's Sketchbook 2013  "If You're Gonna Do It, Do It Right"

From  Eliinbar Sketchbook 2013  “If You’re Gonna Do It, Do It Right”

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Todays  post presents for the eighth time, my “Conscious Inspiration” project…. 100 Conscious projects in 200 days

100projects in 200 days that we can easily identify their Inspiration sources

These projects are published in ARCHDAILY ,the world’s most visited architecture website

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The inspiration sources for the 100 projects ,are not nature in full bloom ,or wonderful music, not exciting prose

Their inspiration sources are ,existing buildings

Existing  buildings , that we are exposed to in countless websites, design brochures and  books ,everybody  is talking about this phenomenon these days , it is  called The availability of information

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This is Steven Holl’s Sliced Porosity Block project In  Chengdu, Sichuan ,China 2007-2012

Steven Holl Architect Sliced Porosity Block 2012 Chengdu, Sichuan China

Steven Holl Architect

Sliced Porosity Block 2012

Chengdu, Sichuan China

Notice  Steven Holl’s  scale strategy 

The irregular shape of the towers, the openings and the changes in scale, add a sense of human proportions and individuality to the huge mass of the buildings

The dominant regular grid of the façade,accentuated by dominant expression of the diagonal reinforcement beams , reinforce the sense of human scale 

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You are invited to visit my post

Zaha Hadid demonstrates us, how “Conscious Inspiration” leads us to

significant architecture

And discover the historical inspiration sources for Steven Holl’s  façade strategy

From  Eliinbar Sketchbook 2013 - Zaha Hadid helps us understand how “Conscious Inspiration” leads us to significant architecture

From  Eliinbar Sketchbook 2013  – Zaha Hadid helps us understand how “Conscious Inspiration” leads us to significant architecture

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Now let’s examine QLAB architects design strategy, as reflected in the NTFSH Gymnasium Published in Archdaily 26 MAY 2013 ,and shown in the next image

NTFSH Gymnasium / QLAB architects  project year 2013 Tainan, Taiwan

QLAB architects

NTFSH Gymnasium , project year 2013 Tainan, Taiwan

Published in Archdaily 26 MAY 2013

QLAB’s NTFSH Gymnasium is characterized by a basic morphological box with A dominant regular grid on the façade, accentuated by diagonal reinforcement beams

  Does the NTFSH Gymnasium  represents the principles of Conscious Inspiration  

My personal opinion…. not enough

From Eliinbar's Sketchbook 2013  "If You're Gonna Do It, Do It Right"

From  Eliinbar Sketchbook 2013  “If You’re Gonna Do It, Do It Right

While  Steven Hall’s “Sliced ​​Porosity Block” is characterized by openings and changes in scale, that add a sense of human proportions and individuality , QLAB’s NTFSH Gymnasium ,is characterized by a basic morphological box 

 The effort expended on the NTFSH Gymnasium’s façades, is relevant?

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Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

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