Is Zaha Hadid the most relevant architect for the twenty first century ?

Posted in Inspiration Source, Uncategorized with tags , , , , , , , , , , , on April 10, 2016 by eliinbar

Eliinbar’s Sketches 2012 –Zaha Hadid’s “aggressive snake motif”

From Eliinbar Sketch book 2012–Zaha Hadid’s “aggressive snake motif

From 2010 until today

I have published dozens of posts featuring the works of Zaha Hadid in the context of “Conscious Inspiration”

Zaha Hadid is the most relevant architect for the twenty first century

Here are some selected posts …. Thank you Zaha Hadid

Zaha Hadid and the mechanics of inspiration

From  Eliinbar’s sketchbook 2012  Zaha Hadid-“Mechanics of Inspiration“

From  Eliinbar’s sketchbook 2012  Zaha Hadid-“Mechanics of Inspiration

https://archidialog.com/2012/02/12/zaha-hadid-and-the-mechanics-of-inspiration/

Zaha Hadid and the liquid buildings trend

Eliinbar Sketches 2013 - Zaha Hadid and the liquid buildings Trend

Eliinbar Sketches 2013 – Zaha Hadid and the liquid buildings Trend

https://archidialog.com/2013/03/19/zaha-hadid-and-the-liquid-buildings-trend/

Zaha Hadid , do aspirations for reality begins in our drawings?

Zaha Hadid’s Sketch for the spiral tower in Barcelona

Zaha Hadid’s Sketch for the spiral tower in Barcelona

more information about the spiral tower

you can find in archdaily.com

https://archidialog.com/2012/05/11/zaha-hadid-frank-lloyd-wright-do-aspirations-for-reality-begins-in-our-drawings

Zaha Hadid helps us raise a critical issue that should concern us all …. how to get inspired from existing buildings consciously

From Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

From Eliinbar’s sketchbook 2013 -Zaha Hadid Inspiration Sources

 Eliinbar's Sketches 2013-Zaha Hadid and the "Copy Paste" Syndrom

From  Eliinbar’s Sketchbook 2013 -Zaha Hadid and the “Copy Paste” Syndrom

https://archidialog.com/2013/04/30/zaha-hadid-helps-us-raise-a-critical-issue-that-should-concern-us-all-how-to-get-inspired-from-existing-buildings-consciously/

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Zaha Hadid‘s legacy will be present in Dubai’s Expo 2020

The evolution of typology  

The next image. Is  Zaha Hadid’s  Aqua table from 2008

Zaha Hadid’s Aqua table from 2008

And this is the National Museum of China competition entry from 2012designed by MAD Architects 

National Museum of China competition entry from 2012, Designed by MAD Architects

From eliinbar’s Sketchbook 2012- MAD Architects and Zaha Hadid’s Phaeno Science Center  without words….

From eliinbar’s Sketchbook 2012– MAD Architects National Museum of China competition entry from 2012 and Zaha Hadid’s Aqua table from 2008

three years later, BIG’s Opportunity Pavilion shown in the next image, was elected to be built in Expo 2020 in Dubai

5

for you to judge….

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  Eliinbar  

 

 

……….Expo 2015 Milan = Controlling light

Posted in buildings, Inspiration Source, public buildings with tags , , , , , , , , , , , , , , , , , , , on October 24, 2015 by eliinbar

"Controlling Light" In Expo 2015

eliinbar’s  sketches 2015 – “Controlling Light” In Expo 2015

I visited this year Expo in Milan….

Expo 2015 Motto is  Feeding the Planet, Energy for Life

From the point of view of an architect ,Milan Expo 2015 is a  dreamy playground containing 145 Structures designed by talented architects

appears that 145 architects

in Expo 2015

chose to deal with

a common challenge

to Control  Light

you are already familiar

to this blog tradition

I will first deal with different strategies of

how to “Control Light” implemented in different structures in Expo 2015

And than

I shall propose

their

Inspiration sources

for you to judge

Here is a sketch showing the most common design strategy in  Expo 2015

to Control Light by

envelopes made of Layers

Layers that are composed of vertical and horizontal slabs

"Controlling Light" In Expo 2015

“Controlling Light” In Expo 2015

shown in the next image

is the Ireland’s pavilion in Expo 2015

notice the shading strategy implemented in the Ireland’s pavilion

layers of vertical slabs connected to the envelope structure

in  variable density

IMG_6008

and this is  le Corbusier’s  La Tourette Monastery in Lyon France designed and built from 1953 to 1957

6101173488_97b72fd209_b

notice the shading strategy implemented in le Corbusier’s  La Tourette Monastery

layers of vertical slabs connected to the envelope structure

in  variable density

eliinbar's sketches 2015 -inspiration sources- "Controlling Light" In Expo 2015

eliinbar’s  sketches 2015 -inspiration sources- “Controlling Light” In Expo 2015

Is le Corbusier’s  La Tourette Monastery, the Ireland’s Pavilion inspiration?

for you to judge

 _

_

_

_

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more pavilions in Expo 2015 in Milan

implementing this strategy

The Czech pavilion

 Czech pavilion in expo 2015 vertical slabs

Azerbaijan pavilion in expo 2015

Azerbaijan pavilion in expo 2015- horizontal slabs


IMG_6099

German pavilion in expo 2015- horizontal slabs

IMG_6082

 Romania pavilion in expo 2015- vertical slabs

French pavilion in Expo 2015

French pavilion in Expo 2015 – vertical slabs

Pavilion Expo 2015

more

Inspirational stories from Expo 2015, in future posts

If you fantasize about being Toyo Ito, Herzog de Meuron or perhaps Rem Koolhaas, that is easy, two doses of “BIRD NEST typology” ,a single dose of “BRANCHING design”And you’re all set….

Posted in Inspiration Source, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 19, 2014 by eliinbar

eliinbar’s sketches 2014-Branching design or in other words the “Bird nest” typology

 eliinbar’s sketches 2014 – Branching design or in other words the “Bird nest” typology

Today’s post will be the third of a series, inquiring whether one of the leading architectural firms in the world, OMA of Rem Koolhaas, is a popular Inspiration Source for architects today.

Today’s main configuration of a building designed by Oma and Rem Koolhass is a prominent source of inspiration , the branching design or in other words the “bird nest” typology .

THE MAIN CONFIGURATION

Branching design

The branching design is based on Toyo Ito’s and Cecil Balmond’s

Serpentine Gallery Pavilion (2002) in London shown in the next image.

Serpentine Gallery Pavilion (2002) in London

A few words about Cecil Balmond:

Cecil Balmond sees his work as an open-ended visual application of theory, following the principle that “structure as conceptual rigour is architecture

Balmond’s research is about complexity and non-linear organization ,he investigates mathematical concepts and their influence on natural forms and structures

A few words about Toyo Ito:

Toyo Ito received the Royal Gold Medal at the RIBA on 15 February 2006

Jack Pringle, RIBA President described Toyo Ito’s work :.

Toyo Ito has been an inspiration for generations of architects worldwide since his work started to receive international acclaim in the 1970s. For thirty years he has been a leading figure in architecture and I am delighted that he has accepted the Royal Gold Medal.

THE ORIGINS

(Inspiration Sources)

It is hard to say for certain ..but I think that the following projects are definitely good candidates to be the ORIGINS sources of inspiration for the BRANCHING design
and the BIRD NEST typology

BIRD NEST typology

Hezog De Meuron Architects

National Stadium – the “bird nest” Beijing   2001-2008

birds_nest_beijing_arup5

and it’s Inspiration source: Chinese ceramic ware – Vase with crakle

VLUU L100, M100  / Samsung L100, M100

BRANCHING design

In 2001,architect Toyo Ito designed Tods’ Omotesando Store in Tokyo.

A unique organic design that was called the “Tree Building

Tods’ Omotesando Store in Tokyo 2002-2004

Tod’s Omotesando Building By Toyo Ito & Associates-Photographs©Toyo Ito & Associate

and it’s Inspiration source, the Zelkova trees shown in the next image  : (Tods’ Store is located in Omotesandō who is a Zelkova tree-lined avenue located in Shibuya and Minato,Tokyo)

04-shade-trees

Toyo Ito about Tods’ Omotesando Store in Tokyo (From  HOUSE VARIETY) :

we enclosed the site with a wall that gives the impression of a row Zelkova trees  The facade of criss-crossed concrete braces reinterprets the silhouettes of the trees on the Omotesandō. This exterior surface serves as both graphic pattern and structural system

Our various studies started with the question, “How can we escape the conventional notion of a wall structure?” In other words, we were seeking a way to avoid transparent openings in an opaque volume. Instead of distinguishing transparency from opaqueness, we were seeking a new method that would simultaneously define and unite them – we were attempting to relate all the lines (columns), surfaces (walls), and openings in an innovative way. Our studies suddenly moved in a different direction after formulating the question: “Shouldn’t it be possible to create a surface as structure that directly expresses the flow of force, so long as it is formed as a structural diagram drawn as a pattern of thick lines on a flat surface?”

 –

The Contemporary Inspiration Source

OMA and Rem Koolhaas’s Faena Arts Center, Miami Beach, USA, 2014

Faena Arts Center_Indian Creek_Copyright OMA_big

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Enjoy

 –

Conscious Inspiration today

more “branching” design

1

2010-10-11-Park51SomaArchitectsRendering2-thumb

leonardo-glass-cube1

zahacitydreamsmacau-1

dzn_Gimpo-Art-Gallery-by-G_Lab-02

city-hall-for-budapest-by-erick-van-egeraat-aq376_n39_webview

1509_EXT_VIEW_04

hoff01

city-hall-for-budapest-by-erick-van-egeraat-patio-orchestra

bionic-tower111209_LAVA_BT_02_Detail_Facade523x285_300

Print

2_project_1001780632

IMG_4460


more “bird nest” typology

a

Bird_s_nest_staircase

1201-Roshan-120312-11x17-v1.psd

images (6)

eybl

manny-building

birds-nest-lamp

birds-nest-occasional-chair

images (2)

stairs-2-e1305288889679

modern_design_round_bed_3_the_Bird

photo-3-4

94

Finally, what  do you think about the following example?

for you to judge….

Tod’s Omotesando Building By Toyo Ito & Associates-Photographs©Toyo Ito & Associates-23

Tods’ Omotesando Store from within,designed by architect Toyo Ito 

In 2001

and this is  Hezog De Meuron’s

Prada Store from 2003 located ten minutes walk from the Tod’s Omotesando Store

Prada-store-by-Herzog-and-De-MeuronTokyo-02

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we passed 11,000 likes

thank you all

Enjoy

 –

what did i learn from this post?

As in any field that deals with  creation and invention, the people engaged in it are divided into two groups.

The first group is very small, they have the skills that allow them to innovate Big time.

Most of us belong to the second group, we get inspiration from the first group.

I do not think there is a problem with that….

The big questions are:

Do we know how to  be  inspired in a conscious way?

Do we know how to choose our source of inspiration in a way that enhances our buildings?

Do we copy and paste, or insist to add our invention?

What are the tools needed to improve the realization of the three previous questions?

This blog examines the

 inspiration sources

 of contemporary architectural projects

 I put a virtual

 mirror  

 reflecting processes of

conscious and

unconscious inspiration among Architects

and you judge

 But my challenge is not over yet

If my

mirror

 reflects the reality correctly

Then is needed a change in architecture profession training

And I will explane

You probably noticed that the differences between

Conscious Inspiration” and “Copy paste

are rather vague

And there is a consensus that

 Copy-paste is disastrous for the architectural profession

We all know that the basis for all architectural design , is the uniquesite

 on which the building is built

so how can we copy buildings?

For that I strive to develope a responsive training method for architects

I call it the

 Conscious Inspiration Method

The “Conscious Inspiration Method” is  learning to be inspired  consciously  from existing buildings

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our designing tools =“Codex Rules”, it will lead us to high quality creative architecture

.

I believe that the natural development of architecture design is based on 

inspiration techniques

I call them

Codex Rules

In my next posts ,I will show some Interesting  inspiration techniques

What is common to ancient Rome, Louis Kahn, Charles Moore ,Tadao Ando and Rem Koolhaas?

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on July 5, 2014 by eliinbar

eliinbar’s sketches 2014 - THE MAIN CONFIGURATION=ROTATION
eliinbar’s sketches 2014 – THE MAIN CONFIGURATION=ROTATION

Today’s post will be the second of a series, inquiring whether one of the leading architectural firms in the world, OMA of Rem Koolhaas, is a popular Inspiration Source for leading architects today. Today’s main configuration of a building designed by Oma and Rem Koolhass is ROTATION.

THE MAIN CONFIGURATION

ROTATION

eliinbar's sketches-ROTATION

The origins

(Inspiration Sources)

 –

8th century BC to the 5th century AD

Forum Romanum

Ancient Rome floors plans

(Republican Era)

Platner-forum-republic-96

The Sixties

Louis Kahn

Norman Fisher House floor plan Hatboro, Pennsylvania, United States 1960-1967

Louis Kahn Norman Fisher House

The Seventies

Charles Moore

 Kresge College street level floor plan 1971

kresge College Plan

The Eighties

Tadao Ando

Church of the light  built in 1989, in the city of Ibaraki, Osaka Prefecture.

church of the light site plan

eliinbar’s sketches 2014 - THE MAIN CONFIGURATION=ROTATION

eliinbar’s sketches 2014 – THE MAIN CONFIGURATION=ROTATION

Note that the main configuration- rotation

 is  reflected in each of the above floor plans

eliinbar's sketches-ROTATION

And how  Rem Koolhaas implements the idea of ​​ROTATION today?

The Contemporary Inspiration Source

OMA and Rem Koolhaas’s winning proposal for the Plaza at Santa Monica 2013

OMA and Rem Koolhaas's winning proposal for the Plaza at Santa Monica 2013

Conscious Inspiration today

more Rotating buildings

arkinetia_spiralling_tower_-_barcelona_zaha_hadid_qqqnot20060517_01

xrange_sml_w2

152d7a90001

1353433679-rsi-mvrdv-jakarta-view02-500x500

1480001

5131262db3fc4b6c22000049_-frank-gehry-at-work-exhibition_lehiutah

cool00

the-institute-for-islamic-culture-mikou-design-studio-paris

kube-4

PFP-Planungs-GmbH-Hamburg-Germany_-School-in-Genoa_dezeen_468_1

Strasbourg-School-of-Architecture_dezeen_5

50736ab828ba0d7b2f0000ea_basket-apartments-in-paris-ofis-architects_ofis_basket_apartments_in_paris_4_-2-_-2-

cap01

nadra_tower-l

21210_acadecloseup1385

monaco-expo-2010

51150851b3fc4bf5d7000020_aggrenad-and_aggrenad_00-528x371

dezeen_Housing-for-Jardins-de-l’Arche-by-Farshid-Moussavi-11

images (2)

images (1)

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

in my Facebook

This blog examines the

 inspiration sources

 of contemporary architectural projects

 I put a virtual

 mirror  

 reflecting processes of

conscious and

unconscious inspiration among Architects

and you judge

 But my challenge is not over yet

If my

mirror

 reflects the reality correctly

Then is needed a change in architecture profession training

And I will explane

You probably noticed that the differences between

Conscious Inspiration” and “Copy paste

are rather vague

And there is a consensus that

 Copy-paste is disastrous for the architectural profession

We all know that the basis for all architectural design , is the unique site

 on which the building is built

so how can we copy buildings?

For that I strive to develope a responsive training method for architects

I call it the

 Conscious Inspiration Method

The “Conscious Inspiration Method” is  learning to be inspired  consciously  from existing buildings

With the methodology of “conscious Inspiration”, we don’t need to be intimidated to get inspired from relevant buildings.  Once we develop our designing tools =“Codex Rules”, it will lead us to high quality creative architecture

.

I believe that the natural development of architecture design is based on 

inspiration techniques

I call them

Codex Rules

In my next posts ,I will show some Interesting  inspiration techniques

Le Corbusier Is probably the “Conscious Inspiration” Father, but without doubt, Rem Koolhaas is the Contemporary Inspiration Source for leading architects

Posted in Inspiration Source, public buildings with tags , , , , , , , , , , , , , , , , , , , , , , on June 23, 2014 by eliinbar

Eliinbar’s Sketchbook 2014 ,Rem Koolhaas and SANAA Typology of a Shifted Buildings

From Eliinbar’s Sketchbook 2014– Rem Koolhaas and SANAA Typology of a Shifted Buildings

 –

After a long break, I’m back.. Business as usual .. Nothing new under the sun.

Today’s post will be the first of a series, inquiring whether one of the leading architectural firms in the world, office of Architecture OMA led by Rem Koolhaas, is a popular Inspiration Sources among leading architects today.

Each post will introduce a building designed by  Rem Koolhaas . I will identify the building main configuration, and its origins. Then I will unfold some buildings, we can identify characteristics indicating they were influenced  by Rem Koolhaas   .

In other words,  Rem Koolhaas’s  buildings, most likely were their Inspiration Source

The Inspiration Source

This is the new De Rotterdam complex a “vertical city” in Rotterdam completed in 2013

Designed By office of Architecture OMA led by Rem Koolhaas

Commission 1997, groundbreaking December 2009, completion November 2013

De-Rotterdam-by-OMA-interview-with-Rem-Koolhaas_dezeen_1SQ

  Rem Koolhaas’s quote published in DEZEEN :

a building that consists of separate volumes that were slightly shifted vis-a-vis each other

The main configuration

 Here is a sketch I made, that explains the principles of the typology of a Shifted Buildings

Typology of a Shifted Buildings

The origins

 And this building  is Frank Lloyd Wright’s “Falling Water” built in the USA in 1934 . this building is probably one of the known examples of  Shifted Buildings.

 Frank Loyd  Whrite's “Falling Water”

 Frank Lloyd Wright- “Falling Water”

Plans, sections and elevations

Frank Loyd  Whrite's “Falling Water”  Plans, sections and elevations

 Note that the principle of shifting is expressed in plans, sections and elevations

Conscious Inspiration today

This is a Museum built lately in NewYork City,designed by Tokyo-based architects Kazuyo Sejima and Ryue Nishizawa.

 Kazuyo Sejima and Ryue Nishizawa are partners in the Japanese architectural firm SANAA.

 SANAA has won the 2010 Pritzker Architecture Prize, the profession’s highest honor.

SANAA received the commission of this Museum in 2002 and completion was in 2007

museum-of-contemporary-art

SANAA‘s Museum is a multi purpose buildings with an ambitious program a dramatic stack of seven rectangular boxes.

The following video explains well the museum main configuration

Of shifted boxes.

What do the architects have to say?

This is how Rem koolhaas describes the main  configuration of the De Rotterdam complex: “a building that consists of separate volumes that were slightly shifted vis-a-vis each other

From: DEZEEN

 

And this is SANAA’s description for the  museum in New York: “We knew we could not maximize the entire site with solid architecture, we had to reduce the building’s mass somehow to create space between it and the perimeter. The solution of the shifted boxes arrived quickly”.

From New Building Museume

 

 

Notice that Rem Koolhaas and SANAA are using the same basic notions to describe their buildings: “shifted volumes / boxes“.

Eliinbar’s Sketchbook 2014 ,Rem Koolhaas and SANAA Typology of a Shifted Buildings

 From Eliinbar’s Sketchbook 2014– Rem Koolhaas and SANAA Typology of a Shifted Buildings

 –

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

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Memories

Glimpse to the past

you are invited to visit my relevant posts

MVRDV Inspiration …. Or a self fulfilling prophecy

Eliinbar's sketches

 Rem Koolhaas & MVRDV-”Conscious Inspiration”5

rem-koolhaas-mvrdv-eliinbar-sketches-2010

Here are some more contemporary buildings,designed by the same principle of SHIFTING TYPOLOGY….OMA’s De Rotterdam complex most likely is their Inspiration Source

– Building_Blocks_by_psion005

 sanjay  puri architect   דובאי

house-of-arts-and-culture-beirut-by-mikou-design-studio

Shifted Buildings q_65_g_8_c_n_p__picsnews_665071

oa01

shenzhen_4_in_1_towers-_mvrdv050309_1

gehry12

-atelier- UID Architects      Osaka

garrison architects

hamburg science centre  OMA

aedas02

thumb  August, 2008

בנינים מדורגים

dzn_Modern-Art-Museum-of-Medellin-by-51-1-Arquitectos-1

laurentian-p-house-in-the-laurentian-saucierperro-tte-montreal-canadaarchitectsmountains

Sugar-Hill-by-David-Adjaye_dezeen_1sq

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  Eliinbar

Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit, and it should be realized by a plastic artist = Architect

Posted in Uncategorized with tags , , , , , , , , , , , , , , , on June 23, 2013 by eliinbar

 Le Corbusier and Carlos Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

From Eliinbar’s Sketchbook 2013 – Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

The following quote, is from le Corbusier’s  book “Towards an Architecture” ,published in 1923:

Extrusion is the touchstone of architecture

It distinguishes Art from Engineering

Extrusion is free of all constraint

This is not a question of conventions, tradition, construction method or even usefulness

Extrusion is a pure creation of the spirit, it needs a plastic artist

– 

Le Corbusier ,in his book Towards  an Architecture, presents to us the Pantheon‘s coffered dome  ,as an example for an extrusion’s inspiration source

The Pantheon was built during the reign of Augustus in Rome ,Italy

Pantheon's Coffered dome

Years after the Pantheon was built

The renowned architect ,Carlo Scarpa, was inspired by the coffered dome of the Pantheon

Here Is a typical detail from the Brion’s Family mausoleum ceiling, designed by Carlo Scarpa  1969-1978

typical detail from the Brion's Family mausoleum, designed by Carlos Scarpa  1969-1978

 Le Corbusier and Carlos Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist=Architect

From Eliinbar’s Sketchbook 2013 – Le Corbusier and Carlo Scarpa shows us that Extrusion is a pure creation of the spirit,and it should be realized by a plastic artist = Architect

For you to Judge

If you want to learn more about famous architects  inspired by ancient temples,  You are invited to visit my relevant and very popular post

David Chipperfield & Oscar Niemeyer & The Parthenon Conscious Inspiration

david-chipperfield-oscar-niemeyer-eliinbar-sketches-2011-001

Eliinbar’s Sketches 2011  The Parthenon -Conscious Inspiration

sketches-for-baner-etzy2-copy-3-copy-copy-copy[1]

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We passed the 9000 likes
Thank you all
    enjoy….

  Eliinbar

Le Corbusier to Peter Zumthor passes one straight line….”Conscious Inspiration”

Posted in buildings, public buildings with tags , , , , , , , , , , , , , on June 16, 2013 by eliinbar

From eliinbar's sketchbook 2013- Le Corbusier to Peter Zumthor  passes one straight line…."Conscious Inspiration"

From Eliinbar’s sketchbook 2013– Le Corbusier to Peter Zumthor  passes one straight line….Conscious Inspiration

Peter Zumthor recently published a model for the Los Angeles County Museum of Art  – LACMA ,new building

 Museum of Art - LACMA

 Does Peter Zumthor also plans according to the principals of the Conscious Inspiration method

Apparently so
Let’s examine how Conscious Inspiration works for Peter Zumthor
The first step in any process of conscious inspiration, is knowledge.

 The most dominant feature in Peter Zumthor’s building,  is the fact that it is raised from the ground by huge PILOTIS

-Columns, pillars, or stilts that lift a building above ground or water ,are traditionally found in stilt and pole dwellings such as fishermen’s huts in Asia and Scandinavia

fishermen-s-stilt-houses-pilar-bicol-southern-luzon-philippines-southeast-asia-asia

Fishermen’s Stilt Houses, Pilar, Bicol

Southern Luzon, Philippines

Southeast Asia

The architect that is most ןdentify  with the idea of ​​PILOTIS is Le Corbusier.  THE PILOTIS is the first principle of  le corbusier’s five
points of architecture
The main idea that led to lifting building PILOTIS ,is to allow a sequence of green areas and free movement of pedestrians.
The next sketch by Le Corbusier is showing a typical section of  Unite D’habitation = high-rise housing block 1946-1952
Le Corbusier's sketch
notice the  Unite D’habitation is raised up on pilotis  ,the green landscape spaces surrounding as  Le Corbusier’s Vision for  “La Ville
Radieus”  =  radiant city
The second phase of the Conscious Inspiration process is the development of the conscious inspiration Tools.
Zumthor chose to present his project using a physical model
The model represents the initial phase of the project
51af776ab3fc4b225b000148_a-first-look-at-peter-zumthor-s-design-for-the-lacma_screen_shot_2013-06-05_at_10-34-29_am-528x249
The Los Angeles County Museum of Art  (LACMA) zumathor’s new
design would act as a “user-based village” of experiences with several access points and routes. Just as one would wander through a forest

The third step in the Conscious Inspiration process,is to identify relevant sources of inspiration (existing buildings)
There are two types of buildings that can be a sources of inspiration
Buildings that are highly recognized representing a source of inspiration for many architects

one of them is  Le Corbusier’s Unite d’ Habitation built in Marseille  1946-1952 

shown in

the next image

                                                                                                                  

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The same year Le Corbusier’s Unite d’ Habitation in Marseille was finished 1952Kenzo Tange’s Hiroshima Peace Memorial Museum in Japan ,was opened

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 notice Kenzo Tange’s Hiroshima Peace Memorial Museum is a  raised horizontal beam up on pilotis

Newly constructed buildings are used as specific inspiration sources

 Recently were published two buildings (one of them a museum) that realize the design principles developed by Le Corbusier in the 20s of the last century, the first principle of le corbusier’s five points of architecture, lift the building on PILOTIS to allow continuity of the ground level of pedestrian movement and sequence of the forest

The first building is Jean Nouvel’s quai Branly Musée du Paris, 1995-2005 

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Note the prominent principles of this Museum
raised horizontal beam up on pilotis, allowing passage of pedestrians on the ground floor,in a clear green Characteristics.
One year after completion of the  Jean Nouvel’s Branly Musée 
Steven Hall plans an horizontal skyscraper, the  VANKE CENTER in Shenzhen,China  2006-2009
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Once more ,note the prominent principles of this building,
raised horizontal beam, up on pilotis,llowing passage of pedestrians on the ground floor,in a clear green characteristics.

Step Four  realise your invention

The next image is a general view of Peter Zumthor’s Los Angeles County Museum of Art model

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Unlike the very characteristics raised horizontal beam, up on pilotis
  Zumthor’s  Museum is a very large amorphous surface.

   

Is  Zumthor’s  Museum   a good example of Conscious Inspiration?

For you to judge….

 

Check the   NEW  CONSCIOUS  INSPIRATION  PAGE

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